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Gasoline Alley was one of the most influential and critically-acclaimed comic strips of all time. Dark Horse is reprinting all of the colour Sundays from the 1920s, with this volume collecting the Sundays from 1923 through 1925. Readers will discover the abundant wonder and dazzling beauty in the world - as seen through the eyes of creator Frank King and his beloved characters, Walt and Skeezix - in some of Gasoline Alley's most artistically imaginative art!
THE LONG-AWAITED NEW VOLUME FROM THE CRITICALLY ACCLAIMED ARCHIVAL COLLECTION OF FRANK KING'S CLASSIC STRIP In this fourth volume of Walt and Skeezix, the newly married Walt Wallet settles into domestic life with his wife, Phyllis, and their adopted son, Skeezix, but their family bliss is soon disrupted by a man who claims to be Skeezix's natural father. A long custody battle erupts, raising questions as to the importance of blood ties compared with a loving environment. Later, Walt and Phyllis have to deal with all the dilemmas of a young couple's life as their family starts to unexpectedly expand. This is the very stuff of life—paying the bills, nursing a sick child, finding the right job while spending quality time with family—expertly explored with cartoonist Frank King's unerring fidelity to reality. In unfolding the drama of the Wallet family's life, King displays his full mastery of long and complex narratives, which made his work a forerunner to the modern graphic novel. In his introduction to the series, Jeet Heer explores King's storytelling prowess and links the concerns of the strip with changes in American culture in the 1920s. Lavishly illustrated with King's family photos, the book is designed by Chris Ware, whose elegant and detail-rich books have revolutionized the graphic novel field.
"Forty-plus years earlier, Walt Wallet found baby Skeezix in a basket on his doorstep and in the 1964-1966 strips reproduced in this volume. Skeezix is now middle-aged and has a family of his own. For the first time since they appeared in newspapers fifty years ago, readers can enjoy these classic strips featuring Walt and his wife Phyllis, Skeezix and his wife Nina, Corky, Clovia, Slim, Avery, Mr. Pert, Joel, Rufus, and a whole cast of familiar characters. Reproduced from syndicate proofbooks and featuring an enlightening introduction by Rick Norwood."--
From the famed New Yorker illustrator comes one of the lost treasures of American comic strips.
"Mit dose kids, society is nix!" So said the Inspector about the Katzenjammer kids, but he could have been speaking of all comic strips in their formative years at the turn of the last century. From the very first color Sunday supplement, comics were a driving force in newspaper sales, even though their crude and often offensive content placed them in a whirl of controversy. Sunday comics presented a wild parody of the world and the culture that surrounded them. Society didn't stand a chance. These are the origins of the American comic strip, born at a time when there were no set styles or formats, when artistic anarchy helped spawn a new medium. Here are the earliest offerings from known greats like R. F. Outcault, George McManus, Winsor McCay, and George Herriman, along with the creations of more than fifty other superb cartoonists; over 150 Sunday comics dating from 1895 to 1915.
Dive into this collection of rarely seen material that takes a new look at one of the great masters of American comics, giving insight into a developing artist and greater understanding of his inspiration to the generations that followed.
Collect the greatest fantasy comic strips from the earliest days of comics. The dawn of the 20th century saw of technological advances that were only dreamed of decades before. One such advance was four-color printing, which brought to life stories inspired by both the technology of the time and the children's fiction enjoyed by a burgeoning middle class. This confluence brought about a unique genre within a new art form--the Fantasy Comic Strip. These pages were a Sunday staple for less than two decades, soon replaced by humorous family comics that more closely mirrored the modern society. But from 1900 to 1915, American newspapers offered some of the most fascinating comics ever printed. And while Winsor McCay's Little Nemo in Slumberland is known worldwide, many of the great fantasy comics have virtually vanished -- until now. Presented here in the original size and colors are the complete comics of Lyonel Feininger--The Kin-der-Kids and Wee Willie Winkie's World, along with the complete adventures of: The Explorigator by Henry Grant Dart; Nibsy the Newsboy by George McManus; Naughty Pete by Charles Forbell, plus full-color Dream of the Rarebit Fiend Sundays by Winsor McCay. With dozens more fantastical Sundays from, John Gruelle, Gustave Verbeek, Herbert Crowley, John R. Neill and others.
Before his remarkable Litttle Nemo in Slumberland, McCay created two strips starring young children. Today, Winsor McCay (1867-1934) is universally acknowledged as the first master of both the comic strip and the animated cartoon. Although invented by others, both genres were developed into enduring popular art of the highest imagination through McCay's innovative genius. From the publishers of the widely-acclaimed deluxe reprint Little Nemo In Slumberland: So Many Splendid Sundays , this book features all of the Little Sammy Sneeze color pages (1904-05) plus Hungry Henrietta, McCay's other comic, which appeared on the back of Sammy in the Sunday New York Herald. The unique style of this book presents two other flipside comics of 1904: The Woozlebeasts and The Upside Downs, along with the complete 27-chapter saga of Hungry Henrietta. All comics are digitally restored in the original size and colors.
An assessment of the achievement and aesthetic of one of America's brightest comics innovators
"Before the rise of underground comics in the late 1960s, there was no place for eccentric talent in the comics industry. Rather than creating super heroes like Superman and Spider-Man, comic strips like Peanuts and Krazy Kat, or graphic novels like Jimmy Corrigan: The Smartest Kid on Earth and Ghost World, the artists represented in Art Out of Time created their own "ingenious" versions of the super hero, western, romance, humor, and horror genres that dominated the comics of their day." "Their visions found a home, but were mostly obscured by the more accessible mainstream work of others. These artists have a distinct, fully formed visual sensibility, and their comics stray from the usual thematic and visual ideas of what we now consider the medium to be. All of them were under-recognized in their lifetimes, and all of them remain outside the usual narratives of comic book history." "Art Out of Time reprints complete comic book and comic strip stories, most of which are being reprinted here for the first time since their initial publication. In five thematic sections, this anthology is a "counter history" of comics, containing nearly thirty often-unknown visionary American cartoonists from 1900 to 1969. These artists foreshadowed and influenced the innovations within the comics medium of today. Together for the first time, these oddballs and obsessives truly constitute an underground that wasn't."--BOOK JACKET.