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Sedick Isaacs was a prisoner of conscience on Robben Island where Nelson Mandela spent m18 years. This is another perspective of another section of the prison through the eyes of a scientist.
Sedick Isaacs was a prisoner of conscience on Robben Island where Nelson Mandela spent m18 years. This is another perspective of another section of the prison through the eyes of a scientist.
Table of contents
Robben Island – best known as the place where Nelson Mandela was imprisoned for eighteen years – has been a place of harshness and brutality; its history steeped in the suffering of those banished there. Yet it has also become a universal symbol of hope, forgiveness, and triumph. With a storyteller’s sensibility, combined with rigorous research, Charlene Smith charts the evolution of the Island’s political and social history, from mail station, place of exile, and military defence post to maximum security prison and World Heritage Site. Fully revised, this new edition of Robben Island provides absorbing accounts of daring escapes, maritime disasters, lepers ostracized from mainland society, the fates of the great Xhosa chiefs of the nineteenth century, and the unique bonds of friendship and compassion forged among the political prisoners confined on the Island during the apartheid era. Today Robben Island is recognised for both its environmental riches and its cultural significance. More than just a geographical location or a tourist attraction, it is an enduring tribute to the resilience` of the human spirit. Sobering and uplifting, Robben Island is an essential read for anyone interested in South Africa’s turbulent journey to democracy and the people who made it possible.
The island starts slowly moving back; the reverberations in the boat increase; the engine noise gets louder, and we feel the prison dock being torn from us. We are standing, silent, each at his own porthole, having our last look at what has been our home for ten years. There is a strange optical effect: the Island seems to get bigger as we get further from it. First we see only the little dock, then the rocks and bushes at either side and, finally, the whole expanding coastline, a complete island; a green and picturesque stretch of land in the ocean, the harsh monotony of its internal life totally hidden by its outer physical beauty ... Goodbye, Robben Island, may we never see you again, may all who live on your be liberated, may you go to hell, may you sink into the sea and become part of the bitter memories of the past, our past, of the past of apartheid. In 2001, Island in Chains was the runner-up for the prestigious Alan Paton Non-Fiction Prize.
This text tells the story of Robben Island. For more than four centuries it has been a place of banishment, exile and imprisonment but, since the 1960s, it has become an international symbol of the brutality of apartheid on one hand and of human dignity on the other.
Om fangeøen Robben Island ud for Cape Town i Sydafrika og nogle af dens politiske fanger, bl.a. Nelson Mandela og Sfiso Buthelezi, og deres fangevogtere
Robben Island is a low-lying outcrop of rock and sand guarding the entrance to South Africa's Table Bay. Although it is just a few kilometres long and a barely swimmable distance from Cape Town, it may well be the most significant historical site in South Africa today.
In 1976, when he was imprisoned on Robben Island, Nelson Mandela secretly wrote the bulk of his autobiography, Long Walk to Freedom. The manuscript was to be smuggled out by fellow prisoner Mac Maharaj, on his release later that year. Maharaj also urged Mandela and other political prisoners to write essays on southern Africa’s political future. These were smuggled out with Mandela’s autobiography, and are now published for the first time, 25 years later, in Reflections in Prison. This collection of essays provides a unique ‘snapshot’ of the thinking of Nelson Mandela, Walter Sisulu, Govan Mbeki, Ahmed Kathrada and other leaders of the anti-apartheid struggle on the eve of the 1976 Soweto Uprising. It gives an insight into their philosophies, strategies and hopes, as they debate diversity and unity, violent and non-violent forms of struggle, and non-racism in the context of different interpretations of African nationalism. Each essay is preceded by a short biography of the author, a description of his life in prison, and a pencil sketch by a leading black South African artist. The collection begins with a foreword by Desmond Tutu and a contextualising introduction by Mac Maharaj. These essays are far more than historical artefacts. They reveal the thinking that contributed to the South African ‘miracle’ and address issues that remain burningly relevant today.