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An anthology of fantasy and science fiction stories featuring battle poets
Excerpt from Sword Blades and Poppy Seed N 0 one expects a man to make a chair Without first learning how, but there is a popular impres sion that the poet is born, not made, and that his verses burst from his overflowing heart of them selves. As a matter of fact, the poet must learn his trade in the same manner, and With the same painstaking care, as the cabinet-maker. His heart may overflow with high thoughts and sparkling fancies, but if he cannot convey them to his reader by means of the written word he has no claim to be considered a poet. A workman may be par doned, therefore, for spending a few moments to explain and describe the techhique of his trade. A work of beauty Which cannot stand an inti mate examination is a poor and jerry-built thing. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from The Sword: Poems The Wandering Shade; Communicant; The Wound; Thou art my Spring; Wilt Thou forgive me?; The Ninth Wave; I drew the Heart from out my Breast; The Hunter; Coward Heart; The Spectre; Thou knowest Well; Sea-Change; When I am Dust; Dreams; The Pelican; Solitude; Clay; We Twain Together; Blind; Rune of the Worlds; Ghosts; Groping; Wanderer; Aftermath; She speaks no Word; Rebellion; Vagrancy; Seasons and Memory; The Book of the Past; The Violin; Shadow Ships; Paths About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Impostor syndrome. Thinking that your writing sucks. Feeling targeted by the rejection cannon. Despairing that no one is ever going to read your stories. Lost in Submissionland. Overwhelmed by radioactive brain weasels. The Writer's Book of Doubt contains practical advice and inspiration for dealing with the problems of the writing life. Illustrated by Kathleen Jennings. With essays from: Aliette de Bodard, Delilah S. Dawson, Kate Dylan, Malon Edwards, Meg Elison, Kate Elliott, Lauren Herschel, S.L. Huang, Crystal Huff, Kameron Hurley, Matthew Kressel, R.F. Kuang, Fonda Lee, R. Lemberg, Likhain, Jeannette Ng, A. Merc Rustad, Mary Swangin, Bogi Takács, E. Catherine Tobler, Martha Wells and Isabel Yap.
Excerpt from The Quest of the Sancgreall: The Sword of Kingship, and Other Poems About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Joy Davidman (1915-1960) is probably best known today as the woman that C.S. Lewis married in the last decade of his life. But she was also an accomplished writer in her own right - an award-winning poet and a prolific book, theatre, and film reviewer during the late 1930s and early 1940s. This title provides a comprehensive critical study of Joy Davidman's poetry, nonfiction, and fiction.