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Opens a conversation about the life and work of the music teacher. The author regards music teaching as interrelated with the rest of lived life, and her themes encompass pedagogical skills as well as matters of character, disposition, value, personality, and musicality. She urges music teachers to think and act artfully.
Step into the heart of the Civil War era with Louisa May Alcott's Hospital Sketches. This poignant collection of letters offers a firsthand account of life in a Union hospital, filled with the courage, suffering, and humanity of soldiers and nurses alike. Alcott's vivid descriptions and personal reflections immerse you in a world of war, illness, and compassion. Through her eyes, you'll witness the strength of the human spirit even in the darkest of times.But here's the question that will challenge your perspective: How would you endure the trials of war, if you were caught between the suffering of others and the desire to help? What does Alcott's account teach us about resilience in the face of adversity? As you read, you'll encounter the raw emotions and unwavering determination of both nurses and soldiers. Alcott’s intimate portrayal of their struggles offers a window into a world shaped by conflict, yet filled with hope and kindness. Are you ready to explore the true cost of war through the eyes of one who lived it?Immerse yourself in these unforgettable sketches, where Alcott's powerful words bring history to life. Her personal experiences in the hospital offer a unique glimpse into the Civil War and the unspoken courage of those who served. This is more than a memoir—it's a call to honor the resilience of the human spirit. Purchase Hospital Sketches now, and step into a world where compassion triumphs over fear.Don't miss the chance to experience Louisa May Alcott’s powerful reflections on war and humanity. Buy Hospital Sketches today and witness history through the eyes of one of its most insightful chroniclers.
Invaluable resource for anyone who wants to understand contemporary Chinese art, one of the most fascinating art scenes of the late 20th and early 21st centuries.
This interdisciplinary book investigates the various ways in which North American and European modern and contemporary artists, authors, and musicians have returned to earlier works of their own, engaging in inventive revivals and transformations of the past in the present. The book is distinctive in its focus on such revisits, as well as in the diversity of art forms under review: in addition to visual art, the book explores fiction, poetry, literary criticism, film, rock music, and philosophy. This scope, together with the time-span covered in the book, from the 1850s to the twenty-first century, allows for a broad view on retrospection and revision. The case studies presented here offer a multifaceted exploration of the widely different goals to which practitioners of the arts have made retrospection and revision functional against the background of cultural, social, political, and personal forces.
This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music. The Harvard Dictionary of Music has long been admired for its wide range as well as its reliability. This treasure trove includes entries on all the styles and forms in Western music; comprehensive articles on the music of Africa, Asia, Latin America, and the Near East; descriptions of instruments enriched by historical background; and articles that reflect today’s beat, including popular music, jazz, and rock. Throughout this Fourth Edition, existing articles have been fine-tuned and new entries added so that the dictionary fully reflects current music scholarship and recent developments in musical culture. Encyclopedia-length articles by notable experts alternate with short entries for quick reference, including definitions and identifications of works and instruments. More than 220 drawings and 250 musical examples enhance the text. This is an invaluable book that no music lover can afford to be without.
Now into their late 60's, and still working the buildings with the same London gang they’ve been with since the late 70's, key King Mob faces Dave and Stuart Wise have never stopped writing and agitating, and this, a companion volume to last years' warmly received 'King Mob: A Critical Hidden History', pulls together polemics, reflections, and righteous rants from the last 30 years. Opening up with 'Like A Summer With A 1000 July's' extensive, sideways look at the wave of urban insurrection that swept inner city UK in 1981; debunking punk’s ‘situationist myth’ in 'The End Of Music', and a brief, but definitive look at the glorious ‘King Mob/Father Xmas at Selfridges’ prank of 1968. 'Nietzsche: Revolutionary' looks at the much revered/contested philosopher as "a reluctant communist", "proto ecologist" and "brother Hegelian. Separate chapters look back with affection and honesty at old friends, comrades and English Situationist founders Ralph Rumney and Alexander Trocchi respectively. Along the way, shards of surrealism cut through: the assault on art "in the great mod battle of Keswick”, when “a travelling theatre was again torched,” or the Dadaist guerrilla flavoured August ‘81 bank holiday attack when "the model railway station at Brighton was molotoved by white youths." And whilst an unwavering ideological perspective firmly rejects the stasis of the post war 'revolutionary left', just as it recoils in disgust at encroaching Neo Liberal barbarism, Dave Wise never shies away from reflecting on the personal, via the prism of the political : "Guy and Michele broke up around 1970.....everybody's relationship did, including my own; a break up...I never got over, and I've thought about my beloved Anne Ryder every day of my life since. These break-ups weren't about sexual difficulties or inadequacies nor about not being able to relate or even love, but finally about history and how the most profound revolt ever experienced failed so utterly, and the essential by-product of such failure was a psychosomatic pain so desperate it seemed in need of therapeutic treatment; a treatment simple warm cuddling and quiet affection couldn't match. We stormed and smashed open the gates of paradise to let in every exploited nutter who cared to join in... yet on the brink of utopia we were refused entry and where, just where, could you go from such a point of no return?"
A sweeping cultural history of American Modernism in the 1920s, viewed through the prismatic lens of jazz.