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The Spaces of the Hospital explores the role and significance of hospitals as agents of change in London c1680-1820.
In this first full-length study of the war veteran in literature, Kate McLoughlin draws new critical attention to a figure central to national life. Offering fresh readings of canonical and non-canonical works, she shows how authors from William Wordsworth to J. K. Rowling have deployed veterans to explore questions that are simultaneously personal, political, and philosophical: What does a community owe to those who serve it? What can be recovered from the past? Do people stay the same over time? Are there right times of life at which to do certain things? Is there value in experience? How can wisdom be shared? Veteran Poetics features veterans who travel in time, cause havoc with their reappearances, solve murders, refuse to stop talking about the wars they have been in, and refuse to say a word about them. Through this last trait, they also prompt consideration of possible critical responses to silence.
The British army between 1783 and 1815 – the army that fought in the French Revolutionary and Napoleonic wars – has received severe criticism and sometimes exaggerated praise from contemporaries and historians alike, and a balanced and perceptive reassessment of it as an institution and a fighting force is overdue. That is why this carefully considered new study by Kevin Linch is of such value. He brings together fresh perspectives on the army in one of its most tumultuous – and famous – eras, exploring the global range of its deployment, the varieties of soldiering it had to undertake, its close ties to the political and social situation of the time, and its complex relationship with British society and culture. In the face of huge demands on its manpower and direct military threats to the British Isles and territories across the globe, the army had to adapt. As Kevin Linch demonstrates, some changes were significant while others were, in the end, minor or temporary. In the process he challenges the ‘Road to Waterloo’ narrative of the army’s steady progress from the nadir of the 1780s and early 1790s, to its strong performances throughout the Peninsular War and its triumph at the Battle of Waterloo. His reassessment shows an army that was just good enough to cope with the demanding campaigns it undertook.
The absorbing tale of how this legendary rogue became the champion of parliamentary monarchy and changed the course of English history. At first light on July 6, 1685, the last battle ever fought on English soil was almost over. On one side of the watery pasture at Sedgemoor was the dashing thirty-six-year-old Duke of Monmouth, the charismatic son of Charles II, adored by the people. A reformer, a romantic, and a Protestant, he was fighting the army he had once commanded, in opposition to his uncle, King James II. Yet even before he launched his attack, Monmouth knew he would die. Born in the backstreets of Rotterdam in the year his grandfather Charles I was executed, Monmouth was the child of a turbulent age. His mother, the first of Charles II's famous liaisons, played courtesan to the band of raw and restless young royalists forced abroad by the changing political current. Conceived during a revolution and born into a republic, Monmouth, by the time he was twelve, was the sensation of the most licentious and libertine court in Europe. Adored by the king and drenched in honors, he became the greatest rake and reprobate of the age. On his path to becoming "the last royal rebel," Monmouth consorted with a spectacular list of contemporaries: Louis XIV was his mentor, William of Orange his confidant, Nell Gwyn his friend, the future Duke of Marlborough his pupil, D'Artagnan his lieutenant, John Dryden his censor, and John Locke his comrade. Anna Keay expertly chronicles Monmouth's life and offers splendid insight into this crucial and dramatic period in English history.