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A Katrina survivor waits for rescue on his roof in the brutal heat, reflecting on the life choices that brought him to this moment. A young woman discovers there’s more to her perfect man than she thought. A gay journalist travels to Italy to interview his teen idol, only to discover a darkness in the Tuscan hills. A gay man cleans his home, reflecting on his sociopathic criminal mother. Chanse MacLeod returns to his hometown to help his younger brother, accused of murder. A daughter keeps her father’s legacy alive while hiding his darkest secrets. Including five new stories written for this collection (along with the first-ever Chanse MacLeod short story), Greg Herren’s tales of murder, crime, and the darkness that lives inside all of us are evocative of the proud Southern Gothic tradition of writers and are now available, for the first time, in a single collection.
The most complete English-language collection of the prose of Tadeusz Borowski, the most challenging chronicler of Auschwitz, with a foreword by Timothy Snyder, author of On Tyranny “Borowski’s sharp-edged descriptions of life in Nazi concentration camps shatter the limits of even Kafka’s most surreal imaginings.”—Benjamin Balint, Wall Street Journal "The most important work of the most challenging chronicler of Auschwitz.”—Timothy Snyder, from the foreword In 1943, the twenty-year-old Polish poet Tadeusz Borowski was arrested and deported to Auschwitz as a political prisoner. What he experienced in the camp left him convinced that no one who survived Auschwitz was innocent. All were complicit; the camp regime depended on this. Borowski’s tales present the horrors of the camp as reflections of basic human nature and impulse, stripped of the artificial boundaries of culture and custom. Inside the camp, the strongest of the prisoners form uneasy alliances with their captors and one another, watching unflinchingly as the weak scrabble and struggle against their inevitable fate. In the last analysis, suffering is never ennobling and goodness is tantamount to suicide. Bringing together for the first time in English Borowski’s major writings and many previously uncollected works, this is the most complete collection of stories in a new, authoritative translation, with a substantial foreword by Timothy Snyder that speaks to its enduring relevance.
The Ealing Studios horror anthology film Dead of Night featured contributions from some of the finest directors, writers and technicians ever to work in British film; this is the first time a single book has been dedicated to its analysis
The toxic nature of trauma can make it an overwhelming area of work. This book by a recognised expert adopts a systemic perspective, focusing on the individual in context. Very positively, it shows how every level of relationship can contribute to healing and that the meaning of traumatic experiences can be 'unfrozen' and revisited over time.
Explores testimonial writing as it advances a provocative new theory of culture, trauma, genre, and denial
Traumatic experiences and their consequences are often the core of life stories told by survivors of violence. In Trauma: Life Stories of Survivors leading academics explore the relationship between the experiences of terror and helplessness that have caused trauma, the ways in which survivors remember, and the representation of these memories in the language and form of their life stories.International case studies include the migration of Ethiopian Jews to Israel, the life stories of Guatemalan war widows, violence in South Africa, persecution of political prisoners in South Africa and the former Czechoslovakia, lynching in the Mississippi Delta, resistance in Zimbabwe's liberation war, sexual abuse, and the ongoing Irish troubles. The volume reveals the complexity of remembering and forgetting traumatic experiences, and shows that survivors are likely to express themselves in stories containing elements that are imaginary, fragmented, and loaded with symbolism. Trauma: Life Stories of Survivors is a groundbreaking work of relevance across the social sciences. This new perspective on trauma will be of particular importance to researchers in psychology, history, women's studies, anthropology, sociology and cultural studies.
The crisp, bright morning in December 1977 started out like any other for author Connie Bachman. The junior at Big Walnut High School was making the twelve-mile drive to school when her car spun out of control on black ice. As Bachman's car skidded across the centerline, it struck another car and killed its twenty-nine-year-old driver, Patricia Marie Sloan. In the moving memoir Sliding: A Journey through Post-Traumatic Stress Disorder After a Fatal Car Crash, Bachman shares her twenty-five-year struggle with and recovery from post-traumatic stress disorder. In vivid and revealing detail, she describes the disorder's painful onset following the car accident, recounts the pervasive symptoms that controlled her life, and shares how she finally began her healing journey. Bachman offers an intimate look at the recognition and manifestation of PTSD as she discusses the following: What PTSD is and how to identifying your own trauma-related symptoms Understanding the grief, shame, and "survivor guilt" that many experience Finding caring professionals to guide and support your healing Realizing that your life is worth living to its fullest Sliding is a valuable PTSD resource for those who may be thinking, "That's my story, too," but have not yet found the strength to share it.
This resource guide will help readers locate over 800 first-person accounts, fiction, poetry, art interpretations, and music by Holocaust victims and survivors, as well as videos relating the testimony and experiences of Holocaust survivors. In addition to the few well-known writers, artists, and musicians whose work so eloquently captures their experience during the Holocaust, this guide will introduce the reader to the lives and work of more than 250 lesser known or unrecognized writers, artists, and musicians from many countries who documented their experience of persecution at the hands of the Nazis. This guide will help students gain firsthand knowledge of what it was like to experience the Holocaust and how ordinary people coped and created art and meaning from the ashes of their lives. The entry on each writer, artist, and musician features a biographical sketch and list of his or her works, with full bibliographic data. Entries on literature and videos are annotated and include recommendations for age-appropriateness. The work is divided into five parts: writers of memoirs, diaries and fiction; poets; artists; composers and musicians; and videos that feature testimony by survivors. Each part features an introductory overview of the artists and art created in that genre out of Holocaust experience. Title, artist/writer, and nationality indexes will help the reader select materials, and an index organized by age-appropriate levels will help teachers and librarians to select literature and videos for students.
This book offers a critical examination of certain ideas and values—such as remembering, forgiveness, story-telling through Truth and Reconciliation Commissions, etc.—that under-gird the transitional practices and mechanisms of societies emerging from conflicts. It does so by making the survivors’ experience the supreme and ultimate judge of the legitimacy of such practices. While many scholars have dealt with these topics, this book provides a unique perspective on them by using personal stories, narratives and memoirs of the survivors as a checking point of the theoretical elaboration of these ideas and values. By means of an existential phenomenological analysis of the situation of survivors of gross human rights violations, the book assesses how many resources are still available to them, so that they can contribute to the processes of reconstruction and reconciliation of their societies. This analysis constitutes the background for reading the rest of the book, which challenges some assumptions and presumptions of transitional practices such as healing through truth-telling, or providing justice through reparations. It does so by presenting nuanced suggestions on the ways survivors can participate in the reconstruction-reconciliation processes, without jeopardizing their own well-being.
In 1997 the National Institute of Mental Health assembled a working group of international experts to address the mental health consequences of torture and related violence and trauma; report on the status of scientific knowledge; and include research recommendations with implications for treatment, services, and policy development. This book, dedicated to those who experience the horrors of torture and those who work to end it, is based on that report.