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Sunsong is a graded course intended for use in the first three years of secondary school. The course aims to teach students to interpret poems, and encourages them to enjoy the depth of meaning in poetry without detracting from their enjoyment.
Expanding on the previous Sunsong 1, 2 and 3 books, this work offers a poetry anthology from around the world. Divided into themes, it includes story poems, humorous poems and rhythmic poems for choral orchestration. It also offers a short biography for each poet and one poem in each section is followed by questions. A sample critical appreciation is also included to guide students.
This Goodnight Moon-like bedtime lullaby is so much more than a book: the lovely pictures and soothing rhyme are only the beginning. Children can enjoy the book even when Mom is busy by listening to the beautiful song on CD. Children will be mesmerized by the darling word and picture imagery emphasizing the wonder of God‘s creation.
In March 1987, Mercedes Lackey, a young author from Oklahoma, published her first novel, Arrows of the Queen. No one could have envisioned that this modest book about a magical land called Valdemar would be the beginning of a fantasy masterwork series that would span decades and include more than two dozen titles. Now the voices of other authors add their own special touches to the ancient land where Heralds “Chosen” from all walks of life by magical horse-like Companions patrol their ancient kingdom, dispensing justice, facing adversaries, and protecting their monarch and country from whatever threatens. Trained rigorously by the Herald’s Collegium, these special protectors each have extraordinary Gifts: Mindspeaking, FarSeeing, FarSpeaking, Empathy, Firestarting and ForeSeeing, and are bonded for life with their mysterious Companions. Travel with these astounding adventurers in sixteen original stories.
How has Hanguk (South Korean) hip hop developed over the last two decades as a musical, cultural, and artistic entity? How is hip hop understood within historical, sociocultural, and economic matrices of Korean society? How is hip hop represented in Korean media and popular culture? This book utilizes ethnographic methods, including fieldwork research and life timeline interviews with fifty-three influential hip hop artists, in order to answer these questions. It explores the nuanced meaning of hip hop in South Korea, outlining the local, global, and (trans)national flows of musical and cultural exchanges. Throughout the chapters, Korean hip hop is examined through the notion of buran—personal and societal anxiety or uncertainty—and how it manifests in the dimensions of space and place, economy, cultural production, and gender. Ultimately, buran serves as a metaphoric state for Hanguk hip hop in that it continuously evolves within the conditions of Korean society.
Animals and plants respond to the sun's changing light over the course of a single day.
Caribbean poetry written in English has been attracting growing amounts of scholarly attention. The first substantial annotated bibliography of primary and secondary materials related to the topic, this reference chronicles the development of Anglophone Caribbean poetry from 1970 through 2001. Included are nearly 900 entries for anthologies, reference works, conference proceedings, critical studies, interviews, and recorded works. The volume also includes a chronology, an overview of the development and significance of Caribbean poetry in English, and extensive indexes. In 1971 the Association for Commonwealth Literature and Language Studies held a conference on West Indian literature at the University of the West Indies. This was the first assembly for the discussion of West Indian literature by West Indian people on West Indian soil. Since then, interest in Caribbean poetry written in English has grown dramatically. Caribbean poetry was influenced by the American Black Power movement during the 1970s, and women poets began to contribute their voices throughout the 1980s. Caribbean poets have, in turn, gained greater access to publishing outlets, resulting in a wider international readership and a corresponding increase in scholarly and critical studies. This book is the first substantial annotated bibliography of primary and secondary materials related to Caribbean poetry written in English. The volume begins with the rise of interest in Anglophone Caribbean poetry in the 1970s and continues through 2001. Included are entries for nearly 900 anthologies, reference works, conference proceedings, critical studies, interviews, and recordings. The entries are grouped in chapters devoted to particular types of works. In addition, the volume includes a chronology, a discussion of the history of Anglophone Caribbean poetry, and extensive indexes.
The New Faery, born of the four-armed Old Faery and the wingless riders of the great moths, prepare to depart from the long home of the Color Faery. Gifted with the speaking mind of Mothkin and the six wings of the Old Faery, they go seeking a place of their own where they can be a new people who need never hear the life-giving Ring Chant of the Faery, which is, to them, a violent clamor of discordant sounds. In a deep place in the Secret Mountains they find a new home and intentionally deceive their offspring by leading them to believe that the New Faery have dwelt in the Vale of Summer for many generations. After their descendants have peopled the vales of the mountains and the Low Lands, they find that the young of these long-lived people are failing. Then the Elders bitterly concede that they need the wisdom of their long parted ancestors.