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This book presents an overview of the development of sculpture by artists who were inspired by the goals and methods of Surrealism. Surrealist Sculpture delineates a dialogue between the two dominant modes of sculpture that evolved in tandem within the Surrealist movement: found-object assemblages and nature-inspired biomorphism. The book offers a continuous narrative of contributions by both European and American Surrealist artists from the early 1920s through the early 1950s. Artists from France, Germany, Britain, Spain, Switzerland, and the United States established Surrealism as transnational from the outset. Key artists who incorporated found objects in their works include Marcel Duchamp, Man Ray, Salvador Dalí, Hans Bellmer, and Joseph Cornell. The biomorphists encompass Jean Arp, Max Ernst, Henry Moore, and Isamu Noguchi. In addition, Alberto Giacometti, Alexander Calder, and David Smith are highlighted for their game-changing innovations that influenced the evolution of modern sculpture. Nearly two hundred illustrations and a selection of historical texts accompany the insightful essay and chronology by Valerie Fletcher. Fans of Surrealism and those new to the genre will appreciate this book's in-depth approach to its innovative and influential three-dimensional masterpieces.
One of the finest and most famous collections of Surrealist art ever assembled now housed at the Art Institute of Chicago is that of Chicago philanthropists Lindy and Edwin A. Bergman. Artists represented include Salvador Dali and Pablo Picasso, among many others. Noted critic and art historian Dawn Ades has written an absorbing account of the Bergman collection. All the 118 works are reproduced in full color. 180 illus. 120 in color.
Taking its departure point from the 1933 surrealist photographs of ?involuntary sculptures? by Brassa?nd Dal?Found Sculpture and Photography from Surrealism to Contemporary Art offers fresh perspectives on the sculptural object by relating it to both surrealist concerns with chance and the crucial role of photography in framing the everyday. This collection of essays questions the nature of sculptural practice, looking to forms of production and reproduction that blur the boundaries between things that are made and things that are found. One of the book?s central themes is the interplay of presence and absence in sculpture, as it is highlighted, disrupted, or multiplied through photography?s indexical nature. The essays examine the surrealist three-dimensional object, its relation to and transformation through photographs, as well as the enduring legacies of such concerns for the artwork?s materiality and temporality in performance and conceptual practices from the 1960s through the present. Found Sculpture and Photography sheds new light on the shifts in status of the art object, challenging the specificity of visual practices, pursuing a radical interrogation of agency in modern and contemporary practices, and exploring the boundaries between art and everyday life.
The first monograph to focus exclusively on the three-dimensional works by the Surrealists. More than 50 artists of the period are represented, including familiar names such as Duchamp, Magritte and Picasso, as well as many artists whose striking works are yet to be discovered by a wider public.
Taking its departure point from the 1933 surrealist photographs of ?involuntary sculptures? by Brassa?nd Dal?Found Sculpture and Photography from Surrealism to Contemporary Art offers fresh perspectives on the sculptural object by relating it to both surrealist concerns with chance and the crucial role of photography in framing the everyday. This collection of essays questions the nature of sculptural practice, looking to forms of production and reproduction that blur the boundaries between things that are made and things that are found. One of the book?s central themes is the interplay of presence and absence in sculpture, as it is highlighted, disrupted, or multiplied through photography?s indexical nature. The essays examine the surrealist three-dimensional object, its relation to and transformation through photographs, as well as the enduring legacies of such concerns for the artwork?s materiality and temporality in performance and conceptual practices from the 1960s through the present. Found Sculpture and Photography sheds new light on the shifts in status of the art object, challenging the specificity of visual practices, pursuing a radical interrogation of agency in modern and contemporary practices, and exploring the boundaries between art and everyday life.
Studies major works by important sculptors since Rodin in the light of different approaches to general sculptural issues to reveal the logical progressions from nineteenth-century figurative works to the conceptual work of the present.
A collection of both of the Manifestoes of Surrealism written by Andre Breton in 1924 and 1929. The pocket book size to make the two manifestoes more accessible in print without being part of some collected works.
This book examines the salient ideas and practices that have shaped Surrealism as a protean intellectual and cultural concept that fundamentally shifted our understanding of the nexus between art, culture, and politics. By bringing a diverse set of artistic forms and practices such as literature, manifestos, collage, photography, film, fashion, display, and collecting into conversation with newly emerging intellectual traditions (ethnography, modern science, anthropology, and psychoanalysis), the essays in this volume reveal Surrealism's enduring influence on contemporary thought and culture alongside its anti-colonial political position and international reach. Surrealism's fascination with novel forms of cultural production and experimental methods contributed to its conceptual malleability and temporal durability, making it one of the most significant avant-garde movements of the twentieth century. The book traces how Surrealism's urgent political and aesthetic provocations have bequeathed an important legacy for recent scholarly interest in thing theory, critical vitalism, new materialism, ontology, and animal/human studies.
It’s fun to draw from your imagination! Surrealist artists, such as Salvador Dali and Max Ernst, created masterpieces of scenes that look real but couldn’t be. Through an introduction to the features of surrealist art and profiles of famous surrealists, readers learn how to spot a painting or other work created in this genre of art. A colorful layout and full-color photographs engage readers with art history and their own creativity as they complete art projects accompanying each artist’s chapter. Including collages, painting, and drawing, each project offers readers clear instructions for the project at hand as well as technique tips they can use in the future.
A gorgeously illustrated picture book biography about the fascinating life of surrealist artist Leonora Carrington, from Michelle Markel and Amanda Hall, the acclaimed team behind The Fantastic Jungles of Henri Rousseau. Ever since she was a little girl, Leonora Carrington loved to draw on walls, in books, on paper—and she loved the fantastic tales her grandmother told that took her to worlds that shimmered beyond this one, where legends became real. Leonora’s parents wanted her to become a proper English lady, but there was only one thing she wanted, even if it was unsuitable: to be an artist. In London, she discovered a group of artists called surrealists, who were stunning the world with their mysterious creations. This was the kind of art she had to make. This was the kind of person she had to be. From life in Paris creating art alongside Max Ernst, to Mexico where she met Diego Rivera and Frida Kahlo, Leonora’s life became intertwined with powerful events and people that shaped the twentieth century. Out of This World is the powerful, stunningly told story of Leonora Carrington, a girl who made art out of her imagination and created some of the most enigmatic and startling works of the last eighty years.