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This volume is the first to identify a significant body of life narratives by working-class women and to demonstrate their inherent literary significance. Placing each memoir within its generic, historical, and biographical context, this book traces the shifts in such writings over time, examines the circumstances which enabled working-class women authors to publish their life stories, and places these memoirs within a wider autobiographical tradition. Additionally, Memoirs of Victorian Working-Class Women enables readers to appreciate the clear-sightedness, directness, and poignancy of these works.
A revelatory history of the women who brought Victorian criminals to account--and how they became a cultural sensation From Wilkie Collins to the adventures of Sherlock Holmes, the traditional image of the Victorian detective is male. Few people realise that women detectives successfully investigated Victorian Britain, working both with the police and for private agencies, which they sometimes managed themselves. Sara Lodge recovers these forgotten women's lives. She also reveals the sensational role played by the fantasy female detective in Victorian melodrama and popular fiction, enthralling a public who relished the spectacle of a cross-dressing, fist-swinging heroine who got the better of love rats, burglars, and murderers alike. How did the morally ambiguous work of real women detectives, sometimes paid to betray their fellow women, compare with the exploits of their fictional counterparts, who always save the day? Lodge's book takes us into the murky underworld of Victorian society on both sides of the Atlantic, revealing the female detective as both an unacknowledged labourer and a feminist icon.
First published in 2003. Wildly popular in their own day, Victorian burlesques are now little read, scarcely studied, and never performed. Giving long overdue emphasis to an unjustly neglected theatrical tradition, this critical edition - the first to focus on Victorian burlesques of Victorian plays - represents a valuable scholarly tool for students and scholars of modern drama, theatre history, and nineteenth-century popular culture. Victorian Theatrical Burlesques includes a 'state-of-the-art' introduction which provides a general overview of theatrical burlesques in the Victorian era, emphasising performance history. Sustained reference is made to burlesques other than those presented in the anthology. Through its general introduction, prefaces and annotations to individual plays, checklist of burlesque plays, and bibliography, the unique volume allows both specialist and non-specialist readers to see Victorian burlesques as a rich historical record of shifting attitudes toward drama and the theatre.
An important and unique work about Gothic fiction, by"the major anthologist of supernatural and Gothic fiction", Montague Summers.
Nathan Bedford Forrest did not invent mobilized guerilla warfare, but he did modernize and polish it to an extent that has left few theoretical areas for improvement. Tanks and jeeps, it could even be said, do not possess the mobility relative to the main force which they attach that Forrest’s dedicated band of horsemen enjoyed. Following in the footsteps of Francis Marion and Lighthorse Harry Lee, American practitioners of the devastating hit-and-run cavalry attach of the Revolutionary War, Forrest raised their effective but geographically limited campaigns to an art-form spread over the widest possible tactical theatre. He accomplished this with superior knowledge of terrain and of horses coupled and with an iron will, a complete disregard for physical exhaustion (his own and that of his men) and, this book will demonstrate, by the most admirable sort of sheer country orneriness. Forrest, a man of simple upbringing, is the perfect symbol for the odd mélange that was the Confederate Army; patrician West Pointers like Lee side by side by unregenerate racists like Forrest. These well-bred students of battles and from the classical era were not prevented by an almost unimaginable difference in class from being able to recognize the tactical genius of a farmer from the low country... That any scholar of this history of warfare would have to judge Forrest rather more harshly for his conduct after the war than this conduct during it is just another tragic aspect of the larger tragedy that generated The War Between the States. Heroes rose from unlikely places and returned, when the time for heroism had past, to their more unheroic pursuits. Whether than return negates the valor shown during the conflict is only for you to determine, after you have learned of Forrest’s life in all its aspects, heroic, and less so.
Some of the greatest English novels were written during the Victorian era, and many are still widely read and taught today. But many others written during that period have been neglected by scholars and modern readers alike. A number of these novels were written by women and were popular when published. Moreover, they reveal perspectives of 19th-century British culture not present in canonized works and therefore revise our understanding of Victorian life and attitudes. With the increasing interest in revising Victorian history and gender scholarship, especially through the rediscovery of lost texts written by women, this book is a timely and much needed study. The expert contributors to this volume argue the value of novels by such Victorian women writers as Grace Aguilar, Catherine Crowe, Charlotte Elizabeth Tonna, Annie E. Holdsworth, Ella Hepworth Dixon, Flora Annie Steel, Anne Thackeray, Sarah Grand, Marie Corelli, and others. Most of the chapters address numerous works by a particular writer. Each focuses on different social issues as well, though most of them share an interest in gender politics. Topics discussed include a 19th-century Jewish novelist's navigation through Protestant spirituality, the relationship of noncanonical governess novels to class and gender issues, and forgotten works by women crime writers. Other chapters analyze how women writers impelled social reform and subverted patriarchally defined religious issues.
This book is a study of the 'mothers' of the mystery genre. Traditionally the invention of crime writing has been ascribed to Poe, Wilkie Collins and Conan Doyle, but they had formidable women rivals, whose work has been until recently largely forgotten. The purpose of this book is to 'cherchez les femmes', in a project of rediscovery.