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As the Romans storm the last stronghold of Dacia, Princess Ademeni awaits her fate. Taken as a slave, she is deposited into General Marcus Cordovis's home as a gift. Driven to avenge her family, Ademeni plots to kill her captor and escape. Though not the cruel victor she expects, Marcus keeps her too close to make escape easy—so close that Ademeni is soon tormented by an unbidden, traitorous attraction. In a moment of weakness, a passionate kiss almost undoes them both. But the handsome, widowed general has another surprise for Ademeni: a young daughter. Marcus dares ask Ademeni to help him bridge the gap between him and his little girl. And now, Ademeni is growing too fond of those she is supposed to despise. As Marcus prepares for the triumphal march and the opening of the gladiatorial games—where captives of her homeland will be sacrificed—Ademeni readies for her own battle—between revenge and love. 59,000 words
This text draws on the literature, composed by the elite who conducted Roman foreign affairs. It shows that concepts of honour, competition for status and revenge drove Roman foreign policy.
The Pax Romana is famous for having provided a remarkable period of peace and stability, rarely seen before or since. Yet the Romans were first and foremost conquerors, imperialists who took by force a vast empire stretching from the Euphrates in the east to the Atlantic coast in the west. Their peace meant Roman victory and was brought about by strength and dominance rather than co-existence with neighbours. The Romans were aggressive and ruthless, and during the creation of their empire millions died or were enslaved. But the Pax Romana was real, not merely the boast of emperors, and some of the regions in the Empire have never again lived for so many generations free from major wars. So what exactly was the Pax Romana and what did it mean for the people who found themselves brought under Roman rule? Acclaimed historian Adrian Goldsworthy tells the story of the creation of the Empire, revealing how and why the Romans came to control so much of the world and asking whether the favourable image of the Roman peace is a true one. He chronicles the many rebellions by the conquered, and describes why these broke out and why most failed. At the same time, he explains that hostility was only one reaction to the arrival of Rome, and from the start there was alliance, collaboration and even enthusiasm for joining the invaders, all of which increased as resistance movements faded away. A ground-breaking and comprehensive history of the Roman Peace, Pax Romana takes the reader on a journey from the bloody conquests of an aggressive Republic through the age of Caesar and Augustus to the golden age of peace and prosperity under diligent emperors like Marcus Aurelius, offering a balanced and nuanced reappraisal of life in the Roman Empire.
In his 1992 book Campagna Romana. The Countryside of Ancient Rome Joel Sternfeld focused on the ruins of grand structures with a clear warning: great civilizations fall, ours may too. Now in Rome after Rome, containing images from the previous book as well as numerous unpublished pictures, Sternfeld's questions multiply: who are these modern Romans? What is their relationship to the splendor that was? What is the nature of sullied modernity in relation to the Arcadian ideal? Is there, at this late moment, any chance for Utopia? The Campagna, the countryside south and east of Rome occupies a special place in Roman--and human history. With the rise of Ancient Rome, this once polluted, malarial landscape was restored by emperors and thrived with some 20 towns and numerous wealthy villas on the rolling plains among the mighty aqueducts that fed water to Rome. After the city fell, the Campagna once again became desolate and dangerous. The gloomy tombs, broken homes and aqueducts sat in a kind of no man's land for over 1,000 years. To this landscape came the painters: Dürer, Lorrain, Poussin, and later, Corot, Turner, and Americans such as Thomas Cole. In the ruins they sought the origins of Rome's greatness and the meaning of her fall. Later they depicted a place where Roman gods cavorted and mankind lived in a golden age, an Arcadia. Central Rome was rebuilt with Baroque apartments hiding the past: in the Campagna the past was visible and all imaginings possible. Sternfeld juxtaposes the ruins of a powerful, ancient civilization with the new construction and the debris of our own time. Avoiding obvious contrasts, eschewing heavy-handed irony, this contemporary artist draws our attention to both despoliation and lasting beauty; he suggests many reasons for despair, yet he also has something to say about the nobility of the human spirit. Theodore E. Stebbins Jr.
Trebia. Trasimene. Cannae. With three stunning victories, Hannibal humbled Rome and nearly shattered its empire. Even today Hannibal's brilliant, if ultimately unsuccessful, campaign against Rome during the Second Punic War (218-202 BC) make him one of history's most celebrated military leaders. This biography by Cornelius Nepos (c. 100-27 BC) sketches Hannibal's life from the time he began traveling with his father's army as a young boy, through his sixteen-year invasion of Italy and his tumultuous political career in Carthage, to his perilous exile and eventual suicide in the East. As Rome completed its bloody transition from dysfunctional republic to stable monarchy, Nepos labored to complete an innovative and influential collection of concise biographies. Putting aside the detailed, chronological accounts of military campaigns and political machinations that characterized most writing about history, Nepos surveyed Roman and Greek history for distinguished men who excelled in a range of prestigious occupations. In the exploits and achievements of these illustrious men, Nepos hoped that his readers would find models for the honorable conduct of their own lives. Although most of Nepos' works have been lost, we are fortunate to have his biography of Hannibal. Nepos offers a surprisingly balanced portrayal of a man that most Roman authors vilified as the most monstrous foe that Rome had ever faced. Nepos' straightforward style and his preference for common vocabulary make Life of Hannibal accessible for those who are just beginning to read continuous Latin prose, while the historical interest of the subject make it compelling for readers of every ability.
This book elucidates the many uses of the slogan of freedom by ancient Greeks, beginning with the Peloponnesian war and continuing throughout the Hellenistic period, and shows in detail how the Romans appropriated and adjusted Greek political vocabulary and practices to establish the pax Romana over the Mediterranean world.
Why should we investigate the defeats of a society that almost never lost a war? In Triumph in Defeat, Jessica H. Clark answers this question by showing what responses to defeat can tell us about the Roman definition of victory. Triumph in Defeat traces Roman responses to the Second Punic War, showing the extent to which Rome's reputation as an inevitable military victor was constructed by political discourse.
This landmark work draws on newly released documents and firsthand accounts to tell the dramatic story of Rome's dark days during the German occupation. 8-pages of photos. 2 maps.