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It's the end of the world and Chris Tse has lost his chill. In Super Model Minority he completes a loose trilogy of books &– from the historical racism of How to be Dead in a Year of Snakes to a queer coming of age in HE'S SO MASC &– by looking to a future where &‘it's enough to look up at a sky blushing red and see possibility'. From making boys cry with the power of poetry to hitting back against microaggressions and sucker punches, these irreverent and tender poems dive head first into race and sexuality with rage and wit, while embracing everyday moments of joy to fortify the soul.Super Model Minority is a riotous walk through the highs and lows of modern life with one of New Zealand's most audacious contemporary poets.
The Color of Success tells of the astonishing transformation of Asians in the United States from the "yellow peril" to "model minorities"--peoples distinct from the white majority but lauded as well-assimilated, upwardly mobile, and exemplars of traditional family values--in the middle decades of the twentieth century. As Ellen Wu shows, liberals argued for the acceptance of these immigrant communities into the national fold, charging that the failure of America to live in accordance with its democratic ideals endangered the country's aspirations to world leadership. Weaving together myriad perspectives, Wu provides an unprecedented view of racial reform and the contradictions of national belonging in the civil rights era. She highlights the contests for power and authority within Japanese and Chinese America alongside the designs of those external to these populations, including government officials, social scientists, journalists, and others. And she demonstrates that the invention of the model minority took place in multiple arenas, such as battles over zoot suiters leaving wartime internment camps, the juvenile delinquency panic of the 1950s, Hawaii statehood, and the African American freedom movement. Together, these illuminate the impact of foreign relations on the domestic racial order and how the nation accepted Asians as legitimate citizens while continuing to perceive them as indelible outsiders. By charting the emergence of the model minority stereotype, The Color of Success reveals that this far-reaching, politically charged process continues to have profound implications for how Americans understand race, opportunity, and nationhood.
There are few grand narratives that loom over Asian Americans more than the "model minority." While many Asian Americanist scholars and activists are quick to disprove the model minority as "myth," author Takeo Rivera instead rethinks the model minority as cultural politics. Rather thandisproving the model minority, Rivera instead argues that Asian Americans have formulated their racial and gendered subjectivities in relation to the model minority relation that Rivera terms "model minority masochism." With specific attention to hegemonic masculine Asian American culturalproduction, Rivera details two complementary forms of contemporary racial masochism: a self-subjugating masochism which embraces the model minority, and its opposite, a self-flagellating masochism that punishes oneself for having been associated with the model minority at all.
When Contemporary Asian America was first published, it exposed its readers to developments within the discipline, from its inception as part of the ethnic consciousness movement of the 1960s to the more contemporary theoretical and practical issues facing Asian America at the century’s end. This new edition features a number of fresh entries and updated material. It covers such topics as Asian American activism, immigration, community formation, family relations, gender roles, sexuality, identity, struggle for social justice, interethnic conflict/coalition, and political participation. As in the first edition, Contemporary Asian America provides an expansive introduction to the central readings in Asian American Studies, presenting a grounded theoretical orientation to the discipline and framing key historical, cultural, economic, and social themes with a social science focus. This critical text offers a broad overview of Asian American studies and the current state of Asian America.
Researchers, higher education administrators, and high school and university students desire a sourcebook like The Model Minority Stereotype: Demystifying Asian American Success. This second edition has updated contents that will assist readers in locating research and literature on the model minority stereotype. This sourcebook is composed of an annotated bibliography on the stereotype that Asian Americans are successful. Each chapter in The Model Minority Stereotype is thematic and challenges the model minority stereotype. Consisting of a twelfth and updated chapter, this book continues to be the most comprehensive book written on the model minority myth to date.
In 1905, white supremacist Lionel Terry murdered the Cantonese gold prospector Joe Kum Yung to draw attention to his crusade to rid New Zealand of Chinese and other east Asian immigrants. Author Chris Tse uses this story—and its reenactment for a documentary a hundred years later—to reflect on the experiences of Chinese migrants of the period, their wishes and hopes, their estrangement and alienation, their ghostly reverberation through a white-majority culture. Along the way readers visit the gold fields of the south; a shipwreck in the Hokianga that left the spirits of 500 Chinese gold miners in an unmemorialized limbo for a hundred years; and the streets of Newtown, Wellington, where Lionel Terry went out one night "looking for a Chinaman." Chris Tse's flickering use of imagery, resonant language, and flexible pronouns are particularly suited to the historic events he describes and the viewpoints he shifts through. How to be Dead in a Year of Snakes is a welcome poetic addition to New Zealand literature.
