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Ruth Park’s Miles Franklin-winning novel brilliantly evokes Australia in the midst of the Great Depression. Written with warmth and affection, Swords and Crowns and Rings is a powerful story about human nature and the strength of an unlikely love.
Set in Australia and England in the late nineteenth and early twentieth century, The Cardboard Crown presents an unforgettable portrait of an upper middle-class family who love both countries but are not quite at home in either. Martin Boyd is a deeply humane novelist, a writer of family sagas without peer.
Alex and Andrew are friends. And Barbara...Barbara is a goddess. Here is the eternal triangle, the story of three people in an unhappy tangle of emotions, none able to articulate the precise quality of their longing and dissatisfaction. Are any of them truly interested in reaching the ‘paradise’ they claim to be seeking, or are they actually trying to avoid it? In St. John’s hands, what is commonplace is transformed and transcendent. This is the work of an extraordinary writer. MADELEINE ST JOHN was born in Sydney in 1941. Her father, Edward, was a barrister and Liberal politician. Her mother, Sylvette, committed suicide in 1954, when Madeleine was twelve. Her death, she later said, ‘obviously changed everything’. St John studied Arts at Sydney University, where her contemporaries included Bruce Beresford, Germaine Greer, Clive James and Robert Hughes. In 1965 she married Chris Tillam, a fellow student, and they moved to the United States where they first attended Stanford and later Cambridge. From Cambridge, St John relocated to London in 1968 with the hope that Chris would follow. The couple did not reunite and the marriage ended. St John settled in Notting Hill. She worked at a series of odd jobs, and then, in 1993, published her first novel, The Women in Black, the only book she set in Australia. When her third novel, The Essence of the Thing (1997), was shortlisted for the Man Booker Prize, she became the first Australian woman to receive this honour. St John died in 2006. She had been so incensed after seeing errors in a French edition of one of her novels that she stipulated in her will that there were to be no more translations of her work. ‘Not much in the way of folly escapes Madeleine St John, and the oubliette she opens into the darker reaches of the spirit is unsettling.’ The Times ‘St John proves herself a comic, humane observer.’ Newsday ‘Madeleine St John is brilliant on the elliptical way lovers talk to each other.’ Daily Telegraph
First published in 1962, Hills End is regarded as a turning point in Australian children's literature, paving the way for much subsequent Australian adventure fiction. On a fateful day in Hills End, a timber-milling town in the mountains of Victoria, seven children and their teacher set off to explore caves in the nearby mountains said to contain ancient Aboriginal rock art. While they are deep inside the mountain caves a storm of tremendous violence all but sweeps the town away and threatens to leave them stranded on the mountain. Tackling flooded creeks and washed out paths and fallen trees, the children make their way back to Hills End injured and exhausted, only to face a new battle to survive in the denuded town. Ivan Southall was the first Australian author to receive the Carnergie Medal, and was awarded the Australian Children's Books Council Book of the Year on three occasions. He wrote over 60 books in his lifetime and has been published in 23 different countries. He died in 2008. textclassics.com.au 'The author has the power to get inside his characters, and through them express his faith in human nature in the goodness of man...a solid work, strong in action, mood and discipline.' New York Times 'A book that has haunted me for years.' Ramona Koval, By the Book 'I would highly recommend this novel for both children and adults as the vivid imagery which Southall creates is something which is not as prominent in today's literature. I believe that it is important for young people to read books like this as they encourage a love for the written word, something which is often neglected these days.' ReadPlus review blog
A landmark D. H. Lawrence novel, considered to be among the best writing about Australia.
