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'Superb' Sunday Express A gripping and darkly atmospheric thriller set in Victorian London, perfect for fans of The Seven Deaths of Evelyn Hardcastle, The Strangers Diaries andThe Silent Companions. What secret grips Corvus Hall? Visiting the Great Exhibition to view the wax anatomical models of the famous but reclusive Dr Silas Strangeway, Jem Flockhart and Will Quartermain find a severed hand, perfectly dissected and laid out amongst the exhibits. Assuming it to be a prank by medical students they return it to Dr Strangeway, who works at Corvus Hall, a private anatomy school run by Dr Alexander Crowe - once one of Edinburgh's most revered anatomists. Jem's persistence reveals that a body does indeed lie in the school's mortuary, minus its right hand. The body has no provenance. More macabre still, its face has been dissected making identification impossible. All is not as it should be at Corvus Hall. Dr Crowe's daughter, Lilith, visits the mortuary in the dead of night. Her twin sisters, Sorrow and Silence - one blind and one deaf - exert a malign influence over the students. Organs, freshly dissected, appear in the anatomical museum. Fear grips lecturers and students, even as something unseen binds them in a bloody pact of silence. Praise for E. S. Thomson's novels: 'Gothic. Gory. Glorious . . . E. S. Thompson's Jem Flockhart books are the best I've read in years. Jem is just my kind of heroine: scarred, smart, complex, and unapologetically queer' Kirsty Logan, author of The Gloaming 'Love evocative descriptions of Victorian London and brilliant plotting? Then grab a copy of this!' Rebecca Griffiths, author of The Primrose Path 'Here's a tale of Victorian London to freeze your blood on a cold winter's night'Evening Telegraph 'Jem Flockhart's London is vivid, pungent and perilous' Chris Brookmyre 'Complex, harrowing and highly enjoyable' Daily Express 'A marvellous, vivid book' Janet Ellis 'Jem Flockhart is a marvel . . . This vivid journey into the dark side of the human soul is a thoroughly engrossing tale' Mary Paulson Ellis, author of The Other Mrs Walker
Set in a crumbling 1850s London infirmary, a richly atmospheric Victorian crime novel where murder is the price to be paid for secrets kept. Ramshackle and crumbling, trapped in the past and resisting the future, St. Saviour’s Infirmary awaits demolition. Within its stinking wards and cramped corridors, the doctors bicker and backstab. Ambition, jealousy, and loathing seethe beneath the veneer of professional courtesy. Always an outsider, and with a secret of her own to hide, apothecary Jem Flockhart observes everything but says nothing. And then six tiny coffins are uncovered, inside each a handful of dried flowers and a bundle of mouldering rags. When Jem comes across these strange relics hidden inside the infirmary’s old chapel, her quest to understand their meaning prises open a long-forgotten past—with fatal consequences. In a trail that leads from the bloody world of the operating room and the dissecting table to the notorious squalor of Newgate Prison and the gallows, Jem’s adversary proves to be both powerful and ruthless. As St. Saviour’s destruction draws near, the dead are unearthed from their graves while the living are forced to make impossible choices. And murder is the price to be paid for the secrets to be kept.
This irreverent romp through the worlds of medicine and the military is part autobiography, part social history, and part laugh-out-loud comedy. When the author graduated from medical school in 1970, only 7% of America's doctors were women, and very few of those joined the military. She was the second woman ever to do an Air Force internship, the only woman doctor at David Grant USAF Medical Center, and the only female military doctor in Spain. She had to fight for acceptance: even the 3 year old daughter of a patient told her father, "Oh, Daddy! That¿s not a doctor, that's a lady." She was refused a radiology residency because they subtracted points for women. She couldn¿t have dependents: she was paid less than her male counterparts, she couldn't live on base, and her civilian husband was not even covered for medical care or allowed to shop on base. After spending six years as a General Medical Officer in Franco's Spain, she became a family practice specialist and a flight surgeon, doing everything from delivering babies to flying a B-52. Along the way, she found time to buy her own airplane and learn to fly it (in that order) and to have two babies of her own. She retired as a full colonel. As a rare woman in a male-dominated field, she encountered prejudice, silliness, and even frank disbelief. Her sense of humor kept her afloat; she enlivened the solemnity of her job with antics like admitting a spider to the hospital and singing "The Mickey Mouse Club March" on a field exercise. This book describes her education and career. She tells an entertaining story of what it was like to be a female doctor, flight surgeon, pilot, and military officer in a world that wasn't quite ready for her yet. The title is taken from her first cross-country solo flight: when she closed out her flight plan, the man at the desk said, "Didn't anybody ever tell you women aren't supposed to fly?"
