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Olden Pen & Ink illustrations that can be used for coloring with pencil or crayon or framing to hang on the wall. Four books, this one miscellaneous drawings from the 1980's.
An inspiring sourcebook, this guide helps artists discover a wide variety of subjects and ideas. More than 140 of the author's drawings illustrate nostalgic scenes, old engravings, atmospheric effects, photographs, and landscapes.
"Michael Perry spends his days and nights in Brooklyn, New York, usually staring at his computer or sheets of paper. He uses patterns whenever possible, probably not as often as he should. He fell in love with patterns while digging through clip art books and has not looked back since. He has used patterns in his work for clients such as Zoo York, 2k, Zune, New York Times Magazine, and so on. Michael looks forward to a long life of making patterns. He is the author of Hand Job. A Catalog of Type, published by Princeton Architectural Press in 2007"--Publisher's website.
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!
Tennessee has long hosted some of the United States' best big-brown-trout fisheries, yet somehow it has managed to stay under the radar. Until now. Longtime writer and flyfishing guide Don Kirk covers everything in his all new guide book the Flyfisher's Guide to Tennessee. Productive tailwaters like the Clinch River, South Holston River and Watauga River are covered in full detail, as are their tributaries and reservoirs. And Kirk goes well beyond the major drainages, deep into the Cherokee National Forest uncovering some gorgeous gems that will give up trout for days. From brook, brown and rainbow trout to bass and panfish, Kirk covers all the gamefish. Hatch charts, detailed maps, recommended flies, specialized techniques, accommodations, sporting goods and fly shops, restaurants and all other relevant information is included. Kirk gives you tips from a lifetime of flyfishing in Tennessee in this comprehensive volume. If you're ready to give the tailwater pigs a shot, or even if you just want to pluck some brookies from an idyllic mountain brook, you'll want this book. Tennessee is the next great destination - get in while you can.
"Witch Wood" is a historical novel set in 17th century Scotland. The story follows a minister who tries to prevent worshiping the devil and keep his congregation safe. The witchcraft is practiced in the Wood of Caledon in the Scottish Borders. However, the minister's congregation is divided as a result of the civil unrest caused by the Scottish war. Will he be able to bring them under one fold again? It was written by John Buchan, a Scottish novelist and public servant who combined a successful career as an author of thrillers, historical novels, histories, and biographies.
As anyone who has wielded a camera knows, photography has a unique relationship to chance. It also represents a struggle to reconcile aesthetic aspiration with a mechanical process. Robin Kelsey reveals how daring innovators expanded the aesthetic limits of photography in order to create art for a modern world.
The Ultimate Fly-Fishing Guide to the Smoky Mountains does more than any other book in print to bring success to a fishing trip. This newly updated landmark volume is an essential guide for anyone planning to fish the rivers, streams, and lakes in the Smokies - these fisheries are some of the greatest in the nation. For successful fly-fishing, this guide is as important as the right tackle.The fist half of this guide offers advice and history. The second half examines each of the thirteen watersheds found within the park. Don Kirk and Greg Ward provide information about trail access, fishing pressure and quality, species, fly hatch information, and campsite availability.
Wuthering Heights is the name of Mr. HeathcliffÕs dwelling. ÔWutheringÕ being a significant provincial adjective, descriptive of the atmospheric tumult to which its station is exposed in stormy weather. Pure, bracing ventilation they must have up there at all times, indeed: one may guess the power of the north wind blowing over the edge, by the excessive slant of a few stunted firs at the end of the house; and by a range of gaunt thorns all stretching their limbs one way, as if craving alms of the sun. Happily, the architect had foresight to build it strong: the narrow windows are deeply set in the wall, and the corners defended with large jutting stones. Before passing the threshold, I paused to admire a quantity of grotesque carving lavished over the front, and especially about the principal door; above which, among a wilderness of crumbling griffins and shameless little boys, I detected the date Ô1500,Õ and the name ÔHareton Earnshaw.Õ I would have made a few comments, and requested a short history of the place from the surly owner; but his attitude at the door appeared to demand my speedy entrance, or complete departure, and I had no desire to aggravate his impatience previous to inspecting the penetralium. One stop brought us into the family sitting-room, without any introductory lobby or passage: they call it here Ôthe houseÕ pre-eminently. It includes kitchen and parlour, generally; but I believe at Wuthering Heights the kitchen is forced to retreat altogether into another quarter: at least I distinguished a chatter of tongues, and a clatter of culinary utensils, deep within; and I observed no signs of roasting, boiling, or baking, about the huge fireplace; nor any glitter of copper saucepans and tin cullenders on the walls. One end, indeed, reflected splendidly both light and heat from ranks of immense pewter dishes, interspersed with silver jugs and tankards, towering row after row, on a vast oak dresser, to the very roof. The latter had never been under-drawn: its entire anatomy lay bare to an inquiring eye, except where a frame of wood laden with oatcakes and clusters of legs of beef, mutton, and ham, concealed it. Above the chimney were sundry villainous old guns, and a couple of horse-pistols: and, by way of ornament, three gaudily-painted canisters disposed along its ledge. The floor was of smooth, white stone; the chairs, high-backed, primitive structures, painted green: one or two heavy black ones lurking in the shade. In an arch under the dresser reposed a huge, liver-coloured bitch pointer, surrounded by a swarm of squealing puppies; and other dogs haunted other recesses.