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"A certain king built himself a palace and summoned two persons to decorate it for him. The king divided his palace into two parts, putting one person in charge of one half and the second in charge of the other. One of the persons decorated his part of the palace with beautiful paintings of birds and animals. But the second person painted his half of the palace with black dye which was reflecting everything like a mirror. When the king came to judge the two decorations, everything he had seen in the first person's part he also saw in the second's part, since it was reflected in its black dye like in a mirror. Not only that, but even all the king could wish to put in the first half of his palace appeared in the second half. This found favor in the eyes of the king"--
National Jewish Book Awards Finalist for the Nahum N. Sarna Memorial Award for Scholarship, 2016. From its first appearance, the Zohar has been one of the most sacred, authoritative, and influential books in Jewish culture. Many scholarly works have been dedicated to its mystical content, its literary style, and the question of its authorship. This book focuses on different issues: it examines the various ways in which the Zohar has been received by its readers and the impact it has had on Jewish culture, including the fluctuations in its status and value and the various cultural practices linked to these changes. This dynamic and multi-layered history throws important new light on many aspects of Jewish cultural history over the last seven centuries. Boaz Huss has broken new ground with this study, which examines of the reception and canonization of the Zohar as well as its criticism and rejection from its inception to the present day. His underlying assumption is that the different values attributed to the Zohar are not inherent qualities of the zoharic texts, but rather represent the way it has been perceived by its readers in different cultural contexts. He therefore considers not only the attribution of different qualities to the Zohar through time but also the people who were engaged in attributing such qualities and the social and cultural functions associated with their creation, re-creation, and rejection. For each historical period from the beginning of Zohar scholarship to the present, Huss considers the social conditions that stimulated the veneration of the Zohar as well as the factors that contributed to its rejection, alongside the cultural functions and consequences of each approach. Because the multiple modes of the reception of the Zohar have had a decisive influence on the history of Jewish culture, this highly innovative and wide-ranging approach to Zohar scholarship will have important repercussions for many areas of Jewish studies.
A snake smells with its tongue, hears with its flesh, and breathes under the sand with one lung; it can copulate for days with one snake or with fifty at once; it has infrared radar; and it can induce spontaneous bleeding if threatened. With all these qualities, it is easy to see how snakes have such varied associations in cultures around the world: while celebrated in tattoos and tales, and for medicinal benefits, snakes are also so universally feared that they constantly endure intense persecution and rarely enjoy protected rights. Drake Stutesman explores here in Snake the fascinating natural history of the maligned serpentine. Stutesman examines a wide range of sources to investigate the complex and widespread symbolism the snake has inspired, including the serpent's temptation of Eve in the Bible, Kaa in The Jungle Book, the Chinese zodiac, Indian snake charmers, and the Hollywood film Anaconda. She looks at the role snakes have played in human culture and science, from snake cuisine and the use of venom in medicine to the intriguing history of snake symbolism in art, architecture, cinema, and even clothing. Richly illustrated and written in an engaging style, Snake is an invaluable resource for snake enthusiasts and scholars, as well as for all who love, admire, or fear this fascinating and enduring animal.
Please see the Zohar Home Page for ancillary materials, including the publication schedule, press release, Aramaic text, questions, and answers.
"Here is a first time English translation of a seventeenth-century classic of Jewish literature that deals with many of the most important issues addressed by Kabbalists since the late twelfth century. Horowitz (c. 1570-1626) served as rabbi of several of the most important European Jewish communities before becoming Chief Ashkenazic Rabbi of Jerusalem in 1621."--Publisher description.
Here are previously unavailable texts, including The Book Bahir and the writings of the Iyyum circle, that were written during the first one hundred years of this movement that was to become the most important current in Jewish mysticism. This movement began in the late 12th century among Rabbinic Judaism in southern Europe.
'A classic, a landmark in modern Hebrew letters. Beautifully written and deeply learned ... the appearance of the long-awaited English translation is a cause for celebration.' - Elliot Ginsburg, Journal of Religion
In this groundbreaking work, Gnostic teacher Tau Malachi and Harvard-educated independent scholar Siobhán Houston have teamed up to present powerful Gnostic healing practices in a clear and systematic way found nowhere else. Techniques include mystical prayer, meditation, and sacred ceremony, and are suitable for both beginning and experienced healers. All the practices in this guidebook facilitate direct spiritual and mystical experiences that will awaken your soul and lead to self-realization. Essentially, it is a book of healing as a way of the Path to Enlightenment—Divine Gnosis. Praise for Tau Malachi “Malachi perfectly captures the oral tradition within the written word.”—Publishers Weekly
This multicultural reference work on Jewish folklore, legends, customs, and other elements of folklife is the first of its kind.
In 1944, C. G. Jung experienced a series of visions which he later described as "the most tremendous things I have ever experienced." Central to these visions was the "mystic marriage as it appears in the Kabbalistic tradition", and Jung’s experience of himself as "Rabbi Simon ben Jochai," the presumed author of the sacred Kabbalistic text, the Zohar. Kabbalistic Visions explores Jung’s 1944 Kabbalistic visions, the impact of Jewish mysticism on Jungian psychology, Jung’s archetypal interpretation of Kabbalistic symbolism, and his claim late in life that a Hasidic rabbi, the Maggid of Mezhirech, anticipated his entire psychology. This book places Jung’s encounter with the Kabbalah in the context of the earlier visions and meditations of his Red Book, his abiding interests in Gnosticism and alchemy, and what many regard to be his Anti-Semitism and flirtation with National Socialism. Kabbalistic Visions is the first full-length study of Jung and Jewish mysticism in any language and the first book to present a comprehensive Jungian/archetypal interpretation of Kabbalistic symbolism.