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Suturing the City focuses upon the 'urban now', a moment suspended between lingering precolonial references, the broken dreams of a colonial past, and the not yet realised promises of neoliberal futures.This book provides an ethnographic and photographic investigation of the complex meanings of living - and living together - in Congo's urban worlds today.The award-winning authors, anthropologist Filip De Boeck, and photographer Sammy Baloji, take the reader on a tour of specific urban sites in Kinshasa and beyond.In their detailed analysis these sites emerge as suturing points in which the possibilities of collective urban action and dreams of a shared future continue to be explored in Africa.Filip De Boeck is Professor of Anthropology, University of Leuven, Belgium, and co-author of Kinshasa: Tales of the Invisible City.Sammy Baloji is a photographer (born in DR Congo) who's work has been exhibited internationally including at: TATE Modern, London (2011); Smithsonian Museum, Washington DC (2012); and Venice Biennale (2015)
Reading African cities into contemporary theory—reprint of a richly illustrated reference work In their internationally acclaimed publication Kinshasa: Tales of the Invisible City, anthropologist Filip De Boeck and photographer Marie-Françoise Plissart provide a history not only of the physical and visible urban reality that Kinshasa presents today, but also of a second, invisible city as it exists in the mind and imagination of its inhabitants. They bring to light a mirroring reality lurking underneath the surface of the visible world and explore the constant transactions that take place between these two levels in Kinshasa’s urban scape. With the exhibition that accompanied the release of their Kinshasa book, the authors won a Golden Lion at the 11th International Architecture Bienniale in Venice, 2004. This beautifully illustrated publication is now again made available. Based on longstanding field research, it provides insight into local social and cultural imaginaries, and thus in the imaginative ways in which local urban subjects continue to make sense of their worlds and invent cultural strategies to cope with the breakdown of urban infrastructure.
An important new ethnographic study of São Paulo’s favelas revealing the widespread use of race-based police repression in Brazil While Black Lives Matter still resonates in the United States, the movement has also become a potent rallying call worldwide, with harsh police tactics and repressive state policies often breaking racial lines. In The Anti-Black City, Jaime Amparo Alves delves into the dynamics of racial violence in Brazil, where poverty, unemployment, residential segregation, and a biased criminal justice system create urban conditions of racial precarity. The Anti-Black City provocatively offers race as a vital new lens through which to view violence and marginalization in the supposedly “raceless” São Paulo. Ironically, in a context in which racial ambiguity makes it difficult to identify who is black and who is white, racialized access to opportunities and violent police tactics establish hard racial boundaries through subjugation and death. Drawing on two years of ethnographic research in prisons and neighborhoods on the periphery of this mega-city, Alves documents the brutality of police tactics and the complexity of responses deployed by black residents, including self-help initiatives, public campaigns against police violence, ruthless gangs, and self-policing of communities. The Anti-Black City reveals the violent and racist ideologies that underlie state fantasies of order and urban peace in modern Brazil. Illustrating how “governing through death” has become the dominant means for managing and controlling ethnic populations in the neoliberal state, Alves shows that these tactics only lead to more marginalization, criminality, and violence. Ultimately, Alves’s work points to a need for a new approach to an intractable problem: how to govern populations and territories historically seen as “ungovernable.”
Orientations -- Prologue: an introduction to the personal, methodological, and spatiotemporal scales of the project -- The eyes of the world: themes of movement, visualization, and (dis)embodiment in Congolese digital minerals extraction (an introduction) -- Mining worlds. War stories: seeing the world through war ; The magic chain: interdimensional movement in the supply chain for the "Black Minerals" ; Mining futures in the ruins -- The eyes of the world on Bisie and the game of tags ; Bisie during the time of movement ; Insects of the forest ; The battle of Bisie ; Closure ; Game of tags: auditing the digital minerals supply chain ; Conclusion: chains, holes, and wormholes.
A complete guide to the surgical techniques used to treat childhood skin conditions Recent advances have expanded the role of pediatric dermatologic surgery in both specialist and primary care settings. However, such surgeries can pose unique challenges to trainees and experienced practitioners alike. Procedures are carried out under local anesthesia and can be a source of distress and concern among young patients. Moreover, child’s skin poses its own set of complicating factors, making the business of performing these procedures especially delicate and precise. This book provides a step-by-step primer on invasive and non-invasive treatments of childhood skin disorders, offering concise and clearly illustrated guidance on current methods and best practices. Addressing conditions’ effects, the impact of recent developments in their treatment, the ethics of operative procedures on children, and multiple treatment options for childhood dermatologic disease, Pediatric Dermatologic Surgery is an indispensable resource for trainee dermatologists and pediatricians, as well as practicing specialists.
