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This title surveys some 60 examples of swords made and used in northern Europe during the Viking Age, from the mid 8th to the mid-11th century. It contains an illustrated overview of blade types and construction, pattern-welding, inscriptions and handle forms and Jan Petersen's classification.
An illustrated guide to Viking warfare from strategy and weapons to culture and tradition: “a very excellent introduction to the Viking age as a whole” (Justin Pollard, historical consultant for the Amazon television series Vikings). From the time when sailing was first introduced to Scandinavia, Vikings reached virtually every corner of Europe and even America with their raids and conquests. Wherever Viking ships roamed, enormous suffering followed in their wake, but the encounters between cultures also brought immense change to both European and Nordic societies. In Vikings at War, historian Kim Hjardar presents a comprehensive overview of Viking weapons technology, military traditions and tactics, offensive and defensive strategies, fortifications, ships, and command structure. The most crucial element of the Viking’s success was their strategy of arriving by sea, attacking with great force, and withdrawing quickly. In their militarized society, honor was everything, and ruining one’s posthumous reputation was considered worse than death itself. Vikings at War features more than 380 color illustrations, including beautiful reconstruction drawings, maps, cross-section drawings of ships, line-drawings of fortifications, battle plan reconstructions, and photos of surviving artifacts, including weapons and jewelry. Winner of Norway’s Saga Prize, Vikings at War is now available in English with this new translation. “A magnificent piece of work [that] I’d recommend to anyone with an interest in the Viking period.” —Justin Pollard, historical consultant for the Amazon television series Vikings
The Resplendent image of the medieval knight is concentrated in the symbolism of his sword. The straight, two-edged, cross-hilted knightly sword of the European middle ages was an object of vital importance, a lethal weapon on the battlefield and a badge of chivalry in that complex social code. Ewart Oakeshott draws on his extensive research and expert eye (and hand, for he has a special sense for the feel of a sword) to develop a typology for and recount the history of the sword, from the knightly successors of the Viking weapon to the emergence of the Renaissance sword - that is, roughly from 1050 to 1550. Within this time-span, two distinct groups of swords successively evolved. Problems of dating are acute, and evidence is adduced from literature and art as well as from archaeology, for a sword (or some parts of a sword) could have been in use several generations after it first saw battle. To deal with such overlap, Ewart Oakeshott develops, refines and illustrates a detailed typology of swords which takes in entire swords, pommel-forms, cross-guards, and the grip and scabbard.
The sword was the most important of weapons, the symbol of the warrior, not to mention the badge of a officer and a gentleman. Much has been written about the artistic and historical significance of the sword, but outside specialised publications, relatively little about its metallurgy, and that often confined to a particular group. This book aims to tell the story of the making of iron and steel swords from the first Celtic examples through the Middle Ages to the Early Modern period. The results of the microscopic examination of over a hundred swords by the author and other archaeometallurgists are given and explained in terms of the materials available in Europe.
This study concerns the importance of the sword in Anglo-Saxon and Viking society, with reference to surviving swords and literary sources, especially Beowulf.
A wide-ranging study of the significance of swords throughout the whole Anglo-Saxon period, offering valuable insights into the meaning of and attitude towards swords. Swords were special in Anglo-Saxon England. Their names, deeds and pedigrees were enshrined in writing. Many were curated for generations, revealed by their worn and mended condition. Few ended their lives as casual discards, placed instead in graves, hoards and watercourses as part of ritualised acts. Contemporary sources leave no doubt that complex social meanings surrounded these weapons, transcending their use on the battlefield; but they have yet to transcend the traditional view that their primary social function was as status symbols. Even now, half a century after the first major study of Anglo-Saxon swords, their wider significance within their world has yet to be fully articulated. This book sets out to meet the challenge. Eschewing modern value judgements, it focuses instead on contemporary perceptions - exploring how those who made, used and experienced swords really felt about them. It takes a multidisciplinary and holistic approach, bringing together insights from art, archaeology and literature. Comparison with Scandinavia adds further nuance, revealing what was (and was not) distinctive of Anglo-Saxon views of these weapons. Far from elite baubles, swords are revealed to have been dynamic "living" artefacts with their own identities, histories and places in social networks - ideas fuelled by their adaptability, durability and unique rolein bloodshed. Sue Brunning is Curator of European Early Medieval Collections at The British Museum.
An extensive and thorough study of the origins, development and usage of the glamorous two-edged knightly sword of the European middle ages, with a complete typology. Spanning the period from the great migrations to the Renaissance, this book presents a selection from a very large body of photographs and research and gives a full and detailed record of the swords of that turbulent time.
A multidisciplinary overview of current research into the enduringly fascinating martial artefact which is the sword.
An Interdisciplinary Study of Viking Culture that Dispels Myths and Expands Our Understanding of Their World Sometime near the end of the tenth century, a man named Fraði died in Sweden. His kinsmen raised a granite runestone to his memory in Denmark. The carved message appears to tell us that Fraði was "first among all Vikings" and that he was the "terror of men." Known sources about the Vikings revolve around the constant threat of violence: literary and artistic sources from both inside and outside Viking lands, including poetry, myths, stories, and artwork; law codes; burial practices; weapons; even their ship and house architecture. Based on nearly two decades of research, Men of Terror: A Comprehensive Analysis of Viking Combat is a heavily illustrated interdisciplinary study of the heart of Viking society: weapons and combat. Relying on a vast array of sources from a wide range of fields, research scientist William R. Short and independent scholar and martial arts instructor Reynir A. Óskarson dig deep into the culture of men like Fraði to better understand the mindset and performance of Viking warriors that led them to venerate and praise acts of violence and aggression. In the process they have painstakingly reverse-engineered Viking combat techniques to account for the archaeology we have. Along the way, they answer questions such as, Were there women warriors? Why did Vikings burn their enemies alive inside their homes? Why were these brutal, horrific acts such as raiding held in such high esteem? Through their comprehensive research, the authors present a holistic picture of this society from what previously had only been disparate and intriguing parts. By the end of the book, the reader will understand the importance of combat to Viking society, the nature of that combat, and the code of these "men of terror."