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This quote from the Novel Prize winner, Nelly Sachs, about Selma Lagerlof (1848-1940) is one that rings ture not only for Germany but for all of Europe at the turn of the century (19th-20th). Lagerlof was the first woman to win the Nobel Prize for Literature (1909), and at the height of her literary career, was an internationally acclaimed author, praised by the public and critics alike. She was particularly heralded in Germany where Scandinavian authors have a strong impact on German literature during the late nineteenth and early twentieth centuries. This book examines the literary impact Selma Lagerlof had on German authors of the time. It also clearly sheds new light on Selma Lagerlof, as well as other notable German authors such as Franz Kafka, Bertolt Brecht, Gerhardt Hauptmann, Nelly Sachs, Ina Seidel and Gustav Frenssen. This book will be of great value to those in the fields of Scandinavian, German and Comparative literature.
This innovative volume presents, for the first time ever, cutting-edge research about the Swedish Nobel Laureate Selma Lagerlöf (1858-1940) in one comprehensive resource. Written by scholars from a range of countries, it highlights the interdisciplinarity of current Lagerlöf research and the latest trends in it, frequently cutting across genres, media, and disciplines. The structure of the book - with dedicated sections to performance, film, and intermediality; transnational narratives; and European transmission - is reinforced by the extensive introductory portal. The volume includes a range of illustrations previously rarely displayed, and the notes and detailed bibliographical section will help ensure its position as a platform for Lagerlöf scholarship for years to come. Generously equipped with photos, references, and an extensive bibliography, the volume provides offers a model for interdisciplinary research in the arts and humanities.
Nelly Sachs (1891-1970) has long been regarded as one of the most significant Holocaust poets. Her conception of language and words as a landscape has been understood by scholars and critics as an exilic ersatz Heimat for the lost German homeland of a displaced poet. This reading, however, is based entirely on her postwar poems. Such an isolated approach to her complex body of work is increasingly historically problematic; it is also at odds with Sachs's generally cyclical poetic process. In "The Space of Words," Jennifer Hoyer offers the first sustained critical analysis of Sachs's largely unanalyzed prewar poetry and prose, as well as the first analysis that examines structural and thematic ties between the prewar works and the Nobel Prize-winning postwar poetry. Through close readings of both Sachs's prewar and postwar works, Hoyer reveals a diasporic rather than exilic conception of the landscape of language, a position of constant wandering rather than static longing for return. This diasporic poetics promotes the intellectual and linguistic power of the wanderer and opens new insights into Sachs's essential significance as a Holocaust poet and a twentieth-century German-Jewish writer wary of the link of literary language to geopolitics and the narrative of nations. Jennifer M. Hoyer is Assistant Professor of German at the University of Arkansas.
Elf-sized Nils learns humility from his further travels with the wild geese.
A biographical-bibliographical guide to the writers who have received the Nobel Prize in Literature. Provides entries for each Nobel Prize laureate. Entries also include the Nobel Prize in Literature presentation speech for the corresponding year and the banquet speech given by the Nobel Prize laureate.
The most detailed and wide-ranging comparative study to date of how European literatures written in less well known languages try, through translation, to reach the wider world, rejecting the predominant narrative of tragic marginalization with case studies of endeavour and innovation from nineteenth-century Swedish women's writing to twenty-first-century Polish fantasy.
With the aim to write the history of Christianity in Scandinavia with Jerusalem as a lens, this book investigates the image – or rather the imagination – of Jerusalem in the religious, political, and artistic cultures of Scandinavia through most of the second millennium. Volume 3 analyses the impact of Jerusalem on Scandinavian Christianity from the middle of the 18. century in a broad context. Tracing the Jerusalem Code in three volumes Volume 1: The Holy City Christian Cultures in Medieval Scandinavia (ca. 1100–1536) Volume 2: The Chosen People Christian Cultures in Early Modern Scandinavia (1536–ca. 1750) Volume 3: The Promised Land Christian Cultures in Modern Scandinavia (ca. 1750–ca. 1920)