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In the first book to systematically explore the linkages between war and emergency response, Hoffman and Weiss focus on the profound impact of new wars with non-state actors. The authors trace the evolution of the international humanitarian system from its inception in the 1860s through the current challenges cast by recent U.S. military action in Afghanistan and Iraq. By bringing historical perspective to bear on the mechanics of war and humanitarian action, Sword & Salve provides an essential analytical framework for grasping the nature of crises and how aid agencies can respond strategically rather than reactively to change. Students will find it a powerful tool for understanding the roles of state and non-state actors in international relations, as well as the panopoly of means and ends encompassed by contemporary humanitarianisms.
A country comedy about the absurdly corrupt purchases of military titles. Captain Underwit has succeeded in becoming a “paper” Captain by bribing the Lieutenant with favors and a below-value land-purchase. Underwit then sends his servant Thomas to purchase books to prepare him to actually carry out military duties, but Thomas instead purchases the “Shakespeare” Folio, and other impractical or irrelevant books in a manner that echoes Don Quixote’s belief he could imitate the actions of knights in romance novels. Meanwhile, Underwit withdraws from London into his father-in-law Sir Richard’s country estate. Underwit hires Captain Sackburie to build his military acumen, but Sackburie only has him perform a few military dances before they escape to drink at a tavern. The plot then digresses from these heavy subjects to romantic entanglements as Sir Richard’s wife (Lady) attempts to have an affair with Sir Francis, and Sister flirts with Mr. Courtwell, and Lady’s maid, Mistress Dorothy, devises a fraudulent scheme to make suitors falsely believe she comes from an aristocratic family to secure a husband. There are gems under this visage of simplicity, as Engine is attempting to bribe his way into a monopoly on periwigs, and Device the poet recites elegant songs to Sister that he is not sure if he has plagiarized. The introductory materials explain that the plagiarism of the “Catch” dice-game-song that repeats in the “James Shirley”-bylined Poems &c. (1646) re-affirms Percy’s ghostwriting of most “Shirley”-bylined plays as well as Captain, instead of proving “Shirley’s” authorship of this group of texts, as critics have previously claimed. “A classic English country comedy from the British Renaissance era, and now ably translated by Anna Faktorovich into Modern English for an appreciative readership with an interest in the literature and stage dramas of the time. Captain Underwit is an eloquent, unique, and highly recommended contribution to academic library collections… It should be noted for the personal reading lists of students, academia, and non-specialist general readers with an interest in the subject…” —Midwest Book Review, James Cox, The Literary Fiction Shelf Exordium Plot and Staging “Introduction to Captain Underwit” (1883) by A. H. Bullen Text Terms, References, Questions, Exercises
An unflinching, breathtaking retelling of the story of Rhea Silvia, fated by the gods to play a spectacular part in the mythos of Rome—the mother of Romulus, Rome’s legendary founder. It is 772 BCE, nearly two decades before the birth of Rome. The city of Alba Longa and its king, Numitor, reign supreme. But Numitor’s children, Princess Rhea Silvia and Prince Egestus, fear for the city’s future. With Rhea set to marry an unpredictable enemy, they can see the end of their family’s dynasty as surely as their ancestor Aeneas saw the fall of Troy. In a bid to maintain power, Rhea is set on a harrowing course that will push her to the limits of human endurance, forcing her to turn to the gods and rise with the ferocity imbued in her Trojan blood, sacrificing everything for the new Troy—Rome. RHEA SILVIA is the first novel in The First Vestals of Rome, an epic trilogy about the founding Vestal Virgins of ancient Rome. About The First Vestals of Rome Trilogy Set in the 8th century BCE, The First Vestals of Rome is an action-packed trilogy that dramatizes the sensational, often perilous lives of three legendary women who gave rise to Rome’s powerful order of Vestal Virgins. All of them central to the life of Romulus, Rome’s founder, these tectonic women were fated to shape the history of the Eternal City as much as any Caesar who came after them. Editorial Reviews for RHEA SILVIA "This novel turns the myth of Romulus and Remus into a plausible and energetic history but has many graphic scenes of the torture, assassination and aberrant behavior that would come to mark the Roman Empire...[A] vibrant, enthralling tale." - The Historical Novel Society "The dramatization of the scenes is superb, it keeps the reader captivated and intrigued...[the novel] brings you from "old" to "new" with brilliant clarity. If you love history, the Roman empire and the sex, fights and deception that allowed these privileged people to create one of the greatest cultures in the world, you will love this book." - Book Junkie Reviews
This book, edited by William Andrews, comprises numerous writers' narratives, literature, folklore, and so on on the medical profession. As in the past, the art of barber surgery and trade were merged. It is apparent that in the past, the barber served as a type of surgeon, or rather, he practiced bleeding, throughout all sections of the civilized world. Until the eleventh century, priests cared for men's bodies as well as their souls, performing surgery and medicine. Surgical procedures required bloodshed and were thought to be incompatible with the clergy's role. After much thought as well as debate, Pope Alexander III's council of Tours in 1163 prohibited the clergy from acting as surgeons but permitted them to prescribe medication.