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Suspense with a Camera brings the secrets of suspense out of the shadows. Written for screenwriters and directors by a leading expert on Hitchcock techniques, you'll have fresh insights on crafting suspense. These ideas have never been published before and share revelations that go far beyond the clich� knives, corpses, and blondes that many associate with Hitchcock. Suspense is such a basic part of storytelling it can even be used in romantic comedy!How did Hitchcock manipulate his audience into a state of frenzy? Hitchcock scholar Jeffrey Michael Bays has made this question his life's mission, and is here to share his top tips for escalating suspense and leaving your audience begging for more. Ideal for filmmakers of all kinds, these tips will enhance everyone's creative works -- shorts, web series, TV episodes, and features.
Alfred Hitchcock once famously remarked, "Actors are cattle." In The Camera Lies, Dan Callahan uncovers the sophisticated acting theory that lay beneath the director's notorious indifference towards his performers, spotlighting the great performances of deceit and duplicity he often coaxed from them.
Kelle James ran away from an abusive home at the age of fifteen to the best place she could think of. New York City. She was going to be a model, rich, famous, and she was going to find people who treated her right. She had no idea what was in store for her and within three days she was homeless and broke. What follows is her exceptional story of trying to make it on her own with nothing to her name and no one to trust. She endures a string of people, mostly men, who take advantage of her youth and beauty, many disappointments and rejections, and the most famous murder trial of the 1970s. This is the story of a girl losing herself before finding her way in the city that never sleeps.
Alfred Hitchcock and the cinema grew up together. Born in 1899, four years after the first 'official' film showing in Paris, Hitchcock demonstrated an early fascination with the new art of the cinema. He entered the film industry in 1920, and by 1925, he had directed his first feature-length film, The Pleasure Garden. His subsequent film career paralleled the phenomenal growth of the film industry during the years 1925-1976, the year of his last film. In the same way, Hitchcock's films are consonant with the revolutionary theories in the fields of physics and cosmology that were transforming the twentieth century, personified by the genius of Albert Einstein. Philip Skerry's book applies the theories of dark energy, entropy, black holes, and quantum mechanics to Hitchcock's technological genius and camera aesthetics, helping to explain the concept of 'pure cinema' and providing verification for its remarkable power. Including interviews with influential physicists, this study opens up new ways of analyzing Hitchcock's art.
Annette Michelson's contributions to art and film criticism over the last three decades have been unparalleled. This volume honors her unique legacy with original essays by some of the many scholars who have been influenced by her work. Some continue her efforts to develop theoretical frameworks for understanding modernist art, while others practice her form of interdisciplinary criticism in relation to avant-garde and modernist art works and artists. Still others investigate and evaluate Michelson's work itself. All in some way pay homage to her extraordinary contribution.
When Jenine finds an abandoned polaroid camera, she playfully snaps a photo without a second thought. But there's something wrong with the image: a ghostly figure stands in the background, watching her. Fixated on her. Moving one step closer with every picture she takes. Desperate, Jenine shares her secret with her best friend, Bree. Together they realize the camera captures unsettling impressions of the dead. But now the ghosts seem to be following the two friends. And with each new photo taken, a terrible danger grows ever clearer… DISCOVER CHILLING NEW BONUS STORIES, INCLUDING: A woman survives a plane crash in a remote arctic tundra, accompanied only by a stranger who seems fixated on something moving through the blinding snow. A house stands empty. Hungry. Waiting for the children drawn to it like moths to a flame. A woman finds a shoebox filled with old VHS tapes. They have a note attached: "Don't watch. You'll regret it." And more
They were calling it the Twentieth Century -- "She is a little animal, surely" -- "He's my son, and I'll break his neck any way I want to" -- "The locomotive of juveniles" -- A little hell-raising Huck Finn -- The boy who couldn't be damaged -- "Make me laugh, Keaton" -- Speed mania in the kingdom of shadows -- Pancakes at Childs -- Comique -- Roscoe -- Brooms -- Mabel at the wheel -- Famous players in famous plays -- Home, made -- Rice, shoes, and real estate -- The shadow stage -- Battle-scarred risibilities -- One for you, one for me -- The "darkie shuffle" -- The collapsing façade -- Grief slipped in -- The road through the mountain -- Not a drinker, a drunk -- Old times -- The coming thing in entertainment -- Coda: Eleanor.
A moving portrayal of love and loss captures who — and what — we leave behind once we’re gone. One day Dad comes home with one of those old cameras, the kind that uses film. But he doesn’t take photos of the regular things people photograph. He takes pictures of his keys, his coffee cup, the objects scattered on his desk. He starts doing a lot of things that are hard to understand, like putting items that belong in the fridge in the cupboard and ones that belong in the cupboard in the fridge. In a sensitive, touching tale about losing a family member to a terminal illness, Ross Watkins and Liz Anelli prove that love is the one thing that can never be forgotten.
How many times have you watched a popular movie and thought, "I'd like to write something like that," or "Even I can write better dialogue!" Here's your chance to learn how to write a novel...by watching movies like "Speed," "The Sixth Sense," "Clueless," "Die Hard," "While You Were Sleeping," and more! For the first time, a professional writing instructor and movie buff will take you through the steps necessary to craft your own commercial novel using techniques found in your favorite films. What can Hollywood's biggest features teach you about writing? How to watch movies with a writer's eye. Infusing character traits into scenes and plots. Using material goals to show internal motivation. Techniques for making scenes do double duty, including foreshadowing and flashback. What is a credibility gap, and how you should bridge it. Plus: Three 'tricks' for fixing holes in your plot, characters or anything else in your story. Thompson guides you frame by frame through the ins and outs of writing a hit, in a text that is packed with "Quick Tips" and "Quick Fixes." This is an indispensable reference work that will have you polishing your prose--and preparing it for publication--in no time!
!--StartFragment-- An apartment in Italy. In four of the rooms live four single men with singular personalities. Into this peculiar ménage steps an exchange student, the new tenant of the fifth room. Brought together by chance, friends by choice, they pursue their dreams together as the days drift gently by. !--EndFragment-- -- VIZ Media