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S.D. Burman was singer, musician, composer and teacher all at once - a trailblazer in the truest sense of the term. He was a prince who lived a commoner's life, a singer who created tunes instead, a classically trained musician who composed for the lay listener. His incredible career in Hindi cinema spanned three decades - through all the years of which his spirit was as fresh and young as when he started. His compositions were filmed on succeeding generations of stars to unflaggingly wonderful effect. This chronicle of the life of S.D. Burman tells his story through a kaleidoscope of montages from the inner and outer worlds he inhabited. Fragmented memoirs of his days in the sylvan surroundings of Comilla, interviews, press clippings and archival material piece together the story of the man who created some of Hindi cinema's most enduring songs. Facts and records are knitted into a multidimensional narrative that carries the reader into the little-known world of a man whose contradictions made him unique and gave him a place all his own in music. Sun Mere Bandhu Re ... The Musical World of S.D. Burman is a biography unlike any you have read before.
Incomparable Sachin Dev Burman is a personal and in depth overview of the all time great music maestro SD Burman. Hardly a situation goes by when one does not see a reference to "SDB" or "SD Burman" or "Sachin Karta" when Hindi film music or modern Bengali songs are discussed. He was part of the DNA of these genres. What began in the early thirties of the last century continues to draw attention even today as his music had an allure and flavour that remains unprecedented. He was an institution ... as a composer, as a singer. Here was a master who also drew out the best from his singers, lyricists and instrumentalists and helped them excel in their craft. Dhaka-based author HQ Chowdhury, offers a full fledged story of the composer-singer SD Burman covering his successes, failures, idiosyncrasies and what peers thought of him. A Special Foreword written by Santoor maestro Padma Vibhushan Pandit Shiv Kumar Sharma and an Introduction by Film Music Historian Manek Premchand lend valuable added perspectives to the remarkable personality and genius of SD Burman. Painstakingly meticulous and accurate, this biography of music maestro SD Burman is written with incredible thoroughness by HQ Chowdhury. It chronicles his family background, childhood, early days in Comilla and Calcutta, his amazing passion for music of the rustic hinterland and his rigorous training under his gurus. His work in the world of Hindi film music, his association with his singers, lyricists, fellow composers and stars and filmmakers is detailed with indepth research, archival material and the author's own personal interactions with the people who worked with the maestro. In the world of Hindi film music, he was popularly known as the music composer SD Burman or Burman Dada. But in West Bengal and Bangladesh he was an all-time great singer, Sachin Karta or Sachindev. The book traverses the two musical worlds of Sachin Dev Burman - one as a composer and the other, as a singer - and makes it available in a language common to all. Burman Dada's thoughts and beliefs, successes and failures, his innocence and penchant for perfection, and his style of working - all come through in the detailed descriptions, facts, analyses, interviews and anecdotes, collected and written by HQ Chowdhury. The complete and detailed Discography lists all the songs Burman Dada has sung or given music for in Bengali and Hindi. Along with a collection of rare pictures this book will serve as a great resource of students of modern Bengali songs, Hindi film songs and vintage Bollywood films. About HQ Chowdhury HQ Chowdhury is a freelance writer on music and films. He first wrote in the late 1960s for the People, an English daily from Dhaka and then for a while in the early 1970s for Cine Advance, published from Kolkata and Mumbai. He is a recipient of the 2006 'Sachin Dev Burman Award' from the Government of Tripura, India. HQ Chowdhury is the CEO of Plasma Plus, an application laboratory of science and technology of which he is also the founder. He was listed in the Marquis WHO's WHO in the World of Professionals from 1997 to 2002.