'Superb' Sunday Express A gripping and darkly atmospheric thriller set in Victorian London, perfect for fans of The Seven Deaths of Evelyn Hardcastle, The Strangers Diaries and The Silent Companions. What secret grips Corvus Hall? Visiting the Great Exhibition to view the wax anatomical models of the famous but reclusive Dr Silas Strangeway, Jem Flockhart and Will Quartermain find a severed hand, perfectly dissected and laid out amongst the exhibits. Assuming it to be a prank by medical students they return it to Dr Strangeway, who works at Corvus Hall, a private anatomy school run by Dr Alexander Crowe - once one of Edinburgh's most revered anatomists. Jem's persistence reveals that a body does indeed lie in the school's mortuary, minus its right hand. The body has no provenance. More macabre still, its face has been dissected making identification impossible. All is not as it should be at Corvus Hall. Dr Crowe's daughter, Lilith, visits the mortuary in the dead of night. Her twin sisters, Sorrow and Silence - one blind and one deaf - exert a malign influence over the students. Organs, freshly dissected, appear in the anatomical museum. Fear grips lecturers and students, even as something unseen binds them in a bloody pact of silence. Praise for E. S. Thomson's novels: 'Gothic. Gory. Glorious . . . E. S. Thompson's Jem Flockhart books are the best I've read in years. Jem is just my kind of heroine: scarred, smart, complex, and unapologetically queer' Kirsty Logan, author of The Gloaming 'Love evocative descriptions of Victorian London and brilliant plotting? Then grab a copy of this!' Rebecca Griffiths, author of The Primrose Path 'Here's a tale of Victorian London to freeze your blood on a cold winter's night' Evening Telegraph 'Jem Flockhart's London is vivid, pungent and perilous' Chris Brookmyre 'Complex, harrowing and highly enjoyable' Daily Express 'A marvellous, vivid book' Janet Ellis 'Jem Flockhart is a marvel . . . This vivid journey into the dark side of the human soul is a thoroughly engrossing tale' Mary Paulson Ellis, author of The Other Mrs Walker
This title brings together curators and scholars to open up new perspectives on the past, present and future of medical museums in Europe and North America.
For readers of Henry Marsh's Do No Harm, Paul A. Ruggieri's Confessions of a Surgeon, and Atul Gawande's Better, a pioneering surgeon shares memories from a life in one of surgery’s most demanding fields The 1980s marked a revolution in the field of organ transplants, and Bud Shaw, M.D., who studied under Tom Starzl in Pittsburgh, was on the front lines. Now retired from active practice, Dr. Shaw relays gripping moments of anguish and elation, frustration and reward, despair and hope in his struggle to save patients. He reveals harshly intimate moments of his medical career: telling a patient's husband that his wife has died during surgery; struggling to complete a twenty-hour operation as mental and physical exhaustion inch closer and closer; and flying to retrieve a donor organ while the patient waits in the operating room. Within these more emotionally charged vignettes are quieter ones, too, like growing up in rural Ohio, and being awakened late at night by footsteps in the hall as his father, also a surgeon, slipped out of the house to attend to a patient in the ER. In the tradition of Mary Roach, Jerome Groopman, Eric Topol, and Atul Gawande, Last Night in the OR is an exhilarating, fast-paced, and beautifully written memoir, one that will captivate readers with its courage, intimacy, and honesty.