Two novellas about the deep connections we forge with the people we love, and the pain of breaking those connections. In Honour, Kathleen and Frank are amicably separated, in contact through shared parenting of their young daughter, Flo. But when Frank finds a new partner and wants a divorce, Kathleen is hurt. And Flo can’t understand why they all can’t live together. In Other People’s Children, Ruth and Scotty live in a big share house that’s breaking up. Scotty is trying to hold on, remembering the early days of telling life stories and laughter and singing—and when the kids were everyone’s kids. But now the bitterness has crept in and their friendship is broken. Ruth is ready to move on—and she’ll take her kids with her. Helen Garner writes novels, stories, screenplays and works of non-fiction. In 2006 she received the inaugural Melbourne Prize for Literature, and in 2016 she won the prestigious Windham-Campbell Prize for non-fiction and the Western Australian Premier’s Book Award. Her book of essays Everywhere I Look won the 2017 Indie Book Award for Non-Fiction. ‘Garner is scrupulous, painstaking, and detailed, with sharp eyes and ears. She is everywhere at once, watching and listening, a recording angel at life’s secular apocalypses...her unillusioned eye makes her clarity compulsive.’ James Wood, New Yorker ‘She drills into experience and comes up with such clean, precise distillations of life, once you read them they enter into you. Successive generations of writers have felt the keen influence of her work and for this reason Garner has become part of us all.’ Weekend Australian ‘Helen Garner’s collections of fiction and non-fiction corroborate her reputation as a great stylist and a great witness.’ Peter Craven, Australian
Tin River is a townlet of terminal attractiveness. Tin River is a state of mind. Researching in the archives Belle discovers the long-dead Gaden Lockyer, a colonial pioneer in Jericho Flats, and soon becomes obsessed. Belle’s quest for Lockyer is her way of coming to terms with the past—her mother, ‘a drummer in her own all-women’s group’; her absent American father; and her ineffectual husband, Seb. In Reaching Tin River, Thea Astley’s satire is at its sharpest and most entertaining. Thea Astley was born in Brisbane in 1925. Her first novel, Girl with a Monkey, was published in 1958 and her third, The Well Dressed Explorer (1962), won the Miles Franklin Literary Award. Many notable books followed, among them the groundbreaking A Kindness Cup (1974), which addressed frontier massacres of Indigenous Australians, and It’s Raining in Mango (1987). Her last novel was Drylands (1999), her fourth Miles Franklin winner. Her fiction is distinguished by vivid imagery and metaphor; a complex, ironic style; and a desire to highlight oppression and social injustice. One of the most distinctive and influential Australian novelists of the twentieth century, Astley died in 2004. ‘How lucidly Ms. Astley evokes for us Australia's rough pioneer history and Belle's love for it...You will like this journey, I promise, and when it is over you will wish it weren't, and you will feel cross and want from Ms. Astley much, much more.’ New York Times ‘Dazzling imagery on every page...Beautifully written.’ Publishers Weekly ‘Intelligent, fresh, and new.’ Kirkus Reviews
I told them to go into the scrub and disperse the tribe. Disperse? That is a strange word. What do you mean by dispersing? Firing at them. Two decades after a massacre of local Aboriginal people, the former residents of a Queensland town have reunited to celebrate the progress and prosperity of their community. Tom Dorahy, returning to his hometown, is having none of it: he wants those responsible to own up to their actions. A reckoning with oppression, guilt and the weight of the past, A Kindness Cup is one of Thea Astley’s greatest achievements. Thea Astley was born in Brisbane in 1925. Her first novel, Girl with a Monkey, was published in 1958 and her third, The Well Dressed Explorer (1962), won the Miles Franklin Literary Award. Many notable books followed, among them the groundbreaking A Kindness Cup (1974), which addressed frontier massacres of Indigenous Australians, and It’s Raining in Mango (1987). Her last novel was Drylands (1999), her fourth Miles Franklin winner. Her fiction is distinguished by vivid imagery and metaphor; a complex, ironic style; and a desire to highlight oppression and social injustice. One of the most distinctive and influential Australian novelists of the twentieth century, Astley died in 2004. ‘Smart, compassionate.’ New York Times ‘One of the earliest and most empathetic postwar engagements by a white Australian writer with the horrors of nineteenth-century racial violence.’ Australian Book Review ‘This timely and attractively priced reissue is a welcome chance to reconsider [Astley’s] rich oeuvre. Astley’s work is characterised by her irony and unflinching scrutiny of social injustice. In A Kindness Cup, she was at the top of her impressive form...This short novel is one of Australia’s finest.’ Stuff NZ