Jagjit Singh was more than just the king of ghazals. He was a singer, composer, arranger, lyricist, all rolled into one. Besides which he was a brother, friend, husband, and above all a father. This biography of Jagjit Singh traces the evolution of the artiste from his Namdari Singh roots through his diverse musical influences to his recreation of the ghazal as a lively, contemporary form of music that could hold both the young and old in thrall. From the days of singing ad jingles to his breakthrough album, Unforgettables, to his soul searching music for Gulzar's Mirza Ghalib, from his love of music to his fetish for horses, from his marriage to Chitra Singh to his tryst with spirituality, this book tells the story of the most loved ghazal singer of our time with great sensitivity. Delving into Singh's personal triumphs and tragedies, Sathya Saran presents a man loved by many, revered by some and unsurpassed as yet in his chosen field.
Guru Dutt Is Probably The Only Indian Film-Maker Who, Within The Parameters Of The Box Office, Made A Personal Statement With His Cinema. His Films Stand Testimony Not Only To His Own Genius But Also To The Creativity Of His Team, Comprising Stalwarts Like Cameraman V.K. Murthy, Music Director S.D. Burman, And Writer Abrar Alvi, Among Others. In Ten Years With Guru Dutt: Abrar Alvi&Rsquo;S Journey, Sathya Saran Looks At The Tumultuous Yet Incredibly Fecund Relationship Between The Mercurial Director And His Equally Talented Albeit Unsung Writer, A Partnership That Evolved Over A Decade Till Guru Dutt&Rsquo;S Tragic Death In 1964. Starting His Career As A Driver And Chaperone To Guru Dutt&Rsquo;S Producer On The Sets Of Baaz, Abrar Soon Caught The Attention Of The Director With His Sharp Ear For And Understanding Of Film Dialogue. With Aar Paar In 1954, Abrar Rewrote The Rules Of Dialogue Writing In Hindi Cinema, Till Then Marked By Theatricality And Artificiality. He Followed It Up With Mr And Mrs &Rsquo;55, Pyaasa And Kaagaz Ke Phool&Mdash;All Veritable Treatises On The Art Of Scriptwriting&Mdash;Before Donning The Director&Rsquo;S Mantle With Great Success In Sahib Bibi Aur Ghulam. Full Of Anecdotes&Mdash;About How Abrar Honed His Skills By Writing Over 300 Love Letters; How An Accident Involving A Buffalo Led To The Discovery Of Waheeda Rehman; Guru Dutt&Rsquo;S Visit To A Kotha To Get The Ambience Right For Pyaasa&Mdash;Ten Years With Guru Dutt Is A Warm And Insightful Look At Two Remarkable Artistes Who Inspired Each Other To Create Movie Magic. It Is, At The Same Time, An Intimate Account Of The Ecstasy And The Agony That Marked The Making Of Some Of The Enduring Classics Of Indian Cinema.
Meet Ritu Nanda. As Raj Kapoor's daughter, she was part of the first family of Bollywood. Her marriage to Rajan Nanda of the Escorts Group led to her joining another illustrious family. Yet, she went on to carve her own identity as an insurance advisor and even got her name into the Guinness Book of World Records. Being Ritu is the story of a woman who shed her shyness and stepped into the limelight, taking on a variety of roles - entrepreneur, insurance advisor, author, negotiator and pioneer. It's about her quiet determination, grace and courage as she lived every moment to its fullest, even while battling a dreaded disease, and touched the lives of everyone around her. It's also about those who added colour to the kaleidoscope of her life - her family, friends, colleagues and well-wishers. With tributes from her sambandhi Amitabh Bachchan, family members Randhir Kapoor, Rima Jain, Kareena Kapoor and Ranbir Kapoor, as well as friends such as Karan Johar, Sonali Bendre, Kiran Mazumdar-Shaw, Gauri Khan and many others, this is the story of a woman like no other. Meet Ritu Nanda. You will be happy you did.
This book dwells on the enthralling aspects of music. Written by one of the most distinguished contemporary musicians, it explores the hidden treasures of Indian classical music.
