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Soft and knobby Monk’s cloth provides the perfect backdrop for these charming patterns painted with yarn. This form of weaving is done on a large scale and is easy to learn and quick to complete. Trice Boerens, an expert in huck embroidery, teaches you the easy steps needed to create these lovely patterns. Pick a pattern, then stitch it on a small project like a hot pad, or a larger project such as a runner or throw. The patterns take shape quickly using step-by-step color charts, and in no time, you'll have a wonderful completed project to keep for yourself or to give as a gift that will be treasured for a lifetime.
Nine contemporary designs, two baby blankets, two runners, and five throws.
These eight beautiful Swedish Weaving afghan patterns by Katherine Kennedy are designed specially for Monk's Cloth. Stitching on Monk's Cloth is easy and makes the perfect fabric for creating cozy afghans, throws and baby blankets.
Introducing an elegant way to weave fantastic, complicated-looking designs with simple techniques, this resource provides in-depth directions on how to use this soft, pliable fabric for many projects, including napkin rings, pot holders, coasters, basket covers, and even pillows. An easy-to-read, full-color chart and a full-color photograph are given for each of the 17 projects. Materials needed include Monk’s cloth, medium worsted-weight yarn, and a tapestry needle.
E. H. Gombrich's Little History of the World, though written in 1935, has become one of the treasures of historical writing since its first publication in English in 2005. The Yale edition alone has now sold over half a million copies, and the book is available worldwide in almost thirty languages. Gombrich was of course the best-known art historian of his time, and his text suggests illustrations on every page. This illustrated edition of the Little History brings together the pellucid humanity of his narrative with the images that may well have been in his mind's eye as he wrote the book. The two hundred illustrations—most of them in full color—are not simple embellishments, though they are beautiful. They emerge from the text, enrich the author's intention, and deepen the pleasure of reading this remarkable work. For this edition the text is reset in a spacious format, flowing around illustrations that range from paintings to line drawings, emblems, motifs, and symbols. The book incorporates freshly drawn maps, a revised preface, and a new index. Blending high-grade design, fine paper, and classic binding, this is both a sumptuous gift book and an enhanced edition of a timeless account of human history.
Offering project patterns that can be varied using different types of yarn, covers such techniques as plain weave and twill, monk's belt and honeycomb, rosepath, and crackle weave.
To stripe a surface serves to distinguish it, to point it out, to oppose it or associate it with another surface, and thus to classify it, to keep an eye on it, to verify it, even to censor it. Throughout the ages, the stripe has made its mark in mysterious ways. From prisoners' uniforms to tailored suits, a street sign to a set of sheets, Pablo Picasso to Saint Joseph, stripes have always made a bold statement. But the boundary that separates the good stripe from the bad is often blurred. Why, for instance, were stripes associated with the devil during the Middle Ages? How did stripes come to symbolize freedom and unity after the American and French revolutions? When did the stripe become a standard in men's fashion? "In the stripe," writes author Michel Pastoureau, "there is something that resists enclosure within systems." So before putting on that necktie or waving your country's flag, look to The Devil's Cloth for a colorful history of the stripe in all its variety, controversy, and connotation.