Emerging from mid-century social movements, Civil Rights Era formations, and anti-war protests, Asian American studies is now an established field of transnational inquiry, diasporic engagement, and rights activism. These histories and origin points analogously serve as initial moorings for Flashpoints for Asian American Studies, a collection that considers–almost fifty years after its student protest founding--the possibilities of and limitations inherent in Asian American studies as historically entrenched, politically embedded, and institutionally situated interdiscipline. Unequivocally, Flashpoints for Asian American Studies investigates the multivalent ways in which the field has at times and—more provocatively, has not—responded to various contemporary crises, particularly as they are manifest in prevailing racist, sexist, homophobic, and exclusionary politics at home, ever-expanding imperial and militarized practices abroad, and neoliberal practices in higher education.
A remarkable anthology of queer New Zealand voices. We became teenagers in the nineties when New Zealand felt a lot less cool about queerness and gender felt much more rigid. We knew instinctively that hiding was the safest strategy. But how to find your community if you're hidden? Aotearoa is a land of extraordinary queer writers, many of whom have contributed to our rich literary history. But you wouldn't know it. Decades of erasure and homophobia have rendered some of our most powerful writing invisible. Out Here will change that. This landmark book brings together and celebrates queer New Zealand writers from across the gender and LGBTQIA+ spectrum with a generous selection of poetry, fiction, creative nonfiction, and much, much more. From established names to electrifying newcomers, the cacophony of voices brought together in Out Here sing out loud and proud, ensuring that future generations of queers are afforded the space to tell their stories and be themselves without fear of retribution or harm.
Asian American Sexual Politics explores the topics of beauty, self-esteem, and sexual attraction among Asian Americans. The book draws on sixty in-depth interviews to show how constructions of Asian American gender and sexuality tend to reinforce the social and political dominance for whites, particularly white males, even in the supposed "post-racial" United States. Drawing on established scholarship on the intersection of race, gender, and sexuality, Asian American Sexual Politics shows how power dynamics shape the lives of young Asian Americans today. Asian American women are often constructed as hyper-sexual docile bodies, while Asian American men are often racially "castrated." The book's interview excerpts show the range of frames through which Asian Americans approach the world, as well as the counter-frames they construct. In the final chapter, author Rosalind S. Chou offers strategies for countering racialized and sexualized oppression. This provocative book shows how persistent racism affects Asian American body image, self-esteem, and intimate relationships.
“This coffee-table book is the first-ever collection of works devoted to celebrating black models. Fashion devotees will find glorious images of supers such as Iman, Tyra Banks, Naomi Campbell, Joan Smalls, and Adwoa Aboah alongside interviews and personal essays.” —Vogue Filled with revealing essays, interviews, and stunning photographs, Supreme Models pays tribute to black models past and present: from the first to be featured in catalogs and on magazine covers, like Iman, Donyale Luna, and Beverly Johnson, to the supermodels who reigned in the nineties—Tyra Banks, Naomi Campbell, and Veronica Webb. The book also observes the newest generation of models—Adut Akech, Jourdan Dunn, and Joan Smalls—who are shaking up the fashion industry by speaking out about racial prejudice while becoming social media sensations. Written by celebrity fashion stylist and journalist Marcellas Reynolds, Supreme Models features more than 70 women from the last 75 years. Reynolds writes, “I hope that everyone who reads this book learns something about the models included within—and more about the business of fashion and modeling. But what I want most is for Supreme Models to be a source for the little boys, or girls, who like my childhood self, need to see themselves represented in a positive light.” The book, filled with gorgeous photographs of the women, details their most memorable campaigns, covers, editorials, and runway shows. Black models have been influencing fashion and pop culture for decades, reshaping beauty standards and boundaries. Supreme Models is a celebration of their monumental impact.