Written with unerring skill and insight, The Dyehouse is a masterly portrait of postwar Australia, when industrial work was radically transformed by new technologies and society changed with it. Mena Calthorpe—who herself worked in a textile factory—takes us inside this world, vividly bringing to life the people of an inner-Sydney company in the mid-1950s: the bosses, middlemen and underlings; their dramatic struggles and their loves. This powerful and affecting novel was first published in 1961, and is the hundredth book in the Text Classics series. The new edition comes with an introduction by Fiona McFarlane, acclaimed author of The Night Guest. Mena Calthorpe was born in Goulburn, New South Wales, in 1905, and grew up there. After marrying, Calthorpe moved to Sydney and lived for most of her life in the Sutherland Shire. Working in office jobs and writing in her spare time, she was active in literary groups and in the Labor Party—for some years she was a member of the Communist Party, and she opposed B. A. Santamaria’s attempts to stop communism in trade unions. The Dyehouse (1961) was followed by The Defectors (1969), which dramatised unions’ internal power struggles. Mena Calthorpe’s third and final novel was The Plain of Ala, an Irish migrant story, which was published in 1989. She died in 1996. ‘[The Dyehouse] is executed with a singular combination of charm, grace and tough-mindedness.’ Meanjin ‘The Dyehouse is an extraordinary book—a true ensemble novel, written with astonishing control and animated by compassionate intelligence. With its indelible Sydney setting, it deserves—more than deserves—to take its place among the great Australian novels about work, and to be celebrated as the 100th Text Classic.’ Fiona McFarlane ‘A reminder of how rarely these days fiction tackles the world of work that so dominates our lives...Worth reading as much for its social history and its understanding of human nature as its rendering of the labour/capital clash.’ Australian ‘Vivid, fresh and utterly unsentimental...Re-reading The Dyehouse now I am struck by how technically accomplished it is, and how each of its many characters is made distinct and alive with extraordinary economy...Calthorpe's own experience of factory and office work provides The Dyehouse with many authentic touches (including much detail about the dyeing process) but that is not what generates this novel's compelling power. What is so remarkable is how it captures and presents a microcosmic world, in which the human elements are all parts of a moving whole.’ Sydney Morning Herald ‘The Dyehouse has themes that are as true today as they were at the time of writing...Beautifully written.’ Booksellers New Zealand ‘A masterly portrait of post-war Australia...vividly bringing to life the people of an inner-Sydney company in the mid-1950s.’ Womankind ‘The Dyehouse is the perfect novel for the Text Classics centenary. It’s a shining example of a book ‘we’ve never heard of’ that is very good reading indeed...I started reading The Dyehouse last night when I went to bed at 10 o’clock. I became so absorbed in it, that I didn’t turn the light out till four o’clock in the morning. That speaks for itself, I think!’ ANZ LitLovers ‘Fresh and lively...I really can’t recommend this book enough.’ Whispering Gums ‘[A] fascinating novel of women and work.’ Australian Women’s Weekly
The Chantic Bird is the confession of a teenage anarchist, who combines a contempt for contemporary society with a great tenderness and warmth for his younger siblings and for Bee, the girl who looks after them. The first of David Ireland's masterful novels, The Chantic Bird contains the same characteristic indictment of the bovine mindlessness of collective humanity, and the home-owning wage slaves. This edition of The Chantic Bird comes with a new introduction by Geordie Williamson. David Ireland was born in 1927 in south-western Sydney. He lived in many places and worked at many jobs, including greenskeeper, factory hand, and for an extended period in an oil refinery, before he became a full-time writer. His first novel, The Chantic Bird, was published in 1968. In the next decade he published five further novels, three of which won the Miles Franklin Award: The Unknown Industrial Prisoner, The Glass Canoe and A Woman of the Future. David Ireland was made a member of the Order of Australia in 1981. In 1985 he received the Australian Literature Society Gold Medal for his novel Archimedes and the Seagull. 'One of the most remarkable novels - first, fifth or fifteenth - to appear on the scene for many a long day...Compassionate and pitiless, savage and sad, ironic and naive, horrifying and farcical.' Sydney Morning Herald 'Gloriously and savagely comic.' Adelaide Advertiser