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President of the United States Donald Vanderdamp is having a hell of a time getting his nominees appointed to the Supreme Court. After one nominee is rejected for insufficiently appreciating To Kill A Mockingbird, the president chooses someone so beloved by voters that the Senate won't have the guts to reject her -- Judge Pepper Cartwright, the star of the nation's most popular reality show, Courtroom Six. Will Pepper, a straight-talking Texan, survive a confirmation battle in the Senate? Will becoming one of the most powerful women in the world ruin her love life? And even if she can make it to the Supreme Court, how will she get along with her eight highly skeptical colleagues, including a floundering Chief Justice who, after legalizing gay marriage, learns that his wife has left him for another woman. Soon, Pepper finds herself in the middle of a constitutional crisis, a presidential reelection campaign that the president is determined to lose, and oral arguments of a romantic nature. Supreme Courtship is another classic Christopher Buckley comedy about the Washington institutions most deserving of ridicule.
Charley Becker, head of one of America’s biggest conglomerates, is a man on a mission. His only granddaughter, the beloved Natasha, has been found dead in her flat after taking an accidental overdose of cocaine and now he wants revenge. Determined to find the men responsible, Charley starts by tracking down Natasha’s boyfriend, Tim. Then he finds the small-time dealers who supplied him. Charley’s way of doing business leaves no room for negotiation. But ‘wet work’—the shooting of a victim from up close—is only half the story and the further up the chain Charley gets, the higher the stakes become. To nail Peru’s megalomaniac cocaine king, he will have to hire himself some hit men, a gunboat and some truly extraordinary weaponry . . .
NEW YORK TIMES BESTSELLER • The intimate, inspiring, and authoritative biography of Sandra Day O’Connor, America’s first female Supreme Court justice, drawing on exclusive interviews and first-time access to Justice O’Connor’s archives—as seen on PBS’s American Experience “She’s a hero for our time, and this is the biography for our time.”—Walter Isaacson Finalist for the Los Angeles Times Book Prize • Named One of the Best Books of the Year by NPR and The Washington Post She was born in 1930 in El Paso and grew up on a cattle ranch in Arizona. At a time when women were expected to be homemakers, she set her sights on Stanford University. When she graduated near the top of her law school class in 1952, no firm would even interview her. But Sandra Day O’Connor’s story is that of a woman who repeatedly shattered glass ceilings—doing so with a blend of grace, wisdom, humor, understatement, and cowgirl toughness. She became the first ever female majority leader of a state senate. As a judge on the Arizona Court of Appeals, she stood up to corrupt lawyers and humanized the law. When she arrived at the United States Supreme Court, appointed by President Ronald Reagan in 1981, she began a quarter-century tenure on the Court, hearing cases that ultimately shaped American law. Diagnosed with cancer at fifty-eight, and caring for a husband with Alzheimer’s, O’Connor endured every difficulty with grit and poise. Women and men who want to be leaders and be first in their own lives—who want to learn when to walk away and when to stand their ground—will be inspired by O’Connor’s example. This is a remarkably vivid and personal portrait of a woman who loved her family, who believed in serving her country, and who, when she became the most powerful woman in America, built a bridge forward for all women. Praise for First “Cinematic . . . poignant . . . illuminating and eminently readable . . . First gives us a real sense of Sandra Day O’Connor the human being. . . . Thomas gives O’Connor the credit she deserves.”—The Washington Post “[A] fascinating and revelatory biography . . . a richly detailed picture of [O’Connor’s] personal and professional life . . . Evan Thomas’s book is not just a biography of a remarkable woman, but an elegy for a worldview that, in law as well as politics, has disappeared from the nation’s main stages.”—The New York Times Book Review
In the first comprehensive reading of dozens of American literary and social culture classics, Tom Cronin, one of America’s most astute students of the American political tradition, tells the story of the American political experiment through the eyes of forty major novelists, from Harriet Beecher Stowe to Hunter S. Thompson. They have been moral and civic consciousness-raisers as we have navigated the zigs and zags, the successes and setbacks, and the slow awkward evolution of the American political experiment. Constitutional democracy, equal justice for all, the American Dream, and American Exceptionalism are all part of our country’s narrative. But, as Imagining a Great Republic explains, there has never been just a single American narrative—we have competing stories, just as we have competing American Dreams and competing ways of imagining a more perfect political union. Recognizing and understanding these competing values is a key part of being American. Cronin’s book explains how this is possible and why we should all be proud to be American.
Herb Nutterman, a long-time Trump Organization employee, unexpectedly becomes President Trump's White House chief of staff and finds himself entangled in Russian intrigue and leading the president's reelection campaign.
