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In prose poetry and alternating voices, Marlene Carvell weaves a heartbreakingly beautiful story based on the real-life experiences of Native American children. Mattie and Sarah are two Mohawk sisters who are sent to an off-reservation school after the death of their mother. Subject to intimidation and corporal punishment, with little hope of contact with their father, the girls are taught menial tasks to prepare them for life as domestics. How Mattie and Sarah protect their culture, memories of their family life, and their love for each other makes for a powerful, unforgettable historical novel.
Looks at the history of the African art of sweetgrass basket making in the Christ Church Parish of Mount Pleasant, South Carolina.
Selected for the Notable Social Studies 2022 List Named to ALA Notable Children's Books 2022 In this Own Voices Native American picture book story, a modern Wabanaki girl is excited to accompany her grandmother for the first time to harvest sweetgrass for basket making. Musquon must overcome her impatience while learning to distinguish sweetgrass from other salt marsh grasses, but slowly the spirit and peace of her surroundings speak to her, and she gathers sweetgrass as her ancestors have done for centuries, leaving the first blade she sees to grow for future generations. This sweet, authentic story from a Maliseet mother and her Passamaquoddy husband includes backmatter about traditional basket making and a Wabanaki glossary.
An in-depth, illustrated history of South Carolina's Lowcountry baskets Coiled grass baskets are icons of Gullah culture. From their roots in Africa, through their evolution on Lowcountry rice plantations, to their modern appreciation as art objects sought by collectors and tourists, these vessels are carriers of African American history and the African-inspired culture that took hold along the coast of South Carolina and neighboring states. Row Upon Row, the first comprehensive history of this folk art, remains a classic in the field. The fourth edition brings the narrative into the twenty-first century, with a chapter describing current challenges to the survival of the time-honored tradition. The artform continues to adapt to the changing consumer market, the availability of materials, economic opportunities, and most recently, the widening of the highway near the majority of basket stands. As globalization transforms the world, the coiled basket in all its iterations retains its power as a local symbol of individual identity and cultural distinction. A preface is provided by Jane Przybysz, executive director of the McKissick Museum at the University of South Carolina.
Stalking the Wild Sweetgrass: Domestication and Horticulture of the Grass Used in African-American Coiled Basketry is concerned with the historical domestication of sweetgrass, the main construction/structural grass used in the three century old African-American tradition of coiled basketry in South Carolina. During the plantation era in southern agriculture, sweetgrass baskets were made for post-harvest processing and storage of rice by enslaved Africans from Lower Cape Fear, North Carolina to northern Florida. Enslaved Africans from the Rice Kingdom in Africa were prized for the basketry and rice agronomic skills and were specially sought by slavery traders. Today, this ancient craft still thrives in the community of Mt. Pleasant, South Carolina. Authored by one of the most renowned experts in the field and filled with illuminating color photographs, this volume provides knowledge of the horticulture of an extremely important wild plant and an example of the perils of plant- and people-based research and experimentation. As one of the few authoritative texts on the subject, Stalking the Wild Sweetgrass: Domestication and Horticulture of the Grass Used in African-American Coiled Basketry is a resourceful volume on wild sweetgrass, suitable for researchers and students alike.
In a powerful and rhythmic picture book, a grandmother tells the tale of Gullahs and their beautiful sweetgrass baskets that keep their African heritage alive. Reprint.
Continuing a tradition that started in Africa, Grandma teaches Keisha how to weave a basket from South Carolina sweet grass.
While visiting her grandmother in the Sea Islands, a young girl hears about her African heritage and learns to weave a sea grass basket.
Measure of the Earth: The Cole-Ware Collection of American Baskets
Step-by-step instructions for more than 40 projects.