Writers write—but what do they do for money? In a widely read essay entitled "MFA vs NYC," bestselling novelist Chad Harbach (The Art of Fielding) argued that the American literary scene has split into two cultures: New York publishing versus university MFA programs. This book brings together established writers, MFA professors and students, and New York editors, publicists, and agents to talk about these overlapping worlds, and the ways writers make (or fail to make) a living within them. Should you seek an advanced degree, or will workshops smother your style? Do you need to move to New York, or will the high cost of living undo you? What's worse—having a day job or not having health insurance? How do agents decide what to represent? Will Big Publishing survive? How has the rise of MFA programs affected American fiction? The expert contributors, including George Saunders, Elif Batuman, and Fredric Jameson, consider all these questions and more, with humor and rigor. MFA vs NYC is a must-read for aspiring writers, and for anyone interested in the present and future of American letters.
This manual is a quick and handy reference of practical plastic surgical tips and techniques for medical professionals without advanced surgical training. Practitioners in a variety of settings will find useful information on effective treatment for commonly encountered injuries and problems to optimize patient outcomes.
Close readings that look for "the real Los Angeles" in a selection of contemporary movies. Los Angeles is a global metropolis whose history and social narrative is linked to one of its top exports: cinema. L.A. appears on screen more than almost any city since Hollywood and is home to the American film industry. Historically, conversations of social and racial homogeneity have dominated the construction of Los Angeles as a cosmopolitan city, with Hollywood films largely contributing to this image. At the same time, the city is also known for its steady immigration, social inequalities, and exclusionary urban practices, not dissimilar to any other borderland in the world. The Spanish names and sounds within the city are paradoxical in relation to the striking invisibility of its Hispanic residents at many economic, social, and political levels, given their vast numbers. Additionally, the impact of the 1992 Los Angeles riots left the city raw, yet brought about changing discourses and provided Hollywood with the opportunity to rebrand its hometown by projecting to the world a new image in which social uniformity is challenged by diversity. It is for this reason that author Celestino Deleyto decided to take a closer look at how the quintessential cinematic city contributes to the ongoing creation of its own representation on the screen. From Tinseltown to Bordertown: Los Angeles on Film starts from the theoretical premise that place matters. Deleyto sees film as predominantly a spatial system and argues that the space of film and the space of reality are closely intertwined in complex ways and that we should acknowledge the potential of cinema to intervene in the historical process of the construction of urban space, as well as its ability to record place. The author asks to what extent this is also the city that is being constructed by contemporary movies. From Tinseltown to Bordertown offers a unique combination of urban, cultural, and border theory, as well as the author's direct observation and experience of the city's social and human geography with close readings of a selection of films such as Falling Down, White Men Can't Jump, and Collateral. Through these textual analyses, Deleyto tries to situate filmic narratives of Los Angeles within the city itself and find a sense of the "real place" in their fictional fabrications. While in a certain sense, Los Angeles movies continue to exist within the rather exclusive boundaries of Tinseltown, the special borderliness of the city is becoming more and more evident in cinematic stories. Deleyto's monograph is a fascinating case study on one of the United States' most enigmatic cities. Film scholars with an interest in history and place will appreciate this book.
'Suturing' suggests closing a wound, making an incision, editing a film, or stitching together parts, locations, and points of view. The word is a helpful one for today's historians of disease, suffering, and medical practice in Africa. Whether focusing on a hospital or shrine, on malaria, trauma, witchcraft, or nursing, historians are grappling in new ways with the problems of joining locations and viewpoints, of tethering pasts with the present. New challenges arise when thinking about Africa's place in today's world of global health and biosecurity, war zones and heritage monies, emerging medical markets and self-treatment devices. Suturing points to new kinds of creativity with sources, evidence, and interactivity. As new digital capacities transform how history is engaged and produced, the word suturing helps to draw attention to the question of audiences and publics for African medical histories in the 21st century, as demonstrated in this book. (Series: Carl Schlettwein Lectures - Vol. 7)
Between 10,000-20,000 people disappeared in Algeria in the decade following the cancellation of the general election of 1992. On opening this book, page upon page of faces introduce the reader to this national tragedy. Using the testimony of the families of some of those who have disappeared, Omar D's photographs present the places where events occurred, their relationship to the surrounding urban and rural landscapes and the lives of those who have been affected. A striking and forceful body of work, compiled during a single winter as a commission by Autograph ABP, his images tell the story of a practice that has become widespread throughout the world. Omar D is known for his intimate portraits of a way of life fast disappearing in Algeria, recently exhibited as part of Africa Remix in London, Dusseldorf, Paris and Tokyo and Snap Judgments at ICP, New York.