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Presents four previously published selections that follow the Cheetah Girls as they deal with issues involving friends, family, fashion, and race relations.
The Cheetah Girls are starring in a movie of their own on the Disney Channel in 2003. They're spicier than hot sauce and as cool as iced cappuccino. They outshine any diamond with their supa-dupa inner sparkle! Now see how it all began in the first books of the series starring Galleria, Chanel, Dorinda, Anginette, and Aquanette. Each bind-up features four Cheetah-licious tales about girls having guts, brains, courage, and friends (while flashin' some style and always shining from the heart).
Now a Disney Channel original movie, the Cheetah Girls have one shot to show their spots. Galleria, Chanel, Dorinda, Anginette, and Aquanette find family, friends, fortune and fame in four cheetah-charming tales.
The competition heats up at Fashion International High School. Bring it! Sashay, parlay! The design competition at Fashion International High School heats up as each design house struggles to produce its first—and hopefully award-winning—line. Tensions are cropping up in the House of Pashmina, and it’s not clear whether Pashmina and her best friends will weather the runway. They’d better scramble if they want to win a real shot at a fashion career and an all-expenses-paid trip to Florence! “A high-energy journey through the world of fashion high school as seen through the eyes of several feisty fashionistas. . . . Young readers will dive into Gregory’s vibrant mix of teenage realism, glamour, and fantasy.”—Essence
Presents three novels featuring Pashmina, Felinez, Angora, and Aphra, four best friends at Manhattan's Fashion International High School who are about to enter the Catwalk competition in hopes of winning a trip to Florence, Italy.
Why has music so often served as an accomplice to transcendent expressions of gender? Why did the query "is he musical?" become code, in the twentieth century, for "is he gay?" Why is music so inherently queer? For Sasha Geffen, the answers lie, in part, in music’s intrinsic quality of subliminal expression, which, through paradox and contradiction, allows rigid gender roles to fall away in a sensual and ambiguous exchange between performer and listener. Glitter Up the Dark traces the history of this gender fluidity in pop music from the early twentieth century to the present day. Starting with early blues and the Beatles and continuing with performers such as David Bowie, Prince, Missy Elliot, and Frank Ocean, Geffen explores how artists have used music, fashion, language, and technology to break out of the confines mandated by gender essentialism and establish the voice as the primary expression of gender transgression. From glam rock and punk to disco, techno, and hip-hop, music helped set the stage for today’s conversations about trans rights and recognition of nonbinary and third-gender identities. Glitter Up the Dark takes a long look back at the path that led here.
In this latest book of a contemporary series for black teens, featuring a five-member singing group, Dorinda tries to hide the fact that her sister is white, which presents a problem when her sister decides to show up at the Cheetah Girls’ concert.
After discovering that one of her birth sisters is white, Dorinda tries to keep her newfound sister a secret from the other Cheetah Girls.