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They say you can tell a lot about a person from how they treat their employees. In the case of Michael Winner, the relationship with his personal assistant, Dinah May, tells us a great deal indeed. In his life, Winner was known publicly as many things: a director, producer and the outspoken food critic who could make or break a restaurant with just a few choice words in his compelling Sunday Times 'Winner's Dinners' column. But behind the opulence and charm, the glamour and the glitz, lies the explosive untold story of fiery outbursts and scorching tirades, brought to life here in vivid colour by the one woman who remained a constant in his life. Impulsive, unpredictable and obsessed with the spotlight, though generous, witty and unshakably loyal - if life alongside Winner was to be at the centre of a storm, on a constant roller coaster, then Dinah May was at its epicentre and holding on for dear life. For thirty years the former Miss Great Britain was by Winner's side, on film sets, studios, abroad with famous friends or at his home, witnessing first-hand the two very different sides of his life, character and temperament. It was with Michael's blessing, and, indeed, encouragement, that she leave nothing out from their story ('Tell them everything') and in this affectionate but candid, no-holds-barred exposé, Dinah certainly doesn't disappoint...
In nearly twenty years at the top of the News of the World, Neville Thurlbeck - chief reporter, news editor and scoop-hunter extraordinaire - served up some of the most famous, memorable and astonishing headlines in the paper's existence. They lit up the world of tabloid journalism and featured names such as David Beckham, Fred and Rose West, Jeffrey Archer and Robin Cook, among many others. Along the way, Thurlbeck was drawn into encounters with Cabinet ministers, rent boys, sports stars, serial killers, drug lords and, on one occasion, a devil-worshipping police officer. He worked with MI5 and the National Criminal Intelligence Service, foiled a murder and gave Gordon Brown a tongue-lashing to remember, all in the name of journalism. Now, in Tabloid Secrets, he reveals for the first time the truth about how he broke the stories that thrilled, excited and shocked the nation, and secured the paper up to fifteen million readers every week. The result is a fascinating, scandalous, swashbuckling insight into some of the biggest and most sensational scoops by Fleet Street's most notorious reporter.
Monkey Survival Guide is a celebration of the northern outlook on life and the perfect book for all northerners.
Think you know everything there is to know about Hammer Films, the fabled "Studio that Dripped Blood?" The lowdown on all the imperishable classics of horror, like The Curse of Frankenstein, Horror of Dracula and The Devil Rides Out? What about the company's less blood-curdling back catalog? What about the musicals, comedies and travelogues, the fantasies and historical epics--not to mention the pirate adventures? This lavishly illustrated encyclopedia covers every Hammer film and television production in thorough detail, including budgets, shooting schedules, publicity and more, along with all the actors, supporting players, writers, directors, producers, composers and technicians. Packed with quotes, behind-the-scenes anecdotes, credit lists and production specifics, this all-inclusive reference work is the last word on this cherished cinematic institution.
A riveting, magical escapade about finding friendship and the courage to set yourself free against all odds. Kidnapped and forced to shovel coal underground, in a half-bombed power station, 12-year-old Luke Smith-Sharma keeps his head down and hopes he can earn his freedom from the evil Tabitha Margate. Then one day he discovers he can see things that others can’t. Ghostly things. A ghostly girl named Alma, who can bend the shape of clouds to her will and rides them through the night sky. With Alma’s help, Luke discovers his own innate powers and uncovers the terrible truth of why Tabatha is kidnapping children and forcing them to shovel coal. Desperate to escape, Luke teams up with Alma, his best friend Ravi, and new girl Jess. Can Luke and his friends get away before they each become victims to a cruel and sinister scheme? Debut author Michael Mann delivers a wildly imaginative middle grade fantasy set in a smoke-stained world that’s sure to entertain readers who are eager for an adventure with paranormal superpowers. A Kirkus Reviews Best Book of the Year
NATIONAL INDIE EXCELLENCE AWARDS WINNER — TRUE CRIME Now that articles, podcasts, newsmagazines, and miniseries have had their sensationalistic say, Debra Newell, the one woman who truly knows what it was like to survive “Dirty John” Meehan shares the full story—the reality—with the world for the first time. Debra Newell is nothing if not a survivor. By the time she met John Michael Meehan online, she lived through a near-fatal childhood illness, an attempted rape in her 20s, the traumatic death of her sister at the hands of her brother-in-law, four failed marriages, and a litany of dating disasters. But despite those tragedies, she seemed to have it all: adoring children, a successful business, a fabulous penthouse apartment. But there was something missing: the blinding, all-consuming love she first read about to occupy her time in her childhood sickbed. And she thought she found it with John Meehan. More than a tabloid-ready true-crime expose, Debra’s story is one of trauma, denial, and deception. But it is also a relatable, inspirational, and hopeful story of forgiveness and, most of all, love. The lengths to which a woman will go to find—and keep—love; the boundaries children and parents cross to protect and save the people they love; the love one must find for oneself; and the ways the illusion of love can be used to manipulate and hurt. Told in Debra’s words with the help of New York Times bestselling author M. William Phelps, this book is filled with exclusive stories about Debra and her family, previously unpublished photos, and the unvarnished, unapologetic, and unbelievable reality of Surviving Dirty John.