To a nation fed on classical music, the advent of Rahul Dev Burman with his repertoire of Western beats was a godsend. RD revolutionized Hindi film music in the 1970s, and with his emphasis on rhythm and beats, this Pied Piper of Hindi film music had young India swinging to his tunes. At the same time, this genius proved his many detractors who criticized him for corrupting popular taste wrong by composing some of the most influential raga-based songs in Hindi cinema and showing an immense comfort with all kinds of music, including Indian folk. RD: The Man, The Music looks at the phenomenon called R.D. Burman and how he changed the way Indians perceived Hindi film music. Through anecdotes and trivia that went into the making of Pancham's music - the many innovations he introduced, like mixed rhythm patterns, piquant chords and sound mixing - and through interactions with the musicians who were part of RD's team, the authors create a fascinating portrait of a man who, through his music, continues to thrive, even fifteen years after his death.
One of India’s best-loved film directors, Hrishikesh Mukherjee is perhaps best known today for his perennially popular creations like Anand, Chupke Chupke and Gol Maal. But Hrishi-da’s best work was provocative, wide-ranging and always aware of the complexities of people and their relationships. Often combining breezy narratives with serious ideas, his films created a distinct world with recurring themes. Jai Arjun Singh looks closely at Hrishikesh Mukherjee’s oeuvre, from well-known films like Satyakam, Guddi, Abhimaan and Khubsoorat to lesser known works such as Mem-Didi, Biwi aur Makaan and Anuradha. Combining a fan’s passion with a critic’s rigour, The World of Hrishikesh Mukherjee is a must-read for anyone who takes their filmed entertainment seriously.
Fights, action, music, romance, secret trysts-renowned classical musician Pandit Hariprasad Chaurasia's life reads almost like a film script. Wrestler in the morning, student during the daytime and flute player in secret, he lived more than a double life through his early years, till he broke away from his wrestler father's watchful eye to join All India Radio as a flautist. His marriage, relocation to Bombay and his foray into films were events rich in drama. As were his meetings with other musical greats, including Pandit Shiv Kumar Sharma, his dearest friend and music partner, with whom he composed the music for films like Silsila, Lamhe and Chandni. His reminiscences about his journey as a student of the reclusive Annapurna Devi, daughter of the famed Allauddin Khan of Maihar, give deep insights into his nature as well as that of his guruma. Hariprasad Chaurasia has also been a guru to innumerable students in his Mumbai and Bhubaneswar gurukuls, and at the World Music Department, Rotterdam Music Conservatory, the Netherlands, where he is artistic director. His mesmerizing flute can be heard in some of Hindi cinema's most popular songs, in a composition by the former Beatle George Harrison, as well as in recordings with renowned musicians from across the world. A plethora of awards, including the Padma Vibhushan, sits lightly on the man, who has taken the humble flute to international renown as an instrument that can hold its own. Hariprasad Chaurasia and his Breath of Gold will inspire and amaze everyone who reads the life story of this much-loved flautist.
Udayer Pathe, Bimal Roy’s first film, revolutionized Indian cinema. Hailed as a pioneer by Satyajit Ray, he was perhaps the first to bring shades of grey to the black-and-white screen. Roy’s spare storytelling and nuanced understanding of the human condition are reflected in classics like Devdas, Sujata and Madhumati. His ability to illuminate ordinary characters like Shambhu in Do Bigha Zamin and Kalyani in Bandini, is attested to by their being a part of popular memory even to this day. The Man Who Spoke in Pictures is not just a eulogy to this great director, but also an insight into Roy, the man, the director and his art. The auteur’s little-known Bengal phase is chronicled by Mahasweta Devi and Amit Chaudhuri, as well as Tapan Sinha, Amit Bose and other greats of cinema who trace his journey from cinematographer to director. His Bombay years are recorded through a collection of analyses and anecdotes from leading literary and cinematic luminaries, including Nayantara Sahgal, Gulzar, Naseeruddin Shah and Khalid Mohammed. The final section examines Roy from the outsider’s perspective, with articles by Meghnad Desai, Rachel Dwyer and Paula Mayhew.