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ÒThe Darkness WithinÓ Annual crossover event continues. Eclipso makes his first move in Metropolis, trying to neutralize EarthÕs solar-oriented defenders: Superman, Starman and Rampage. But if they are defeated, will anything be able to stop Eclipso?
Bizarro World' part 4, continued from ACTION COMICS (1938-2011) #697. Having captured Bizarro and saved Lois, the Man of Steel must take his imperfect clone to the only place that can possibly save the deteriorating duplicate: LexCorp. Continued in SUPERMAN (1987-2006) #88.
Bad things come in threes, have you noticed? Everything sinister that happens to Superman in Metropolis seems to have the unlucky number three attached! Our supporting cast members are all caught in emotional triangles of their own making! The only thing that doesn't come in a three-pack is Superman-there's only two of him!
The fifth collection of Superman tales from the 1980s, featuring ADVENTURES OF SUPERMAN #432-435, ACTION COMICS #592-593 and SUPERMAN #9-10! Superman encounters the new hero Gangbuster, faces the menace of the Joker, teams up with Mister Miracle and Big Barda, and inadvertently becomes Metropolis's greatest menace!
Babe's bloodthirst is consuming her as she becomes more and more of a threat to an amorous Jimmy Olsen.
Superman discovers a mysterious plot to kidnap the children of Metropolis when Perry White's adopted son Keith encounters the deadly Skyhook.
The "Emperor Joker" storyline crossed through several comics as The Joker obtains the ability to alter reality, becomes Emperor of the Universe, and set the world into a repetitive loop. Every day, he tortures and kills Batman, brings him back to life, and starts over the next day. Superman must face-off against The Joker to save the fate of Batman and the universe. Collects SUPERMAN #160-161, ADVENTURES OF SUPERMAN #582-583, SUPERMAN: MAN OF STEEL #104-105, ACTION COMICS #769-770 and SUPERMAN: EMPEROR JOKER #1.
V. 1 : Originally published in single magazine form "Man of Steel" 1-6, DC Comics, 1986.
The sagas and stories that shook the DC Multiverse. Explore the main events that have shaped and reshaped the DC Multiverse. From the groundbreaking debuts of Superman, Batman, and Wonder Woman to "The Flash of Two Worlds," from Crisis on Infinite Earths to The Death and Return of Superman, and from DC Comics: The New 52 to Infinite Frontier, DC Greatest Events delves into the epic crises, iconic battles, and unforgettable milestones that have reinvented and refreshed DC Comics. Expert essays reveal the context, connections, and consequences of more than 80 pivotal events, showcasing crossover series and timelines, brought to vivid life through stunning artwork and presented in a sumptuous coffee-table format. Across DC Comics' celebrated 80-year history, these are the moments that matter, the stories that made a difference. All DC characters and elements © & ™ DC Comics. (s22)
In this book, Martin Lund challenges contemporary claims about the original Superman’s supposed Jewishness and offers a critical re-reading of the earliest Superman comics. Engaging in critical dialogue with extant writing on the subject, Lund argues that much of recent popular and scholarly writing on Superman as a Jewish character is a product of the ethnic revival, rather than critical investigations of the past, and as such does not stand up to historical scrutiny. In place of these readings, this book offers a new understanding of the Superman created by Jerry Siegel and Joe Shuster in the mid-1930s, presenting him as an authentically Jewish American character in his own time, for good and ill. On the way to this conclusion, this book questions many popular claims about Superman, including that he is a golem, a Moses-figure, or has a Hebrew name. In place of such notions, Lund offers contextual readings of Superman as he first appeared, touching on, among other ideas, Jewish American affinities with the Roosevelt White House, the whitening effects of popular culture, Jewish gender stereotypes, and the struggles faced by Jewish Americans during the historical peak of American anti-Semitism. In this book, Lund makes a call to stem the diffusion of myth into accepted truth, stressing the importance of contextualizing the Jewish heritage of the creators of Superman. By critically taking into account historical understandings of Jewishness and the comics’ creative contexts, this book challenges reigning assumptions about Superman and other superheroes’ cultural roles, not only for the benefit of Jewish studies, but for American, Cultural, and Comics studies as a whole.