Download Free Superstition Cowboys Book in PDF and EPUB Free Download. You can read online Superstition Cowboys and write the review.

Welcome to Big Verde, Texas, where a love-'em-and-leave-'em cowboy faces his greatest challenge yet---the woman he left behind. Perfect for fans of New York Times bestselling authors Lori Wilde and Carolyn Brown. Some cowboys aren't cut out to be Prince Charming---and Claire Kowalski knows that better than anyone. She gave her heart to Ford Jarvis two years ago, yet that didn't keep him from disappearing into the sunset. Now that he's back in Big Verde, Texas, she's determined not to make the same mistake twice. But the ruggedly sexy cowboy still knows how to push all her buttons, and avoiding him is nearly impossible when she needs his help. Ford didn't plan on returning home---ever---but when he hears that the Kowalski ranch is in trouble, he hightails it back to town. He's not eager to be reminded of the life he can never have, but his time in Big Verde is only temporary. He'll stay long enough to get the ranch up and running, then hit the road again. But when Ford finds out the new foreman he's training is Claire, still as stubborn and beautiful as ever, this cowboy is going to have to decide what matters most---repeating the mistakes of the past or fighting for a future with the only woman he's ever loved.. Includes Rocky Mountain Cowboy, a novella by Sara Richardson
Lavishly illustrated with photographs, paintings, and movie stills, this Western Heritage Award-winning book explores what life was actually like for the working cowboy in North America. "If you read only one book on cowboys, read this one".--Journal of the Southwest.
In Playing Cowboys, Robert Murray Davis examines the Western hero-a principal image of American manhood since publication of The Virginian-as portrayed by a variety of post-World War II novelists and filmmakers. Innovative artists have used the Western to discuss issues of ethics and aesthetics, but its greatest impact may have been on popular cultural values. Davis shows that the Western is not primarily about escape or violence, but, at its best, is about development. The would-be hero adopts the existing role only to find it inadequate, and, forced to "reimagine" himself, he defines the Western hero anew. At the core of this process is strength-not power over others, but courage to go beyond the established boundaries. Although women do appear in the Western (often as proponents of "civilization"), it is fundamentally a man's world, offering an important view of male identity. Focusing on The Virginian, chapter 1 explores the origin of the Western hero and the source of the genre's major plots and issues. Chapter 2 evaluates history, myth, and the relative reality of the two in the works of Oakley Hall. Citing the novels of Richard Brautigan, E.L. Doctorow, John Hawkes, and Michael Ondaatje, chapter 3 compares the Western and the gothic novel, focusing on the concept of space. These works portray the West as a wasteland devoid of any vitality, but chapter 4 takes up science fiction Westerns (including works by John Jakes, John Boyd, and Robert Sheckley) that use the Western frontier to ironic and liberating effect. Chapter 5, on the motion picture Blazing Saddles and the postmodern Western novels of Ishmael Reed and Alvin Greenberg, examines the role playing by which identity is created. And in his Preface, Introduction, and Epilogue, Davis frames these discussions with personal observations on the West and its relation to the American masculine mystique. For those interested in Western movies or novels, popular culture, gender studies, or literary criticism, Playing Cowboys is a unique and indispensable guide to the territory from here to the sunset.
Did you know that a miniature horse weighs just a few pounds, while a giant draft horse can weigh well over a ton? Or that from a standstill a mule can jump, kangaroo-like, more than five feet high? With answers to hundreds of questions about behavior, physiology, training, and special breed characteristics, Knowing Horses has all your horse quandaries covered.
Cowboys, Outlaws, and Family, A Western Adventure brings to life the stories of the characters in her first book Second Chance, A Western Adventure; the Preston family and their bunkhouse crew. The Preston Ranch embraces the New Year as 1900 ushers in a new decade and ends the nineteenth century. Building a new house will continue during spring roundup, and one member of the crew suffers a disastrous accident during spring branding. June finds several members of the family traveling to Portland, Oregon, and the ranch foreman takes two young cowboys to check on the herd and captures four desperadoes during their ride. The year closes the nineteenth century with moving one thousand head of cattle to high ground to avoid flooding conditions at the ranch. The year’s hard work is celebrated with New Year’s Eve games, and news of an upcoming wedding in the twentieth century.
The Western Story: A Chronological Treasury consists of twenty Western stories spanning the years 1892 to 1994. For that generation of American writers who saw the frontier in the last century?including Mark Twain, Bret Harte, and Owen Wister?it seemed exotic, strange, wonderful. Others, such as Frederic Remington and John G. Neihardt, reflected the clash between various Indian nations and pioneers. These authors prepared the way for the founders of the first Golden Age of the Western story: Willa Cather, who wrote of pioneer life in Nebraska; Zane Grey, who combined wilderness experiences with romance and the search for spiritual truth; B. M. Bower, who portrayed the cowboys and frontier women she knew growing up in Montana; Max Brand, who created dramas in which the psychological and spiritual meaning of life was more important than the physical terrain; and Ernest Haycox, who combined character and drama with historical accuracy. ø Another generation of writers perpetuated this first Golden Age: Peter Dawson and T. T. Flynn, who began writing Western stories in the 1930s; Walter Van Tilburg Clark, who created a masterpiece in The Ox-Bow Incident; Dorothy M. Johnson and Les Savage Jr., who experimented with making the Western story still more realistic; and Louis L?Amour, whose visibility and popularity won legions of new readers to the genre. ø Humanity, depth, and verisimilitude were already part of the Western story when Will Henry, Elmer Kelton, and T. V. Olsen came on the scene to intensify these qualities in their own stories even as they experimented with new perspectives. And Cynthia Haseloff?s story (written especially for this collection), with its symbolism and its simplicity, may be the harbinger of a second Golden Age.