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How is the God of heaven showing Himself to the world? How has He shown Himself to you? Sweet Revelation is one womans revelation story, a narrative memoir written to people in all walks of life. Author Davida Blanton describes times throughout her life when God showed Himself real to her. In her darkest moments of fear, disappointment, and grief, Gods arm brought comfort to Davida and healed her brokenness, wrapping her in truth, embracing her in love, protecting her in light. The word revelation means an unveiling. When something is unveiled before our eyes, it is made visible. When eternal things are unveiled before us, allowing us to see in the spiritual realm, our lives are affected in profound ways. We are changed. This happens differently for each person, because every man and woman has unique needs and experiences. This book tells how its happened for one woman and invites you to consider how its happened in your own life. Jesus said, The person who has my commands and keeps them really loves me; and whoever really loves me...I will love him and will show Myself to him. I will let Myself be clearly seen by him and make Myself real to him. (John 14:21 AMP) Revelation of the sweetest kind. I anoint your eyes with eye salve, that you may see. -Words of Christ recorded in Revelation 3:18 (NKJV)
"A Michael Glazier book." Includes bibliographical references and indexes.
This excellent resource is designed to help the Bible student study the book of Revelation. It is not a commentary, but guide to effective, accurate study of this very important book of the Bible.
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The Book of Revelation can be read in various ways. Where interpretation opts not to venture beyond Revelation or approach the book as a forecast of end-time events, it typically favours either going behind the text, in search of a socio-historical context of origin to which it might refer, or else standing in front of the text and investigating the book’s reception history, or its present relevance and impact. Comparatively little interpretative work has been undertaken inside the text, exploring the mechanics of how Revelation ‘works’, still less how its complex parts might fit together into a meaningful whole. Gordon Campbell considers Revelation to be a coherent narrative composition that draws its hearer or reader into its text-world. In Reading Revelation: A Thematic Approach, Campbell gives an innovative account of Revelation’s sophisticated thematic content. Mindful of Revelation's narrative verve, or its architecture en mouvement (as Jacques Ellul once put it), Campbell plots a series of thematic trajectories through the book. On this reading, parody and parallelism fundamentally shape the whole narrative. As a first-ever integrated account of Revelation’s macro-themes, Reading Revelation makes an important contribution to Revelation scholarship. In its light, the book may justifiably be seen as the ‘crowning achievement’ of the Scriptures.
The book of Revelation is perhaps the most theologically complex and literarily sophisticated — and also the most sensual — document in the New Testament. In this commentary John Christopher Thomas’s literary and exegetical analysis makes the challenging text of Revelation more accessible and easier to understand. Frank Macchia follows up with sustained theological essays on the book’s most significant themes and issues, accenting especially the underappreciated place of the Holy Spirit in the theology of Revelation.
This monumental commentary on the book of Revelation, originally published in 1999, has been highly acclaimed by scholars, pastors, students, and others seriously interested in interpreting the Apocalypse for the benefit of the church. Too often Revelation is viewed as a book only about the future. As G. K. Beale shows, however, Revelation is not merely a futurology but a book about how the church should live for the glory of God throughout the ages -- including our own. Engaging important questions concerning the interpretation of Revelation in scholarship today, as well as interacting with the various viewpoints scholars hold on these issues, Beale's work makes a major contribution in the much-debated area of how the Old Testament is used in the Apocalypse. Approaching Revelation in terms of its own historical background and literary character, Beale argues convincingly that John's use of Old Testament allusions -- and the way the Jewish exegetical tradition interpreted these same allusions -- provides the key for unlocking the meaning of Revelation's many obscure metaphors. In the course of Beale's careful verse-by-verse exegesis, which also untangles the logical flow of John's thought as it develops from chapter to chapter, it becomes clear that Revelation's challenging pictures are best understood not by apparent technological and contemporary parallels in the twentieth century but by Old Testament and Jewish parallels from the distant past.
As the only book of its kind in the New Testament, Revelation can be difficult to understand, and for readers without specialized training, the historical-critical approach used in many commentaries can provide more complication than illumination. Here James Resseguie applies the easily understandable tools introduced in his primer on narrative criticism to this challenging book. He shows how Revelation uses such features as rhetoric, setting, character, point of view, plot, symbolism, style, and repertoire to construct its meaning. This literary approach draws out the theological and homiletical message of the book and highlights its major unifying themes: the need to listen well, an overwhelmingly God-centered perspective, and the exodus to a new promised land. Here is a valuable aid for pastor and serious lay reader alike.
Get back to the roots on Revelation Through the centuries since its writing, the book of Revelation has captured the fascination of the Christian church. The earliest Christians were unanimous in understanding it along a premillennial view of Jesus' second coming, but other hermeneutical approaches began to emerge in the third century. These clouded, and added complexity to, the task of explaining the book’s meaning. For most of the Christian era, consequently, many readers have viewed this last of the NT writings as though it were hopelessly embedded in an aura of deep mystery. An avalanche of interpretive literature has evidenced remarkable interest in the book’s contents, but along with the interest has come widespread bewilderment. Written especially for the informed layman, student, and scholar, this commentary seeks to clear the air. The book is interpreted according to a historical and grammatical hermeneutic and propounds a conservative, evangelical theology, but the reader will not get a narrow view on areas of disagreement. This commentary interacts with a range of major views, both evangelical and nonevangelical. It reaffirms the basic framework of eschatology espoused by ancient Christianity, but with added help from centuries of maturing thought and doctrinal progress in the Body of Christ. All exegesis and exposition in this 2-volume commentary are based on the original language of the text. Translations used are those of the author, and textual criticism and word study are included where appropriate. This in-depth commentary also includes extended excursuses on important topics of theological and historical interest.
Revelation's Hymns examines the hymnic pericopes in Revelation in light of the cosmic conflict theme. It considers this theme as integral to the development of Revelation's plot. Recognizing that critical studies give interpretative primacy to the political realities that existed at the time of Revelation's composition, Grabiner responds to the need for an examination of the storyline from the perspective of issues that are of narrative importance. Grabiner argues that the cosmic conflict is at the centre of the book's concerns, and attempts to determine the function of the hymns with respect to this. Previous examinations of the hymns have considered them as a response and/or parody to Roman liturgy, examples of God's unquestioned sovereignty, or expressions of thematic overtones found throughout the book. While these approaches make a contribution to a greater understanding of the hymns, the relation to the ever-present conflict theme has not been explored. This study allows the hymnic sections to engage with the larger narrative issue as to who is truly the rightful sovereign of the universe.