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A teenaged girl copes with the death of a star track and field athlete by running.
Samantha only wants to be loved. By her father, by her best friend, and now by the new boy at school, Farouk. The more time Sam spends with him, the more she can’t stop thinking about him. But she’s cautious, because people can hurt. To escape, Sam runs track at school, finishing every race, but never pushing herself to the limit. As she runs, she is haunted by the recent, mysterious death of Owen, the school’s golden boy and track star. Sam and Farouk spend afternoons at the beach where divers risk their lives to jump off high cliffs into the churning water below. Like the divers, Sam risks herself to be with Farouk, growing more and more attached to him, longing to feel safe enough to let herself go and show her true feelings.
The diary and essays of Brian Eno republished twenty-five years on with a new introduction by the artist in a beautiful hardback edition.'One of the seminal books about music . . . an invaluable insight into the mind and working practices of one of the industry's undeniable geniuses.'GUARDIANAt the end of 1994, Brian Eno resolved to keep a diary. His plans to go to the cinema, theatre and galleries fell quickly to the wayside. What he did do - and write - however, was astonishing: ruminations on his collaborative work with David Bowie, U2, James and Jah Wobble, interspersed with correspondence and essays dating back to 1978. These 'appendices' covered topics from the generative and ambient music Eno pioneered to what he believed the role of an artist and their art to be, alongside adroit commentary on quotidian tribulations and happenings around the world.This beautiful 25th-anniversary hardcover edition has been redesigned in the same size as the diary that eventually became this book. It features two ribbons, pink paper delineating the appendices (matching the original edition) and a two-tone paper-over-board cover, which pays homage to the original design.An intimate insight into one of the most influential creative artists of our time, A Year with Swollen Appendices is an essential classic.
In November of 1991, with the Nile in flood, a breakaway faction of the Sudan People's Liberation Army (SPLA) led by Riek Machar killed approximately 2,000 Dinka civilians in the southern Sudanese state of Jonglei in what would become known as the Upper Nile Dinka Massacre-as part of his power struggle with SPLA leader John Garang, Machar looked to exploit ethnic rivalries between the Nuer and the Dinka peoples. This is the horrifying maelstrom that swept up and displaced Chol-wdwuok and his extended family and would, nine years later, land him in a Kenyan refugee camp south of Lokichogio. Chol-wdwuok was a young boy at the time, young enough not to have been conscripted as a child soldier by the SPLA, which routinely took children as young as 13. Of course, this brutal massacre was but one act in a much longer play, namely the Second Sudanese Civil War which raged between the SPLA and the Sudanese government, which in 1991, was represented by the Revolutionary Command Council for National Salvation (RCC) under General (and President) Omar al-Bashir. The Second Sudanese Civil War was one of the longest civil conflicts on record, lasting 22 years from 1983 to 2005. Angels in Swollen Crises is a compelling nine-year thread (1991-2000) woven through the tattered fabric of bloody events that blanketed the region like a shroud. It is a story of unbelievable hardship and dislocation, following its narrator from childhood to young adulthood.
“Rough and ready suspense, encompassing a wide array of characters from the sour side of life” from the author of Frank Sinatra in a Blender (Daniel Woodrell, author of Winter’s Bone). In Gasconade County, Missouri—once called the meth capital of the world—Deputy Sheriff Dale Banks discovers $52,000 hidden in the broken-down trailer that Jerry Dean Skaggs uses for cooking crystal. And he takes it. Banks knows what he did was wrong, but he did it for all the right reasons. At least, he thinks so. But for every wrong, there is a consequence. Jerry Dean can’t afford to lose that $52,000—he owes it to his partners and to a crooked cop. He also can’t afford to disappoint the crazed and fearsome Reverend Butch Pogue, who is expecting Jerry Dean to deliver the chemicals the reverend needs for his next batch of meth. To avoid the holy man’s wrath, Jerry Dean sets in motion a series of events that will threaten Banks’s family, his life, and everything he thinks he knows about the world.
BEAUTIFUL BILLIONAIRE SOCIALITE. COLD-BLOODED CORPORATE ASSASSIN. MCCALL & COMPANY BACK IN BUSINESS. Way-off Broadway actress and NYC PI Kate McCall had promised the police and the Assistant DA—her son—that she was all done investigating any damn thing in New York... Meaning beautiful billionaire socialite Brooke Barrington says someone has stolen her identity, and the corporate assassin who murdered Kate’s father has shot the eyes out of the CEO of Superior Press... Meaning McCall & Company is back in business... Meaning Kate enlists the help of the eccentric tenants of her brownstone—the House of Emotional Tics—and her melodramatic acting troupe, the Schmidt and Parker Players... Meaning things spiral hilariously and dangerously out of control... Meaning she is confronted by Brooke's demonic identical twin, Bailey, accosted by international counterfeiters, and arrested for impersonating a hooker... Meaning will she stop Bailey from murdering Brooke? Or will she stop Brooke from murdering Bailey? Or will she figure out how to tell one from the other in time to survive the wrath of the Bulgarian mob men hired to protect the counterfeit cash? And will she finally find her father’s killer? She might, but it's going to be a fast, fun, and furious ride.