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Winnipeg is divided between two worlds: one is comprised of human beings and the other of supernatural beings, some of whom have been gifted with special powers and magic. Supernatural beings, animals shaped like humans, believe their ancestors are their gods, dutifully follow the rules of their tradition, and understand their purpose is to eradicate the human race. Hero is a young adult, magician supernatural being who has been sent with his brothers to the world of human beings to destroy humankind. But everything changes during his important mission when Hero surprisingly feels his magic pushing him against his own desire to protect Angel, a mysterious human being who appears different than others in her race. When Hero breaks the rules of his tradition and battles against his own family to protect Angel, he becomes a traitor who now must learn why his magic warns him when Angel is in danger as fate leads him to places he never imagined. In this fantasy tale, a young supernatural being with magical powers on a mission to destroy the human race crosses paths with a mysterious being that causes him to question everything he has ever known.
Twenty-three years ago, Sam and Dean Winchester lost their mother to a demonic supernatural force. Following the tragedy, their father, John, set out to teach his boys everything about the paranormal evil that lives in the dark corners and on the back roads of America . . . and how to kill it. Fans of the blockbuster television phenomenon can rejoice! A one-of-a-kind compilation of all of Sam and Dean's demon-busting knowledge, The Supernatural Book of Monsters, Spirits, Demons, and Ghouls contains illustrations and detailed descriptions that catalogue the more than two dozen otherworldly enemies that most people believe exist only in folklore, superstition, and nightmares:vampires, ghosts, revenants, reapers, and even bloody clowns. You'll find within these pages Sam and Dean's notes, observations, and memories interwoven with sections of John Winchester's invaluable journal, making this book the perfect companion to every thrilling episode—and an essential weapon in the secret war against the hidden creatures of the darkness!
Analyzes the portrayal of German fairy-tale figures in contemporary North American media adaptations. Craving Supernatural Creatures: German Fairy-Tale Figures in American Pop Culture analyzes supernatural creatures in order to demonstrate how German fairy tales treat difference, alterity, and Otherness with terror, distance, and negativity, whereas contemporary North American popular culture adaptations navigate diversity by humanizing and redeeming such figures. This trend of transformation reflects a greater tolerance of other marginalized groups (in regard to race, ethnicity, ability, age, gender, sexual orientation, social class, religion, etc.) and acceptance of diversity in society today. The fairy-tale adaptations examined here are more than just twists on old stories—they serve as the looking glasses of significant cultural trends, customs, and social challenges. Whereas the fairy-tale adaptations that Claudia Schwabe analyzes suggest that Otherness can and should be fully embraced, they also highlight the gap that still exists between the representation and the reality of embracing diversity wholeheartedly in twenty-first-century America. The book's four chapters are structured around different supernatural creatures, beginning in chapter 1 with Schwabe's examination of the automaton, the golem, and the doppelganger, which emerged as popular figures in Germany in the early nineteenth century, and how media, such as Edward Scissorhands and Sleepy Hollow, dramatize, humanize, and infantilize these "uncanny" characters in multifaceted ways. Chapter 2 foregrounds the popular figures of the evil queen and witch in contemporary retellings of the Grimms' fairy tale "Snow White." Chapter 3 deconstructs the concept of the monstrous Other in fairy tales by scrutinizing the figure of the Big Bad Wolf in popular culture, including Once Upon a Timeand the Fables comic book series. In chapter 4, Schwabe explores the fairy-tale dwarf, claiming that adaptations today emphasize the diversity of dwarves' personalities and celebrate the potency of their physicality. Craving Supernatural Creaturesis a unique contribution to the field of fairy-tale studies and is essential reading for students, scholars, and pop-culture aficionados alike.
Winnipeg is divided between two worlds that are the world of natural human beings and the world of Supernatural beings. Supernatural beings are animals that have the shape of human beings, and by looking at them, we thought that they are natural human beings, but supernatural beings are instead the tigers and eagles. Supernatural beings have the phantoms called again ghosts, and their phantoms are the animals who that are. So, Supernatural beings who have the shape of human beings are instead the tigers and eagles. And some supernatural beings born with the powers and magic that they had inherited from their ancestors. Supernatural beings believe in their ancestors as their gods, and they are educated according to the rules of their traditions and culture. And one of the rules of their traditions require them to eradicate the race of human beings to avenge the death of their ancestors which had been caused by human beings in the past. Hero is a young adult, magician supernatural being who has been sent with his brothers to the world of human beings to destroy the race of human beings. But everything changes for Hero during his important mission when he surprisingly feels his magic pushing him against his own desire to protect Angel, a mysterious human being who appears different than others in her race. Then, Hero breaks the rules of the tradition of the tiger world by becoming a traitor, and he started to fight against his own family to protect Angel. And he become an enemy of the world of supernatural beings who must now learn why his magic warns him when Angel is in danger, whey between all human beings his magic choose only Angel to protect, who was really Angel, how she was different from the rest of human beings and why his family was determine to kill Angel. Hero would succeed to protect Angel by preventing his family to kill her? Hero would succeed to understand why his magic push him to protect Angel? What would be Hero reaction when he would find out who was really Angel? Hero's brothers would succeed their mission by destroying humankind? What would be Hero fate as a traitor?
