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It is spring, 1864. Johnathan and Esher, paramours, survived serving in the Civil War as Union soldiers, and now they are on their way to achieve their dream: homesteading on land in the Dakota Territory, together. Togetherness is Johnathans dream, just he and Esher, living, loving, and farming their land. Eshers dream is to have a family. While on a wagon train, he met Gladys and found a mother. Now the three of them will be homesteading. But Esher also wants a wife and children. They meet Bethany and her two children; it is a dramatic meeting. It looks like a family is in the making. Johnathan fights for his dream. This puts him at odds with Gladys, Bethany, and lastly, Esher. His fight is especially painful because it resurrects the demons that have plagued him since he was a boyburied memories of his murdered mother at the hands of his father, and the misery of cold bones he acquired from his fathers touch. He feels compelled to preserve his mothers legacy, her screams and blood, but to do this he must keep the cold he inherited from his father. It is admirable that Johnathan will fight for his dream, but his efforts threaten to wreak havoc on the newly formed family. Something has to give. Something has to go. The adage is that love heals, and Sweetgrass is a love story.
A story of magic, family, a mysterious stranger . . . and a band of marauding raccoons. Otter Lake is a sleepy Anishnawbe community where little happens. Until the day a handsome stranger pulls up astride a 1953 Indian Chief motorcycle – and turns Otter Lake completely upside down. Maggie, the Reserve’s chief, is swept off her feet, but Virgil, her teenage son, is less than enchanted. Suspicious of the stranger’s intentions, he teams up with his uncle Wayne – a master of aboriginal martial arts – to drive the stranger from the Reserve. And it turns out that the raccoons are willing to lend a hand.
Selected for the Notable Social Studies 2022 List Named to ALA Notable Children's Books 2022 In this Own Voices Native American picture book story, a modern Wabanaki girl is excited to accompany her grandmother for the first time to harvest sweetgrass for basket making. Musquon must overcome her impatience while learning to distinguish sweetgrass from other salt marsh grasses, but slowly the spirit and peace of her surroundings speak to her, and she gathers sweetgrass as her ancestors have done for centuries, leaving the first blade she sees to grow for future generations. This sweet, authentic story from a Maliseet mother and her Passamaquoddy husband includes backmatter about traditional basket making and a Wabanaki glossary.
It is May, 1863. The Battle of Fredericksburg is over; it was a disaster for the Union Army. Johnathan Traver, a Union Army Sergeant, is badly concussed, Esher Coley, his Warrior Companion and the man he loves, is grievously wounded, and their fellow soldier, Luther, who knows the healing ways of plants, has been shot in the face. Their situation is desperate. They must get to Kentucky where Luthers vast supply of medicinals offer their best chance to heal and be whole again. But how? The Union Army is evacuating and there are no extra wagons or horses. Johnathan makes getting to Kentucky his mission, and after many adventures on the road, he succeeds; they arrive at Luthers home to his grateful family, who all pitch in to restore their health. Johnathan and Eshers dream is to homestead on the Prairie in the Dakota Territory. Johnathan imagines the two of them traveling together, finding their land, and farming it. But that is not Eshers dream. Yes, he wants to farm with Johnathan, but he also wants children, a wife, and to travel by wagon train. When they leave Luthers for the Prairie, Johnathan is convinced there is no need for a wagon train, no need for a wife, and as for children, there have to be some orphans there that they will adopt. He has months to change Eshers mind as they journey north and west. They experience more adventures on the road, but Johnathan is unable to budge Esher from his conviction that it is too dangerous to travel alone. They join a wagon train. They begin the journey of their lives. It soon becomes evident that they are both rightand wrongas a new test for their love arises from the dust of the wagon trail. Like all dreams, achieving them require hard work and enduring many bewildering dips and turns. Johnathan and Eshers dream is like any other: full of passion, confusion, and sometimes tears, but ultimately, their dream is a journey of love.
Pea O'Brien is filled with grief and regret, low on cash, and all alone. Headed down the hot, dusty back roads of central Texas, Pea is convinced she'll find a sign leading her to the reincarnated soul of the sister who raised her. "The depth of [Brashear's] understanding of human nature marks her as a writer to watch, to read, and to enjoy."--Debbie Macomber, #1 New York Times-bestselling author.
