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All she has to do is prove that she's changed . . . completely. Pop-star princess Summer Sinclair doesn't know what to do with herself now that she's cleaned-up and sober. She knows God's been nudging her, but since God is unfamiliar territory, she feels scared and alone. Everything changes when she meets Levi Preston, a Christian musician who's falling for Summer and wants her to be who God created her to be. But when the reality of her life takes Levi to places he's vowed to stay clear of, will Summer's newfound freedom be what breaks her heart as she does what is best for Levi? "This second novel firmly establishes Peterson as a master storyteller and an inspired voice in Southern fiction." --Debby Giusti, author of The Officer's Secret, The Captain's Mission and The Colonel's Daughter "Lindi Peterson has done it again with Summer's Song: A fun voice, characters who make you care and at moments make you laugh out loud, and a touching story that draws you in and holds you spellbound until the sigh-worthy ending." -- Missy Tippens, author of A House Full of Hope from Harlequin Love Inspired "A lovely read, infused with gentle humor and refreshing honesty." --Meg Moseley, author of When Sparrows Fall Lindi Peterson definitely believes happy endings are just the beginning. She lives out her real life romance with her husband in a small Georgia town. When she's not writing, she loves to read, bowl and spend time with her family. Visit her at lindipeterson.com and thefaithgirls.com
Summer Thompson doesn’t remember the night her brother died, and she certainly doesn’t want to go back to Pine Point and face any memories that might be awoken there. But ten years after leaving her small hometown, she’s back to settle her estranged father’s estate and be rid of the half-renovated mansion she’s inherited. What she doesn’t expect is to find the house occupied by a hunky handyman reluctant to talk about his past. Damian Knight has been helping his mother and sister hide from a brutal stalker, but now the peace and carefully guarded safety they’ve found in Pine Point is in danger. The refuge they live in is about to be sold out from under them by the lovely but haunted Summer, a woman who quickly finds her way through Damian’s defenses and steals his heart. But in a small town full of powerful secrets, the past won’t remain buried. Summer has to face her memories and could lose the man she loves, and maybe even her life. Each book in the Pine Point series is a standalone story that can be enjoyed in any order. Series Order: Book #1: Summer’s Song Book #2: Winter Wonder Book #3: Spring Secrets Book #4: Autumn Allure
A collection of poetry celebrating the four seasons: summer, autumn, winter, and spring.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
This series has been written and compiled by Canadians for Canadians and supports the Provincial Music Curriculum Guidelines. Canada Is... Music includes songs to enjoy and help teach the elements of music, step-by-step lesson plans and strategies for successful learning experiences, units of study and songs that integrate music with other areas of the curriculum, song recordings with separate accompaniment tracks, listening materials and activities, and more.
Nineteenth-century British periodicals for girls and women offer a wealth of material to understand how girls and women fit into their social and cultural worlds, of which music making was an important part. The Girl's Own Paper, first published in 1880, stands out because of its rich musical content. Keeping practical usefulness as a research tool and as a guide to further reading in mind, Judith Barger has catalogued the musical content found in the weekly and later monthly issues during the magazine's first thirty years, in music scores, instalments of serialized fiction about musicians, music-related nonfiction, poetry with a musical title or theme, illustrations depicting music making and replies to musical correspondents. The book's introductory chapter reveals how content in The Girl's Own Paper changed over time to reflect a shift in women's music making from a female accomplishment to an increasingly professional role within the discipline, using 'the piano girl' as a case study. A comparison with musical content found in The Boy's Own Paper over the same time span offers additional insight into musical content chosen for the girls' magazine. A user's guide precedes the chronological annotated catalogue; the indexes that follow reveal the magazine's diversity of approach to the subject of music.
Popular Music Theory and Analysis: A Research and Information Guide uncovers the wealth of scholarly works dealing with the theory and analysis of popular music. This annotated bibliography is an exhaustive catalog of music-theoretical and musicological works that is searchable by subject, genre, and song title. It will support emerging scholarship and inquiry for future research on popular music.