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Camber Castle is located on the south coast of England, a short distance to the south of the town of and Cinque Port of Rye. Largely constructed between 1539 and 1543, it was an elaborate artillery fortification that represented an important element of Henry VIII's 'Device', or coastal defence network, put in place from 1539 as a response to the threat of invasion following England's breach with Rome. The castle was operational for 100 years. By the 1630s, the steady advance of the coastline had left it stranded well inland from the sea. This combined with changes in the concept of artillery fortification, resulted in its decommissioning in 1637. Unusually, Camber Castle was not adapted for continued use through the 18th and 19th centuries, and survives as an example of a largely unmodified Henrician artillery fort. It displays several clear and discrete phases of construction, which reflect changes in thinking about the design of fortifications. The construction phase of 1539-40, under the direction of Stephen von Haschenperg, is of particular interest since it represents the first attempt to build in England an artillery fortress of ultimately Italian inspiration. Doubts about the effectiveness of von Haschenperg's design led, however, to a complete remodelling of the castle's defences along more conservative lines, undertaken in 1542-3. The castle, which is in the guardianship of English Heritage, has seen numerous campaigns of research, survey and excavation. This volume draws together all the available evidence to provide a full and synthesised account of the current state of knowledge regarding this monument. It includes a revised and expanded verion of Martin Biddle's authoritative study, originally published in The History of the King's Works. Full reports are also included on the artefact and animal bone assemblages, which are of considerable importance for the early post-medieval period. These include the extensive 16th- and early 17-century assemblage of English and imported pottery, a German ceramic tile-stove, a wide range of 16th- and 17th-century military artefacts, and a significant collection of vessel glass including facon de Venise cristallo. The animal bone collection is a useful benchmark for the zoo-archaeology of post-medieval England, and provides evidence for early livestock improvements. There is also a detailed review of the surviving building account for von Haschenperg's fortifications.
This eleventh edition was developed during the encyclopaedia's transition from a British to an American publication. Some of its articles were written by the best-known scholars of the time and it is considered to be a landmark encyclopaedia for scholarship and literary style.
A concise illustrated history of one of art's most important and elusive elements Over the millennia, humans have used pigments to decorate, narrate, and instruct. Charred bone, ground earth, stones, bugs, and blood were the first pigments. New pigments were manufactured by simple processes such as corrosion and calcination until the Industrial Revolution introduced colors outside the spectrum of the natural world. Pigments brings together leading art historians and conservators to trace the history of the materials used to create color and their invention across diverse cultures and time periods. This richly illustrated book features incisive historical essays and case studies that shed light on the many forms of pigments--the organic and inorganic; the edible and the toxic; and those that are more precious than gold. It shows how pigments were as central to the earliest art forms and global trade networks as they are to commerce, ornamentation, and artistic expression today. The book reveals the innate instability and mutability of most pigments and discusses how few artworks or objects look as they did when they were first created. From cave paintings to contemporary art, Pigments demonstrates how a material understanding of color opens new perspectives on visual culture and the history of art.
The first articles in this volume focus on sources for the history of Baltic commerce and the evaluation of their data on prices. In most cases, though, surviving data is hardly adequate for any extensive quantitative analysis of Polish economic history, and many of these articles endeavour in different ways to use comparitive approaches to help overcome this lack of substantial statistical base - hence the set of studies on the economy of travelling and the observations of travellers. Professor Maçzak then turns to the structures of power in Poland and elsewhere in late renaissance Europe, looking in particular at informal power relationships and patterns of patronage. In terms of the Polish-Lithunaian state, he would hold that centralized government was already critically weakened in the late 15th century, and the 16th century saw the creation of a new power structure, based on local self-government, and dominated by the nobility.