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A detailed look at a genre that combines virtuoso printmaking techniques, sophisticated imagery, and engaging, playful poetry This beautiful volume celebrates the tradition of the Japanese surimono print. Produced from around 1800 until 1840, during the Edo period, surimono (“printed things” in Japanese) combine intricate artwork and playful poetry, and their small print runs and exclusive audiences allowed for lavish yet subtle surface treatments, such as embossing and gilding. Enjoyed for their learned allusions to literature and contemporary culture, surimono continue to delight and perplex scholars with their visual puns and wordplay. Imagery ranges from delicate, domestic still lifes to spirited vignettes of the natural world, while the poems are often lighthearted takes on the classical Japanese waka form. With its rich text and scholarly apparatus—including names and titles in kanji characters as well as transliterations and translations of the poems on the catalogued prints—The Private World of Surimono serves as a critical resource for scholars of Japanese art and history and offers general readers insight into this rare and innovative print form.
Surimono are Japanese woodblock prints issued in very limited editions for special occasions. Many served as elegant New Year greeting, and these prints combine embossing, gauffrage, hand-rubbed metallic pigments and materials such as lacquer and mother-of-pearl. Most surimono were commissioned by poetry clubs and are inscribed in calligraphy with whimsical or humorous poems composed by the club members. The Frank Lloyd Wright collection of surimono was recently discovered in the vaults of Taliesen West, and this book, in conjunction with a touring exhibition of Wright's surimono, presents the prints. It contains a catalogue of the prints in the collection, an essay on poetry found on the surimono and an index of poets.
Even readers with no particular interest in Japan - if such odd souls exist - may expect unexpected pleasure from this book if English metaphysical poetry, grooks, hyperlogical nonsense verse, outrageous epigrams, the (im)possibilities and process of translation between exotic tongues, the reason of puns and rhyme, outlandish metaphor, extreme hyperbole and whatnot tickle their fancy. Read together with The Woman Without a Hole, also by Robin D. Gill, the hitherto overlooked ulterior side of art poetry in Japan may now be thoroughly explored by monolinguals, though bilinguals and students of Japanese will be happy to know all the original Japanese is included.--amazon.com.
"This full-colour catalogue illustrates and describes some 300 surimono (privately published deluxe Japanese prints) belonging to the Museum of Design Zurich, which were recently placed on long-term loan to the Museum Rietberg Zurich. Originally bequeathed to the Museum of Design by the Swiss collector Marino Lusy (1880-1954), the collection includes many rare and previously unpublished prints." "Edited by John T. Carpenter, with contributions from eleven Edo art and literary specialists, this scholarly publication investigates surimono as a hybrid genre combining literature and art. Each print in the Lusy Collection is described in detail, including translations of all accompanying poems. This publication is not only indispensable to specialists in ukiyo-e, but has much to offer any reader interested in traditional Japanese culture." --Book Jacket.
This catalogue includes more than 600 surimono drawn from the splendid Amsterdam Rijksmuseum collection of Japanese prints. surimono (lit. printed object ) are privately published prints inscribed with a dedication or poem that reflects upon everyday themes. All surimono are reproduced in color along with extensive descriptions by Matthi Forrer. This publication will be an important reference work in the study of surimono.