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The alien Chasta put their war machine into gear and humankind was suddenly in the worst fight it had ever known - and lost. The solar system will be annexed by the Chasta within the next thirty days. If humankind can't be the U.S. Army anymore, then it will have to be the Viet Cong. Disgraced Captain John Ryder gets a ship and crew and leads them into space as guerrilla fighters. Once clear of the system, they locate a place to hide between sorties and begin fighting. They strike from behind and shoot from cover. If they can't give them hell, Ryder and crew at least give them a hard time. The Chasta throw a ring of steel around the system as they close in on Earth, so Ryder pokes holes in it. They're on their own. No support. Naval vessels won't even recognize their callsign. They don't exist... but they're mankind's last hope.
Haunted by sinister and brutal nightmares, Joe Ederer, an American in London, recalls his voracious sexual past. Reality starts to mirror his dreams and Joe is thrust into a twilight existence where only the fastest will survive. This is a graphic, tasteful, erotic thriller, which follows Joe's thoughts and deeds in excruciating detail. An enjoyable bagatelle that twists and turns as 'jive-talking' Joe fights for survival.
She's sizzling hot...He's icy cool. He called her Bad Luck Dekker, a gorgeous socialite who trailed trouble in her wake. Christian Hawkins should know. Thirteen years ago he saved Kat Dekker’s life—only to spend two years in jail for a crime he didn’t commit. Now it’s déjà vu all over again when he rescues Kat from an explosion that rips through a Denver art auction. This time Christian—now an operative with an elite U.S. task force—plans to keep her close until he figures out why somebody wants to kill her. That is, if he can keep his cool around this sizzling-hot lady.… The daughter of a senator, Kat hasn’t forgotten the hot summer nights of passion in Christian’s arms before everything went wrong. Now, as the bullets start flying, the sexy, self-appointed bodyguard is back in her life in a major way. Especially when Christian kidnaps her and they go roaring into the night in his brute-powered muscle car. But staying out of danger is tough for two people who are this hot for each other, a little bit crazy, and a whole lot in love…. From the Paperback edition.
AVAILABLE LIGHT is a hardcover collection of new short writings and digital photography by Warren Ellis, the creator and author of TRANSMETROLOITAN, PLANETARY, SWITCHBLADE HONEY and MINISTRY OF SPACE. The thirty photographs are taken with an Eyemodule, a camera plugged into a handheld computer. Low-fi high-tech - smaller than a lighter, but limited by fixed-zoom and no flash. It works only with available light. Its eerie, grainily vérité images are coupled with thirty new prose pieces inspired by the pictures, ranging from strange fiction to observational writing familiar to readers of the best-selling COME IN ALONE. Warren Ellis' prose fiction has previously been published in places like the scientific journal NATURE and the two TRANSMETROPOLITAN complementary works I HATE IT HERE and FILTH OF THE CITY.
The instant New York Times Bestseller • Nominated for the 2019 National Book Award for Fiction “A lyrical work of self-discovery that’s shockingly intimate and insistently universal…Not so much briefly gorgeous as permanently stunning.” —Ron Charles, The Washington Post Ocean Vuong’s debut novel is a shattering portrait of a family, a first love, and the redemptive power of storytelling On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family’s history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We’re Briefly Gorgeous is as much about the power of telling one’s own story as it is about the obliterating silence of not being heard. With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years. Named a Best Book of the Year by: GQ, Kirkus Reviews, Booklist, Library Journal, TIME, Esquire, The Washington Post, Apple, Good Housekeeping, The New Yorker, The New York Public Library, Elle.com, The Guardian, The A.V. Club, NPR, Lithub, Entertainment Weekly, Vogue.com, The San Francisco Chronicle, Mother Jones, Vanity Fair, The Wall Street Journal Magazine and more!