Drawing on historical sources, myth and folklore, Fantastic Creatures in Mythology and Folklore explores the roles of fantastical beasts - particularly the unicorn, the mermaid, and the dragon - in a series of thematic chapters organised according to their legendary dwelling place, be this land, sea, or air. Through this original approach, Juliette Wood provides the first study of mythical beasts in history from the medieval period to the present day, providing new insights into the ways these creatures continue to define our constantly changing relationship to both real and imagined worlds. It places particular emphasis on the role of the internet, computer games, and the cyberspace community, and in doing so, demonstrates that the core medieval myth surrounding these creatures remains static within the ever-increasing arena of mass marketing and the internet. This is a vital resource for undergraduates studying fantastic creatures in history, literature and media studies.
“A dense and scholarly book about . . . the relationship between the Nazi party and the occult . . . reveals stranger-than-fiction truths on every page.”—Daily Telegraph The Nazi fascination with the occult is legendary, yet today it is often dismissed as Himmler’s personal obsession or wildly overstated for its novelty. Preposterous though it was, however, supernatural thinking was inextricable from the Nazi project. The regime enlisted astrology and the paranormal, paganism, Indo-Aryan mythology, witchcraft, miracle weapons, and the lost kingdom of Atlantis in reimagining German politics and society and recasting German science and religion. In this eye-opening history, Eric Kurlander reveals how the Third Reich’s relationship to the supernatural was far from straightforward. Even as popular occultism and superstition were intermittently rooted out, suppressed, and outlawed, the Nazis drew upon a wide variety of occult practices and esoteric sciences to gain power, shape propaganda and policy, and pursue their dreams of racial utopia and empire. “[Kurlander] shows how swiftly irrational ideas can take hold, even in an age before social media.”—The Washington Post “Deeply researched, convincingly authenticated, this extraordinary study of the magical and supernatural at the highest levels of Nazi Germany will astonish.”—The Spectator “A trustworthy [book] on an extraordinary subject.”—The Times “A fascinating look at a little-understood aspect of fascism.”—Kirkus Reviews “Kurlander provides a careful, clear-headed, and exhaustive examination of a subject so lurid that it has probably scared away some of the serious research it merits.”—National Review
Gender, Supernatural Beings, and the Liminality of Death: Monstrous Males/Fatal Females examines representations of the supernatural dead to demonstrate shifts in the manifestation of gender. Including readings of East Asian detectives/cyborgs, Iranian vampires, and African zombies, among others, This collection offers a multi-faceted look at myth, legend, and popular culture representations of the gendered supernatural from a broad range of international contexts. The contributors show that, as creatures pass through the liminal space of death, their new supernatural forms challenge cultural conceptions of gender, masculinity, and femininity.
The books in the How to Draw series are especially designed for artists of all levels, beginner to advanced, who are looking to hone their skills in a specific style of artwork. The books are 6.5in x 8in, hardcover with an internal spiral binding so they lay open flat as readers follow the steps on their own canvas or paper. The books are beautifully illustrated and contain hundreds of colorful pieces of artwork, photographs, and helpful diagrams. Step-by-step instructions help guide artists through the learning process. It's fun to draw supernatural beings—from vampires to zombies, werewolves, ghosts, and goblins, supernatural characters have endless possibilities. Whether you want to draw them professionally or design special graphics for friends and family, this is the book for you. Complete with easy to follow steps and guidelines, this book will make you a demon of the drawing underworld. For artists of all skill levels, supernatural creatures present the fantasy artist with unique challenges and opportunities. How to Draw Supernatural Beings walks artists through discipline, balancing real-life details and supernatural characters, along with hints on composition. With information on the history of this type of art, and an explanation of current trends, this book is a necessary reference for anyone interested in supernatural art.
From the pioneering work of eighteenth-century painter Toriyama Sekien to contemporary superstar Takashi Murakami, Japan Supernatural presents wildly imaginative works by Japanese artists past and present and takes readers on a journey of discovery through the astonishing array of yōkai culture and yūrei (ghosts)--phenomenal beings from fiendish goblins to mischievous shapeshifters--that have inhabited Japanese culture for centuries. Once a means of explaining the unexplainable, they have been kept alive in stories and artworks. Evolving into a form of entertainment ranging from horror to the comical, they have maintained an ongoing presence in Japanese novels, films, anime, manga, and games. Drawn from around the world, the artworks illustrated in Japan Supernatural date from the eighteenth to the twenty-first century and include fantastically detailed ukiyo-e woodblock prints, miniature netsuke, wall-sized scrolls, and large-scale contemporary photographs, paintings, and installations. Some of the greatest Japanese artists of the past, including Katsushika Hokusai, Utagawa Kuniyoshi, Tsukioka Yoshitoshi, and Kawanabe Kyosai, are featured alongside contemporary artists such as Chiho Aoshima, Miwa Yanagi, and Takahashi Murakami, who update the tradition for the present.
The study of supernatural powers is fraught with vexing hermeneutical challenges, which aggravate further in the African context. While on the one hand Western anthropology tends to discount the idea of supernatural powers by attempting to 'explain them away', on the other Western biblical scholarship has mainly worked from the premise of 'demythologizing' them. But none of these approaches make tangible sense to African scholars for whom supernatural powers constitute an integral component of their spiritual psyche. This book, based on an examination of over a thousand documentary sources (both classic and modern), attempts to address the issue of interpreting supernatural powers from an African worldview. The author analyzes, identifies, and critiques major hermeneutical errors and offers a 'bridging hermeneutic' using the method of reader-response criticism.