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In 'The Sunshade, the Glove, the Muff', Octave Uzanne explores the fascinating world of fashion accessories in the 19th century. Uzanne delves into the historical and social significance of these items, providing a detailed analysis of how they were used and perceived during that time. His writing style is both informative and engaging, offering readers a glimpse into a bygone era through the lens of fashion. The intricate descriptions and vivid imagery paint a vivid picture of the elegance and sophistication of 19th-century accessories, making this book a valuable resource for anyone interested in the history of fashion. Uzanne's attention to detail and meticulous research shine through in every page, making 'The Sunshade, the Glove, the Muff' a compelling read for both scholars and fashion enthusiasts alike. Scholars of fashion history and cultural studies will find Uzanne's work to be a valuable addition to their collection, shedding light on the often-overlooked significance of fashion accessories in society.
In Victorian England, women's accessories were always much more than incidental finishing touches to their elaborate dress. Accessories helped women to fashion their identities.Victorian Fashion Accessories explores how women's use of gloves, parasols, fans and vanity sets revealed their class, gender and colonial aspirations. The colour and fit of a pair of gloves could help a middle-class woman indicate her class aspirations.The sun filtering through a rose-colored parasol would provide a woman of a certain age with the glow of youth. The use of a fan was a socially acceptable means of attracting interest and flirting.Even the choice of vanity set on a woman's bedroom dresser reflected her complicity with colonial expansion. By paying attention to the particular details of women's accessories we discover the beliefs embedded in these artefacts and enhance our understanding of the culture at large. Beaujot's engaging prose illuminates the complex identities of the women who used accessories in the Victorian culture that created and consumed them. Victorian Fashion Accessories is essential reading for students and scholars of, history, gender studies, cultural studies, material culture and fashion studies, as well as anyone interested in the history of dress.
AFTER the brilliant success which attended, in the spring of last year, our volume on The Fan—a success which was the result, as I cannot conceal from myself, much more of the original conception and decorative execution of that work of luxe than of its literary interest—I have determined to close this series of Woman's Ornaments by a last little work on the protective adornments of that delicate being, as graceful as she is gracious: THE SUNSHADE, the Glove, the Muff. This collection, therefore, of feminine toys will be limited to two volumes, a collection which at first sight appeared to us so complex and heavy that a dozen volumes at least would have been required to contain its principal elements. This, doubtless, on the one hand, would have tried our own constancy, and on the other, would have failed in fixing more surely the inconstancy of our female readers. THE spirit has its freaks of independence, and the unforeseen of life ought to be carefully economised. Moreover, to tell the whole truth, the decorative elegance of a book like the present hides very often beneath its prints the torture of an intellectual thumbscrew.
CONTENTS.--no. 1. Costume, dress and needlework. (Nov. 1894)--no. 2. Music (Jan. 1895)--no. 3. Decoration and design (Dec. 1896)
A record of literary properties sold at auction in the United States.
Bonnets, capes, caps, shawls, bodices, and crinolines as people actually wore them from 1840 to 1914. More than 200 photos depict aristocrats and members of the middle class as well as celebrities.