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Millionaire Sanford Embury is found dead in bed, alone, with the door of his second story bedroom bolted shut from the inside. He was known to be a controlling husband, refusing to give his pretty young wife an allowance of cash or her own checking account. "Eunice Embury was neither mean nor spiteful of disposition. She had a furious temper, but she tried hard to control it, and when it did break loose, the spasm was but of short duration and she was sorry for it afterward. Her husband declared he had tamed her, and that since her marriage, about two years ago, his wise, calm influence had curbed her tendency to fly into a rage and had made her far more equable and placid of disposition." Was his wife a party to the murder, or perhaps did she commit the murder in a fit of rage? Who else had a motive? And how does a clue of raspberry jam point to the killer?
DEA agent, Trent Harrington, poses as a writer to investigate claims of drug smuggling in the bayous of Louisiana. Within weeks, his informant lies dead. Laney Gravelle, refuses to believe her father's death is an accident and launches her own investigation. To protect her and his case, Trent convinces Laney to let him help. What he doesn't count on is falling in love. Their tumultuous adventure erupts into a romantic relationship, but Laney is in love with a lie--a writer who doesn't exist. Can she love the real Trent Harrington, the agent involved with her father's murder?
When sixth-grader Chela Gonzalez's father has a stroke and her grandmother moves in to help take care of the family, her world is turned upside down.
'Bloody brilliant' Paula Hawkins, bestselling author of The Girl on the Train Some memories are too powerful to live only in the past. During a ferocious storm, a red-haired stranger appears in the garden of a small farming cottage. Eliza and her parents take him in. But very soon, it’s clear he has no intention of leaving. A century later, Mary and Graham have experienced every parent’s worst nightmare. Now, escaping the memories and the headlines, they have found an idyllic new home in rural Suffolk. A cottage, a beautiful garden. The perfect place to forget. To move on. But life doesn’t always work that way. A devastating depiction of profound loss, sexual longing, love and true evil, The Stopped Heart is the finest novel to date from this most fearless and original of writers.
This book explores the role of bodily, sensory experience in early Christianity (first – seventh centuries AD) by focusing on the importance of smell in ancient Mediterranean culture. Following its legalization in the fourth century Roman Empire, Christianity cultivated a dramatically flourishing devotional piety, in which the bodily senses were utilized as crucial instruments of human-divine interaction. Rich olfactory practices developed as part of this shift, with lavish uses of incense, holy oils, and other sacred scents. At the same time, Christians showed profound interest in what smells could mean. How could the experience of smell be construed in revelatory terms? What specifically could it convey? How and what could be known through smell? Scenting Salvation argues that ancient Christians used olfactory experience for purposes of a distinctive religious epistemology: formulating knowledge of the divine in order to yield, in turn, a particular human identity. Using a wide array of Pagan, Jewish, and Christian sources, Susan Ashbrook Harvey examines the ancient understanding of smell through religious rituals, liturgical practices, mystagogical commentaries, literary imagery, homiletic conventions; scientific, medical, and cosmological models; ascetic disciplines, theological discourse, and eschatological expectations. In the process, she argues for a richer appreciation of ancient notions of embodiment, and of the roles the body might serve in religion.
Elaine Sturtz shares in Living in the Different that grief is messy, hard, painful, filled with tears and loneliness, but it also includes faith, hope and love. She walks through the journey, the emotions, the changes and hurts. Each grief is different, and grief changes our lives. We are different, and how we live and interact with others is different. The journey of grief takes different forms as we learn to live and mingle joy and sorrow together. Elaine offers hope-a hope of hope-through these passages of sorrow and loss. Hope is found in our faith in God who is love, and love never ends. As you read these words, may God bring comfort and guidance and give you hope.
From Kevin Brockmeier, one of this generation's most inventive young writers, comes a striking new novel about death, life, and the mysterious place in between. The City is inhabited by those who have departed Earth but are still remembered by the living. They will reside in this afterlife until they are completely forgotten. But the City is shrinking, and the residents clearing out. Some of the holdouts, like Luka Sims, who produces the City’s only newspaper, are wondering what exactly is going on. Others, like Coleman Kinzler, believe it is the beginning of the end. Meanwhile, Laura Byrd is trapped in an Antarctic research station, her supplies are running low, her radio finds only static, and the power is failing. With little choice, Laura sets out across the ice to look for help, but time is running out. Kevin Brockmeier alternates these two storylines to create a lyrical and haunting story about love, loss and the power of memory.
A successful man must face the terror of his own mortality in this masterful nineteenth-century Russian novella by the author of War and Peace. In his later years, Leo Tolstoy began to contemplate the inescapable realities of mortality—its terrifying mystery, its many indignities, and the way it forces one to look back on the legacy and regrets of one’s life. The Death of Ivan Ilyich, widely considered the masterpiece of Tolstoy’s late career, is both a deeply insightful meditation on the final months of a man’s life, and an unsparing critique of conventional middle-class life in nineteenth-century Russia. Ivan Ilyich, a prosperous high-court judge, spends his days pursuing social advancement among his peers and avoiding his loveless marriage. But when a seemingly innocuous injury signals the beginning of a terminal illness, Ilyich begins to see the true worth of his life with tragic clarity.
The complete history of one of the most long-lived and legendary bands in rock history, written by its official historian and publicist—a must-have chronicle for all Dead Heads, and for students of rock and the 1960s’ counterculture. From 1965 to 1995, the Grateful Dead flourished as one of the most beloved, unusual, and accomplished musical entities to ever grace American culture. The creative synchronicity among Jerry Garcia, Bob Weir, Phil Lesh, Bill Kreutzmann, Mickey Hart, and Ron “Pigpen” McKernan exploded out of the artistic ferment of the early sixties’ roots and folk scene, providing the soundtrack for the Dionysian revels of the counterculture. To those in the know, the Dead was an ongoing tour de force: a band whose constant commitment to exploring new realms lay at the center of a thirty-year journey through an ever-shifting array of musical, cultural, and mental landscapes. Dennis McNally, the band’s historian and publicist for more than twenty years, takes readers back through the Dead’s history in A Long Strange Trip. In a kaleidoscopic narrative, McNally not only chronicles their experiences in a fascinatingly detailed fashion, but veers off into side trips on the band’s intricate stage setup, the magic of the Grateful Dead concert experience, or metaphysical musings excerpted from a conversation among band members. He brings to vivid life the Dead’s early days in late-sixties San Francisco—an era of astounding creativity and change that reverberates to this day. Here we see the group at its most raw and powerful, playing as the house band at Ken Kesey’s acid tests, mingling with such legendary psychonauts as Neal Cassady and Owsley “Bear” Stanley, and performing the alchemical experiments, both live and in the studio, that produced some of their most searing and evocative music. But McNally carries the Dead’s saga through the seventies and into the more recent years of constant touring and incessant musical exploration, which have cemented a unique bond between performers and audience, and created the business enterprise that is much more a family than a corporation. Written with the same zeal and spirit that the Grateful Dead brought to its music for more than thirty years, the book takes readers on a personal tour through the band’s inner circle, highlighting its frenetic and very human faces. A Long Strange Trip is not only a wide-ranging cultural history, it is a definitive musical biography.