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Designed to be used by children in their first six months of school PM Starters One and Two
This comprehensive history of Noosa comes straight from the heart. Award-winning writer Phil Jarratt has lived in the seaside town for more than 30 years, and has played many roles, as both communicator and protagonist, over its transition from sleepy village to iconic resort. In many ways it is a love letter to his adopted home, but the Noosa story is not always a pretty one, and Jarratt does not flinch from the harsh realities of the cruelties inflicted on the Kabi Kabi First Nation, nor from the wild years when Tewantin was a playground for cashed-up gold diggers, nor from the unscrupulous development deals of the Joh era. But this is a history filled with admiration for the fighters of the past, and hope for the future.
Robert Drewe, internationally acclaimed writer, writes here about the quintessential Australian experience. Drewe looks at the sunny, salty sexiness of the beach that first enticed the crusading Mr William Gocher into the ocean at Manly in 1903, defying authorities in his neck-to-knee bathing costume. We’ve come a long way from sunbathing in stockings and pantaloons to the unabashed display of sun-kissed bodies of all shapes and sizes at any beach in the country today. But the beach also has a dark side as a place of tragedy, violence and danger, a place where sharks attack prone surfers and prime ministers disappear. Drewe’s lyrical examination of Australian beach culture combines imagery from some of Australia’s most celebrated photographers with his personal anecdotes―a favourite boat, a capsicum-strewn beach, a summer holiday with teenagers and an unwelcome great white. This is a book for Australians dreaming of the beach―that is, those of us not there right now.
A complete narrative history of the weird and wonderful world of Underground Comix! In the 1950s, comics meant POW! BAM! superheroes, family-friendly gags, and Sunday funnies, but in the 1960s, inspired by these strips and the satire of MAD magazine, a new generation of creators set out to subvert the medium, and with it, American culture. Their “comix,” spelled that way to distinguish the work from their dime-store contemporaries, presented tales of taboo sex, casual drug use, and a transgressive view of society. Embraced by hippies and legions of future creatives, this subgenre of comic books and strips often ran afoul of the law, but that would not stop them from casting cultural ripples for decades to come, eventually moving the entire comics form beyond the gutter and into fine-art galleries. Author Brian Doherty weaves together the stories of R. Crumb, Art Spiegelman, Trina Robbins, Spain Rodriguez, Harvey Pekar, and Howard Cruse, among many others, detailing the complete narrative history of this movement. Through dozens of new interviews and archival research, Doherty chronicles the scenes that sprang up around the country in the 1960s and ’70s, beginning with the artists’ origin stories and following them through success and strife, and concluding with an examination of these creators’ legacies, Dirty Pictures is the essential exploration of a truly American art form that recontextualized the way people thought about war, race, sex, gender, and expression.