The Gallaghers of Sweetgrass Springs Books 4-6 (Texas Rebel, Texas Blaze, Texas Christmas Bride)
When a stranger who holds the keys to her identity arrives in town, will the girl everyone knows as Brenda come to terms with her past or run again? From New York Times and USAToday bestselling Texas romance author Jean Brashear, another story set in beloved Sweetgrass Springs… All the girl known as Brenda Jones has ever wanted is a home and family, but she's on the run from her past. She works hard and stays to herself, save only for her budding friendship with the equally shy Henry Jansen. Henry wants more than a simple friendship, but he’s convinced she’s too young, too innocent, too sweet. Brenda has a crush on Henry, as well, but she’s underage and terrified of being put back in foster care, where she’s spent most of her life since her mother abandoned her at age eight. She’s been flying under the radar, hiding behind a made-up name while finding a different sort of family and home in the year since she arrived in Sweetgrass Springs—but that’s about to change. When a stranger who holds the keys to her identity arrives in town and takes a job at Ruby’s Diner, will the girl everyone knows as Brenda come to terms with her past or run again, away from the people and the life she's grown to love?
When it originally appeared, Elizabeth Rollins Epperly's The Fragrance of Sweet-Grass was one of the first challenges to the idea that L.M. Montgomery's books were unworthy of serious study. Examining all of Montgomery's fiction, Epperly argues that Montgomery was much more than a master of the romance genre and that, through her use of literary allusions, repetitions, irony, and comic inversions, she deftly manipulated the normal conventions of romance novels. Focusing on Montgomery's memorable heroines, from Anne Shirley to Emily Byrd Starr, Valancy Stirling, and Pat Gardiner, Epperly demonstrates that Montgomery deserves a place in the literary canon not just as the creator of Anne of Green Gables but as an artist in her chosen profession. Since its publication more than twenty years ago, The Fragrance of Sweet-Grass has become a favourite of scholars, writers, and Montgomery fans. This new edition adds a preface in which Epperly discusses the book's contribution to the ongoing research on the life and writing of L.M. Montgomery, reflects on how Montgomery studies have flourished over the past two decades, and suggests new ways to approach and explore the Canadian writer's work.
This volume continues Adventures of a Misfit: Coming of Age in the 50s and 60s. Inspired by true events, the story picks up in 1962 as the narrator begins junior high school in Bozeman, Montana. With an awkward - and occasionally hilarious - attempt to navigate teenage society, the author endures a stint in the Boy Scouts, camping trips, Little League baseball, a paper route, art projects gone awry, excruciating embarrassments, and a lesson showing there is no career in being a wise guy. In high school, things begin to change rapidly with the overwhelming impulse to be one of the popular students. With this, the narrator's notions of the world become ever more at odds with reality. Soon, drinking escapades become increasingly reckless, resulting in arrest, fraternizing with lawyers, and jail. Before the author's senior year of high school, the family moves to Great Falls, Montana. The process of attending a new school while surviving what was left behind results in further exploits for the highlight reel. The late 1960s bring the Viet Nam War and social turmoil even to Montana, mirroring the narrator's disorientation.
It is spring, 1864. Johnathan and Esher, paramours, survived serving in the Civil War as Union soldiers, and now they are on their way to achieve their dream: homesteading on land in the Dakota Territory, together. Togetherness is Johnathan's dream, just he and Esher, living, loving, and farming their land. Esher's dream is to have a family. While on a wagon train, he met Gladys and found a mother. Now the three of them will be homesteading. But Esher also wants a wife and children. They meet Bethany and her two children; it is a dramatic meeting. It looks like a family is in the making. Johnathan fights for his dream. This puts him at odds with Gladys, Bethany, and lastly, Esher. His fight is especially painful because it resurrects the demons that have plagued him since he was a boy-buried memories of his murdered mother at the hands of his father, and the misery of cold bones he acquired from his father's "touch." He feels compelled to preserve his mother's legacy, her screams and blood, but to do this he must keep the "cold" he inherited from his father. It is admirable that Johnathan will fight for his dream, but his efforts threaten to wreak havoc on the newly formed family. Something has to give. Something has to go. The adage is that love heals, and Sweetgrass is a love story.