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Buschman annotates more than 550 books and periodical titles published on the techniques and history of handweaving from 1928 through October 1989. She includes works on how to weave_basic weaving texts, books on looms and equipment, and patterns both for weaving and for woven articles; handweaving history and historic fabrics from around the world; works on Native American weaving, ranging from the Chilkats of the Northwest coast of North America, to the Pueblos and Navajos of our Southwest, Mexico, and Central America, and on through the rich weaving culture of the Andes; reference works containing specialized bibliographies and information on fibers, dyes, education and marketing; and periodicals. With author, title, and subject indexes.
This is the first paperback edition of a manual well known to weavers for its great thoroughness, clarity, and value to beginning and professional weavers alike. The author has drawn upon many years of experience as a teacher and writer in preparing this practical text of basic weaving techniques and projects from the simplest to the extremely complex. Each topic of weaving theory and technique is presented with its practical applications in mind. Within the first thirty pages, readers learn enough to complete their first weaving project, a bookmark, and this leads directly to the weaving of rugs on a loom, the process of weaving on a two-harness loom, threading plain weave from a draft, making a two-harness table loom (readers following the clear diagram and instructions will have no trouble building the loom), preparing the weft, handling of threads, two-harness design methods, the weaving of rag rugs in plain weave, useful articles woven with striped warps and wefts, tapestry techniques, and design weaves. For advanced weavers, the second major section of the book covers a great variety of weaves for the four-harness loom and related information: how to warp and thread a four-harness loom, weaving both plain and pattern weave, the twill family of weaves and herringbone variations, the principles of overshot pattern weaving, the diamond or cross family, the monk's belt pattern and its uses, practical overshot patterns, designing drafts and special techniques, ways of weaving overshot, special four-harness techniques (summer and winter weave, the Bronson weave, the M's and O's weave, the crackle weave, the waffle weave, matta technique, syncopation, double weaving on a four-harness loom). The author then details multi-harness weaves such as multi-harness twill, eight-harness damask design, and several others. Then follow discussions of the uses of color in weaving designs, planning borders, the various draft notations (European and American), weaving with synthetic fibers, thread sizes, counts and yardage, and costs of handwoven fabrics. There is a thread chart of warp settings and suitable wefts. A final chapter gives instructions for making several projects from hand-woven fabrics (a folder for linens, a small ornamental box, jackets and suits, and others). The text is fully illustrated throughout with photographs and labelled diagrams.
Swedish Handknits is a collection of patterns for sweaters, hats, scarves, mittens, headbands, and bags, all inspired by the historic textiles housed at the American Swedish Institute in Minneapolis, Minnesota. The Institute was the first to host the successful Bohus knitting exhibit in America, so it's fitting that their world-class textile collection provides the inspiration for these designs.As in the authors' Norwegian Handknits, vintage photographs of Swedish immigrants, recipes, and photos of the artifacts that inspired the designs will be included, along with a short history of knitting in Sweden. Bohus, twined knitting, and Swedish mittens are some of the many techniques featured in the book.
This must-have draft book contains almost 1000 different patterns on more than 25 weave structures. Introductory chapters provide a thorough understanding of how each structure works.
Weaving centers led the Appalachian Craft Revival at the beginning of the twentieth century. Soon after settlement workers came to the mountains to start schools, they expanded their focus by promoting weaving as a way for women to help their family's financial situation. Women wove thousands of guest towels, baby blankets, and place mats that found a ready market in the women's network of religious denominations, arts organizations, and civic clubs. In Weavers of the Southern Highlands, Philis Alvic details how the Fireside Industries of Berea College in Kentucky began with women weaving to supply their children's school expenses and later developed student labor programs, where hundreds of students covered their tuition by weaving. Arrowcraft, associated with Pi Beta Phi School at Gatlinburg, Tennessee, and the Penland Weavers and Potters, begun at the Appalachian School at Penland, North Carolina, followed the Berea model. Women wove at home with patterns and materials supplied by the center, returning their finished products to the coordinating organization to be marketed. Dozens of similar weaving centers dotted mountain ridges.
By the twentieth century, North Carolina’s progressive streak had strengthened, thanks in large part to a growing number of women who engaged in and influenced state and national policies and politics. These women included Gertrude Weil who fought tirelessly for the Nineteenth Amendment, which extended suffrage to women, and founded the state chapter of the League of Women Voters once the amendment was ratified in 1920. Gladys Avery Tillett, an ardent Democrat and supporter of Roosevelt's New Deal, became a major presence in her party at both the state and national levels. Guion Griffis Johnson turned to volunteer work in the postwar years, becoming one of the state's most prominent female civic leaders. Through her excellent education, keen legal mind, and family prominence, Susie Sharp in 1949 became the first woman judge in North Carolina and in 1974 the first woman in the nation to be elected and serve as chief justice of a state supreme court. Throughout her life, the Reverend Dr. Anna Pauline "Pauli" Murray charted a religious, literary, and political path to racial reconciliation on both a national stage and in North Carolina. This is the second of two volumes that together explore the diverse and changing patterns of North Carolina women's lives. The essays in this volume cover the period beginning with women born in the late nineteenth and early twentieth centuries but who made their greatest contributions to the social, political, cultural, legal, and economic life of the state during the late progressive era through the late twentieth century.