As a reporter, she’s used to covering the news. Now she’s the headline. Alex Vlodnachek has been a reporter for 12 years, a P.R. rep for three months, and a murder suspect for all of 24 hours. When her agency's double-dealing CEO is stabbed, scheming co-workers cast the new redhead as a compelling red herring. The story is media catnip—especially her salacious nickname: Vlod the Impaler. Even Alex has to admit she looks guilty. Out of a job and under suspicion, Alex is running low on cash, when she’s visited by a second disaster: her family. Soon her tiny bungalow is bursting with her nearest and not-so-dearest. To keep herself out of jail—and save what’s left of her sanity—Alex returns to her reporting roots. She goes undercover to reclaim her life, break the story, and unmask a murderer. Pretty much in that order. What she doesn’t know: The killer also has a to-do list. And Alex is on it.
PNBA Novel of the Year New York Times Notable Book of the Year Haunted by the deaths of his parents and uncle, Frank Cassidy journeys north to dispute a cousin's claim to the family farm, where he meets a stranger who might resolve mysteries about Frank's past.
NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE • Three generations of Taiwanese American women are haunted by the myths of their homeland in this spellbinding, visceral debut about one family’s queer desires, violent impulses, and buried secrets. “Gorgeous and gorgeously grotesque . . . Every line of this sensuous, magical-realist marvel is utterly alive.”—O: The Oprah Magazine FINALIST FOR THE LAMBDA LITERARY AWARD • LONGLISTED FOR THE VCU CABELL FIRST NOVELIST AWARD • LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY O: The Oprah Magazine • NPR • The New York Public Library • Kirkus Reviews One evening, Mother tells Daughter a story about a tiger spirit who lived in a woman’s body. She was called Hu Gu Po, and she hungered to eat children, especially their toes. Soon afterward, Daughter awakes with a tiger tail. And more mysterious events follow: Holes in the backyard spit up letters penned by her grandmother; a visiting aunt arrives with snakes in her belly; a brother tests the possibility of flight. All the while, Daughter is falling for Ben, a neighborhood girl with strange powers of her own. As the two young lovers translate the grandmother’s letters, Daughter begins to understand that each woman in her family embodies a myth—and that she will have to bring her family’s secrets to light in order to change their destiny. With a poetic voice of crackling electricity, K-Ming Chang is an explosive young writer who combines the wit and fabulism of Helen Oyeyemi with the subversive storytelling of Maxine Hong Kingston. Tracing one family’s history from Taiwan to America, from Arkansas to California, Bestiary is a novel of migration, queer lineages, and girlhood. Praise for Bestiary “[A] vivid, fabulist debut . . . the prose is full of imagery. Chang’s wild story of a family’s tenuous grasp on belonging in the U.S. stands out with a deep commitment to exploring discomfort with the body and its transformations.”—Publishers Weekly
Though she died penniless and forgotten, Zora Neale Hurston is now recognized as a major figure in African American literature. Best known for her 1937 novel Their Eyes Were Watching God, she also published numerous short stories and essays, three other novels, and two books on black folklore. Even avid readers of Hurston’s prose, however, may be surprised to know that she was also a serious and ambitious playwright throughout her career. Although several of her plays were produced during her lifetime—and some to public acclaim—they have languished in obscurity for years. Even now, most critics and historians gloss over these texts, treating them as supplementary material for understanding her novels. Yet, Hurston’s dramatic works stand on their own merits and independently of her fiction. Now, eleven of these forgotten dramatic writings are being published together for the first time in this carefully edited and annotated volume. Filled with lively characters, vibrant images of rural and city life, biblical and folk tales, voodoo, and, most importantly, the blues, readers will discover a “real Negro theater” that embraces all the richness of black life.
Most American presidents are given, at most, a period of eight years in which to protect a single country. But unknown to the public at large, one rough-riding president took it upon himself to protect the whole known universe -- for the entire expanse of time. What do a man who was formerly president and an inventor who was formerly alive get up to when they otain a stolen time machine? Science, that's what. Teddy Roosevelt and the ghost of Thomas Edison travel to the far-flung future on a wager, only to discover the terrible secret of space! It's a rough and tumble tale of science with both fists as our two heroes race through time to liberate the Red Planet from it foreign invaders.