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The Planet’s new reporter continues his interviews concerning the day Doomsday killed Superman, now widening his subjects to the ordinary civilians who were there and the horrors they saw-it wasn’t just Superman who died that day. Duffy also interviews the Prankster and other lower-tier villains who tried to take credit for the tragedy. Meanwhile, Superman continues to investigate more mysterious accidents as the clues to an emerging threat become clearer.
A four-issue weekly miniseries event begins! Ty Duffy, a new reporter for the Daily Planet, is assigned a story on the anniversary of Superman’s death. Duffy starts by interviewing those who suffered through Doomsday’s rampage, beginning with some members of the JLA: Booster Gold and Blue Beetle! Meanwhile, the Man of Steel himself is investigating some random accidents that may not be so random after all-and they seem to be happening along the same path that led Doomsday to Metropolis…
Comics book collectors turn to this valuable resource every year for the most comprehensive information available. This updated edition gives collectors everything they've come to expect and more. Packed with more than 100,000 listings and more than 1,000 illustrations of classic and contemporary comics.
A catalog and price guide for collectors of comic books.
A two-story filpbook featuring Batman and Superman, DC Comics greatest heroes.
Comic books have increasingly become a vehicle for serious social commentary and, specifically, for innovative religious thought. Practitioners of both traditional religions and new religious movements have begun to employ comics as a missionary tool, while humanists and religious progressives use comics' unique fusion of text and image to criticize traditional theologies and to offer alternatives. Addressing the increasing fervor with which the public has come to view comics as an art form and Americans' fraught but passionate relationship with religion, Graven Images explores with real insight the roles of religion in comic books and graphic novels. In essays by scholars and comics creators, Graven Images observes the frequency with which religious material—in devout, educational, satirical, or critical contexts—occurs in both independent and mainstream comics. Contributors identify the unique advantages of the comics medium for religious messages; analyze how comics communicate such messages; place the religious messages contained in comic books in appropriate cultural, social, and historical frameworks; and articulate the significance of the innovative theologies being developed in comics.
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The Thing. Daredevil. Captain Marvel. The Human Fly. Drawing on DC and Marvel comics from the 1950s to the 1990s and marshaling insights from three burgeoning fields of inquiry in the humanities—disability studies, death and dying studies, and comics studies—José Alaniz seeks to redefine the contemporary understanding of the superhero. Beginning in the Silver Age, the genre increasingly challenged and complicated its hypermasculine, quasi-eugenicist biases through such disabled figures as Ben Grimm/The Thing, Matt Murdock/Daredevil, and the Doom Patrol. Alaniz traces how the superhero became increasingly vulnerable, ill, and mortal in this era. He then proceeds to a reinterpretation of characters and series—some familiar (Superman), some obscure (She-Thing). These genre changes reflected a wider awareness of related body issues in the postwar U.S. as represented by hospice, death with dignity, and disability rights movements. The persistent highlighting of the body's “imperfection” comes to forge a predominant aspect of the superheroic self. Such moves, originally part of the Silver Age strategy to stimulate sympathy, enhance psychological depth, and raise the dramatic stakes, developed further in such later series as The Human Fly, Strikeforce: Morituri, and the landmark graphic novel The Death of Captain Marvel, all examined in this volume. Death and disability, presumed routinely absent or denied in the superhero genre, emerge to form a core theme and defining function of the Silver Age and beyond.
Superman has his work cut out to keep the city safe, and his true identity a secret.