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And there?s something for even the most computer-savvy kid, along with more traditional forms of entertainment, including treasure hunts, dress-up, and crafts. Many of the ideas encourage reading and writing?but always with fun in mind, such as creating a blog or a family cookbook. Handy icons help Grandma pinpoint those projects that suit her pocketbook, energy level, and interests; there?s even one for long-distance grandmothers seeking to connect with their grandkids.
Educational and entertaining, funny and free. Everyone likes having a superhero in the family. At least, life won't be boring. But Megan Havervlok doesn't have a family. She lives in an orphanage, and that orphanage stands in Polderdam, the most boring village in the Netherlands. That makes it difficult to experience exciting adventures. Everything changes on her eighth birthday. On that day, Granny comes to visit. Granny needs help with counting and calculations, with baking eggs and… with experiencing adventures. Granny is a superhero by profession. Meg loves adventures. She offers to help Granny. This results in a colourful collection of short stories, each more beautiful and funnier than the other. Meg wrote them all in a beautiful book, with a front cover by the famous artist Gerard Monster, a book that grandmothers can read aloud, so their grandchildren can enjoy, and above all laugh out loud. For grandmothers and their grandchildren, aged 9 to 99. Megan Havervlok wrote numbers 1 and 2 on Google Books' list of the world's most popular free Dutch children's books (April 2022). When we asked Megan how an eight-year-old could beat all those professional authors, she said: "Pffff. Simple. With a superhero like Granny around, everything is possible."
This is a story of a very creative grandmother who babysits her only grandson. She is a handful, as is the grandson, and Granny entertains him and herself with their antics.
In the 1930s, famous glassblower Ernst Muller perfected a secret technique to create a set of the most valuable marbles in the world. But as time rolled on and the dark clouds of world events prevailed, Ernst Mueller sadly lost his marbles. Flash forward to today. Meet FBI Agent Dana Dillion O’Toole, DD to her friends. DD loves rock and roll, fast cars and catching bad guys. But catching a good guy to love, just isn’t working for DD. She’s too quirky, and maybe too suspicious. One thing for sure, Agent O’Toole is one fiery, go-getter when it comes to solving a case. Problem is, DD runs too hot and fast which causes a few headaches for her nervous boss. It’s time for Agent O’Toole to chill and take a break. So, DD gets assigned to an irrelevant, go-nowhere case. Her boss is convinced Agent O’Toole will stay out of controversy and off the media radar. A frustrated and unhappy DD takes the case only to find herself free falling into a dark rabbit hole filled with zany, crazy people who are all in search of Muller’s Marbles.
Becoming the grandmother of twins changed Harriet Hodgson and altered her life course. According to Hodgson, we live in a fast-paced, complex time, a time when too many grandchildren are victims of bullying, Internet scams, and sexual abuse. Hodgson believes that grandmothers are needed today more than any other time in history. "Grandmas can't be passive," she declares. "Every grandma has the power to protect and guide her grandchildren and needs to tap this power." This narrative weaves Hodgson's personal story with research findings. It's packed with ideas for helping grandchildren. Hodgson's age, child development degree, life experience, teaching experience, witness to history, and extensive research converge to make this an inspiring read. Working individually and together, grandmas are changing the world. "The Grandma Force is about the power of love and the power of one." Hodgson says. "One-by-one, grandmas are standing up for grandchildren and creating a hopeful future for them."
Africana literary critic and cultural theory scholar, Christel N. Temple, whose groundbreaking books, Literary Pan-Africanism: History, Contexts, and Criticism (2005) and Literary Spaces: Introduction to Comparative Black Literature (2007),have been some of the most influential models of contemporary Africana Studies-based literary criticism, responds to the demand for a core disciplinary source that comprehensively defines and models literary praxis from the vantage point of Africana Studies. This highly anticipated seminal study finally institutionalizes the discipline’s literary enterprise. Framing the concept of transcendence, she covers over a dozen traditional African American works in an original and thought-provoking analysis that places canonical approaches in enlightened discourse with Africana studies reader-response priorities. This study makes traditional literature come alive in conversation with topics of masculinity, womanism, Black Lives Matter, humor, Pan-Africanism, transnationalism, worldview, the subject place of Africa, cultural mythology, hero dynamics, Black psychology, demographics, history, Black liberation theology, eulogy, cultural memory, Afro-futurism, the Kemetic principle of Maat, social justice, rap and hip hop, Diaspora, and performance.Scholars now have a focused Africana Studies text—for both introductory and advanced literature courses—to capture the power of the African American literary canon while modeling the most dynamic practical applications of humanities-to-social science practices.