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Lurking beneath the veil of reality, a supernatural war threatens to consume the city of Shreveport, Louisiana. The Illumin, messengers of light, strive to protect the city's human inhabitants from the vicious Shades. Banished from their natural world, the Shades carve out a restless existence among us. The powerful Raven family stands between the warring Shades and Illumin, struggling to maintain a delicate balance while ensuring that everyone else remains unaware. In the nearby town of Wheelbarrow Creek, an Aztec relic makes its way into Matthew Gillard's hands, unlocking an evil with the power to bring back the dead. Impossible to control, the relic bends him to its will. Now Raven, Shade, and Illumin hunt after this newfound threat. Shadeskin is an urban fantasy anthology born from the minds of three authors. The five stories contained within build a world of light and shadow ready for the daring reader to explore.
Recasts the Reformation as a battleground over memory, in which new identities were formed through acts of commemoration, invention and repression.
A new power is rising in Shreveport, escalating tensions between Shade and Illumin. Every Shade in the city feels this shift and works to carve out their own section in the new order. The Raven family unites against their growing enemies to prepare for the upcoming war. Still recovering from the wounds of betrayal, the Ravens wrestle with painful memories of their losses, set aside old feuds, and reforge their alliance with the Illumin. In the end, all may succumb to this powerful force that threatens the city. In the second installment of the Shadeskin Anthology, two authors interlace stories of ancient beings and their impact on the human race set against the backdrop of a Louisiana city.
Why were so many religious images and objects broken and damaged in the course of the Reformation? Margaret Aston's magisterial new book charts the conflicting imperatives of destruction and rebuilding throughout the English Reformation from the desecration of images, rails and screens to bells, organs and stained glass windows. She explores the motivations of those who smashed images of the crucifixion in stained glass windows and who pulled down crosses and defaced symbols of the Trinity. She shows that destruction was part of a methodology of religious revolution designed to change people as well as places and to forge in the long term new generations of new believers. Beyond blanked walls and whited windows were beliefs and minds impregnated by new modes of religious learning. Idol-breaking with its emphasis on the treacheries of images fundamentally transformed not only Anglican ways of worship but also of seeing, hearing and remembering.
An examination of the significance and function of oaths in the English Reformation.