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Fumi is elated now that she and Akira are dating, but she’s also terrified that her desires will lead her to do something Akira doesn’t like. But Fumi’s feelings for her friend aren’t chaste, so how can she reconcile her seemingly contradictory impulses? Akira, meanwhile, finds dating her best friend much more serious than she expected. Will taking their relationship to the next level bring them closer or ruin things forever? -- VIZ Media
It’s time for the Fujigaya Theater Festival again, and this year Akira and her friends have chosen an ambitious Japanese play. Not only will it seriously challenge their acting abilities, but the number of characters means they’ll need all hands on deck to pull it off. But ever since Fumi admitted that she has feelings for Akira, their friendship has been a little awkward. Will the forced intimacy of working on the play together help them figure things out or just make them worse? -- VIZ Media
Ritsu is willing to do anything for her best friend Ichika, including the intimate act of cleaning her ears. But when Ichika starts dating a boy, Ritsu realizes that she wants to be more than friends. Will Ichika push her away when Ritsu reveals her innermost feelings?
Ran has started to fall for Akira, but once she learns about his mother's poor health she tries to suppress her feelings for him. Akira senses that he's being avoided and starts to feel down... In the midst of these uneasy feelings, the two end up alone together on a class nature drawing trip. Unable to stop his overflowing feelings for Ran, Akira embraces her without thinking...?! This hugely popular series is currently being serialized in Bessatsu Friend! Volume 3 of the pure love story between a top-tier girl and a flower shop boy is here!
A genre-defining saga of love and friendship between girls. Akira Okudaira is starting high school and is ready for exciting new experiences. And on the first day of school, she runs into her best friend from kindergarten at the train station! Now Akira and Fumi have the chance to rekindle their friendship, but life has gotten a lot more complicated since they were kids… Fumi is elated now that she and Akira are dating, but she’s also terrified that her desires will lead her to do something Akira doesn’t like. But Fumi’s feelings for her friend aren’t chaste, so how can she reconcile her seemingly contradictory impulses? Akira, meanwhile, finds dating her best friend much more serious than she expected. Will taking their relationship to the next level bring them closer or ruin things forever?
In all six of its volumes The Broadview Anthology of British Literature presents British literature in a truly distinctive light. Fully grounded in sound literary and historical scholarship, the anthology takes a fresh approach to many canonical authors, and includes a wide selection of work by lesser-known writers. The anthology also provides wide-ranging coverage of the worldwide connections of British literature, and it pays attention throughout to matters such as race, gender, class, and sexual orientation. The full anthology comprises six bound volumes, together with an extensive website component; the latter is accessible by using the passcode obtained with the purchase of one or more of the bound volumes. A two-volume Concise Edition and a one-volume Compact Edition are also available.
The Great Exhibition of 1851 was the outstanding public event of the Victorian era. Housed in Joseph Paxton’s Crystal Palace, it presented a vast array of objects, technologies and works of art from around the world. The sources in this edition provide a depth of context for study into the Exhibition.
A Companion to British Literature, Victorian and Twentieth-Century Literature, 1837 - 2000
In all six of its volumes The Broadview Anthology of British Literature presents British literature in a truly distinctive light. Fully grounded in sound literary and historical scholarship, the anthology takes a fresh approach to many canonical authors, and includes a wide selection of work by lesser-known writers. The anthology also provides wide-ranging coverage of the worldwide connections of British literature, and it pays attention throughout to issues of race, gender, class, and sexual orientation. It includes comprehensive introductions to each period, providing in each case an overview of the historical and cultural as well as the literary background. It features accessible and engaging headnotes for all authors, extensive explanatory annotations, and an unparalleled number of illustrations and contextual materials. Innovative, authoritative and comprehensive, The Broadview Anthology of British Literature has established itself as a leader in the field. The full anthology comprises six bound volumes, together with an extensive website component; the latter has been edited, annotated, and designed according to the same high standards as the bound book component of the anthology, and is accessible by using the passcode obtained with the purchase of one or more of the bound volumes. The second edition of volume 4: The Age of Romanticism includes James Hogg, Matthew Gregory Lewis, and John Polidori as well as new selections by Mary Shelley, Sir Walter Scott, Maria Edgeworth, Anna Laetitia Barbauld, and Percy Shelley. The new edition also includes two new sections of contextual materials. New to the bound book is “The Natural, The Human, The Supernatural, and the Sublime”—a section that includes not only a good selection of material from writers such as Edmund Burke and artists such as J.M.W. Turner but also material that may be less well known on topics such as changing human attitudes towards non-animals. New to the website is a wide-ranging selection of contextual materials on the Industrial Revolution, entitled “Steam Power and the Machine Age”. Additional highlights of this volume include: Jane Austen’s Lady Susan, a lesser-known but wonderfully readable epistolary short novel; “A Hymn to Na’ra’yena” by Sir William Jones; and, in an exception to the anthology’s general policy of including works in their entirety, Mary Shelley is represented by the last two chapters of The Last Man and by a selection of letters.