An irreverent yet deeply researched biography about the always offbeat, suddenly meme-able, and wildly popular actor When did you first encounter Jeff Goldblum? Maybe as a deranged killer in his 1974 screen debut in Death Wish? Maybe as a cynical journalist in 1983s The Big Chill? Or a brilliant if egotistical scientist-turned-fly in 1986s The Fly? Perhaps as the wise-cracking skeptical mathematician in 1993s Jurassic Park? Or maybe you’re not a film buff but noticed his face as part of one of the Internet’s earliest memes. Who knows? Whenever it was, you’ve probably noticed that Goldblum has become one of Hollywood’s most enduring actors, someone who only seems to grow more famous, more heralded, more beloved through the decades, even though he’s always followed his own, strange muse. The guy primarily plays jazz music these days, but is more famous than ever. Actor, pianist, husband, father, style icon, meme. Goldblum contains multitudes, but why? What does he mean? The Washington Post’s Travis M. Andrews decided to find out. And so he set out on a journey through Goldblum's career, talking to directors like Lawrence Kasdan and Philip Kaufman, colleagues like Harry Shearer and Billy Crudup, and pop culture experts like Chuck Klosterman and Sean Fennessey, to get to the bottom of this whole Goldblum thing. And then he took what he learned and he wrote this book, which is titled Because He’s Jeff Goldblum and is the best thing written since The Brothers Karamazov and slightly easier to follow. But you should already know that. In this new semi-biography, semi-rumination, and semi-ridiculous look at the career of Goldblum, Andrews takes you behind the scenes of his iconic movies, explores the shifting nature of fame in the twenty-first century, and spends far too much time converting Goldblum’s name into various forms of speech. Want to hear how Goldblum saved a script supervisor from an amorous baboon? Or what he would write on the mirror after taking showers when he was a teenager? How about his feelings on various brands of throat lozenges? (That one could be an entire book unto itself.) Then this is the book for you!
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Thomson (independent scholar), writing of The Biographical Dictionary of Film (aka A Biographical Dictionary of the Cinema, 1975 edition), described it as "a personal, opinionated, and obsessive biographical dictionary of the cinema." Thirty-five years and several editions later, that description still holds true of this expanded work. The new dictionary summarizes salient facts about its subjects' lives and discusses their film credits in terms of the quality of the filmmakers' work. In ambition it has competitors, including Leslie Halliwell's various editions of Halliwell's Filmgoers Companion (12th ed., 1997) and Halliwell's Who's Who in the Movies, edited by John Walker (4th ed., rev. and updated, 2006), which cover films and technical terms (categories not included in Thomson's), but whose entries are neutral and exceedingly brief. Additionally, Francophile Richard Roud's edited Cinema: A Critical Dictionary: The Major Filmmakers (2 v., 1980) is as passionate a work as Thomson's, but narrower in scope, with entries written by various experts, rather than only by Roud. Finally, the multivolume magnum opus The International Dictionary of Films and Filmmakers (4th ed., 2000, ed. by T. Pendergast and S. Pendergast; 2nd ed., ed. by N. Thomas, v. 1, CH, May'91; 1st ed., ed. by C. Lyon, v.1-2, CH, Jan'85, v.3, CH, Apr'87, v.4-5, CH, Jun'88) covers everything--films, directors, actors, writers, and production artists--with generous, measured, scholarly entries and lavish illustrations. However, it looms large and heavy, unlike the handy one-volume work by Thomson. Arguably, Thomson's work, for its scope, is the most fun, the most convenient, and the most engaging title. All libraries supporting people interested in film should buy it. It will get lots of use and provide very good value for the money. Summing Up: Highly recommended. Lower-level undergraduates and above; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Professionals/Practitioners. Reviewed by C. Hendershott.
Surviving Execution is the story of Richard Glossip, a death row inmate who has always maintained his innocence, and who did not kill anyone. Convicted largely on the word of the self-confessed killer, who escaped the death penalty in return for implicating Glossip, the state of Oklahoma is still intent on executing him for murder. It is also the story of Ian Woods, a Sky News reporter, who came across the case one quiet afternoon, and who has tirelessly campaigned ever since to bring the injustices Glossip has faced to the world's attention. Three times during 2015, Richard Glossip came within hours of being put to death, postponed each time from last minute stays, and Woods was with him in prison, as a witness to the execution, every time. This is the true story of injustice on death row, written by a man with unparalleled first-hand knowledge, access and understanding of the case. It is a history of execution, an examination of the arguments against it, and a call to end this most barbaric forms of American justice. But first and foremost, it is the tale of the growing friendship between the reporter, and the man he believes to be wrongly convicted of murder.