It Is a Good Idea to Purchase This Book If you think a neti pot for that stuffy nose is just what the doctor ordered, think again (choking on salt water and mucus is a horrible way to go). If you indulge your midlife crisis by going whole-hog Harley, you may look darn good in those leathers (but imagine your disgrace when that hard-core biker gang that lures you into their criminal shenanigans turns out to be poseur frat boys from Yale). If you settle down on a rainy night for a friendly game of Risk with your pals, you may think it's all in the name of good fun (but when your ubercompetitive streak kicks in and you end up winning the game but losing your house, your job, and your wife in the process, you may regret it. At least take a shower now.). These are just three of the good ideas gone horribly wrong that you'll find in It Seemed Like a Good Idea . . . . In this one-of-a-kind cautionary guide, prognosticators Meghan Rowland and Chris Turner-Neal have looked into their crystal ball to predict all the unexpected dire consequences of your actions—one unmitigated disaster at a time. So go ahead, dare to dream big—but before you leap into the abyss, check out It Seemed Like a Good Idea . . . and save your future ass.
“I had more or less resolved not to write a book about my parents. But I’m a writer, and when the universe hands you material like this, not writing about it amounts either to waste or a conscious act of evasion.” So begins award-winning satirist Christopher Buckley in the most personal and transcendent work of his life, the tragicomic true story of the year in which both of his parents died. In twelve months between 2007 and 2008, Buckley coped with the passing of his father, William F. Buckley, the father of the modern conservative movement, and his mother, Patricia Taylor Buckley, one of New York’s most glamorous and colorful socialites. He was their only child and their relationship was close and complicated. Writes Buckley: “They were not — with respect to every other set of loving, wonderful parents in the world — your typical mom and dad.” As Buckley tells the story of their final year together, he takes readers on a surprisingly entertaining tour through hospitals, funeral homes, and memorial services, capturing the heartbreaking and disorienting feeling of becoming a fifty-five-year-old orphan. Buckley maintains his sense of humor by recalling the words of Oscar Wilde: “To lose one parent may be regarded as a misfortune. To lose both looks like carelessness.” Christopher Buckley offers consolation, wit, and warmth to those coping with the death of a parent, while telling a unique personal story of life with legends.
The latest comic novel from Christopher Buckley, in which a hapless Englishman embarks on a dangerous mission to the New World in pursuit of two judges who helped murder a king. London, 1664. Twenty years after the English revolution, the monarchy has been restored and Charles II sits on the throne. The men who conspired to kill his father are either dead or disappeared. Baltasar “Balty” St. Michel is twenty-four and has no skills and no employment. He gets by on handouts from his brother-in-law Samuel Pepys, an officer in the king’s navy. Fed up with his needy relative, Pepys offers Balty a job in the New World. He is to track down two missing judges who were responsible for the execution of the last king, Charles I. When Balty’s ship arrives in Boston, he finds a strange country filled with fundamentalist Puritans, saintly Quakers, warring tribes of Indians, and rogues of every stripe. Helped by a man named Huncks, an agent of the Crown with a mysterious past, Balty travels colonial America in search of the missing judges. Meanwhile, on the other side of the Atlantic, Samuel Pepys prepares for a war with the Dutch that fears England has no chance of winning. Christopher Buckley’s enchanting new novel spins adventure, comedy, political intrigue, and romance against a historical backdrop with real-life characters like Charles II, John Winthrop, and Peter Stuyvesant. Buckley’s wit is as sharp as ever as he takes readers to seventeenth-century London and New England. We visit the bawdy court of Charles II, Boston under the strict Puritan rule, and New Amsterdam back when Manhattan was a half-wild outpost on the edge of an unmapped continent. The Judge Hunter is a smart and swiftly plotted novel that transports readers to a new world.
This book focuses on the perception of the names, personae, performances and films of three Hollywood megastars, Gregory Peck, Robert Mitchum and William Holden, as presented in the references and allusions encountered in American and foreign literature. Its secondary aim is to establish the ‘impact factor’ of the three actors and their major films and provide extensive data for further studies on the complex and bilateral relationships between film and literature. The pertinent quotations in ‘Three Hollywood Stalwarts in Literature: A Study in Film Perception Through References to Peck, Mitchum and Holden’ have been extracted from nearly 220 works by about 140 authors. The majority of the works were written by acclaimed authors; amongst them are some well-known American mainstream writers such as John Updike, John Irving, Fannie Flagg and Anne Tyler; some leaders of the mystery genre include Martha Grimes, Stuart Kaminsky, Elmore Leonard, Sara Paretsky; and a few masters of other popular genres, such as Stephen King and Dean Koontz. The global flavor of the citations is provided by international authors (e.g., Julio Cortázar, Elizabeth Hay, Henri Charrière, Sebastien Japrisot) and authors born to first-generation U.S. immigrants (e.g., Oscar Hijuelos). Almost seventy films referenced in world literature are discussed in the book, and those mentioned in the biggest number of works include ‘Sunset Boulevard’, ‘The Wild Bunch’, ‘To Kill a Mockingbird’, ‘Roman Holiday’, ‘Spellbound’, ‘The Guns of Navarone’, and ‘Duel in the Sun’, among others. This book will appeal to college professors and students interested in film studies, specifically film analysis and criticism, film perception, and film genres. It will also hold interest for the general reader interested in biographies of movie personalities and the careers of the three actors, movie and stage actors, and fans of the western, film noir, and war genres.