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Sarah Margaret Fuller Ossoli (1810-1850), better known as Margaret Fuller, was a writer, editor, translator, early feminist thinker, critic, and social reformer who was associated with the Transcendentalist movement in New England. This is her introspective account of a trip to the Great Lakes region in 1843. Organized as a series of travel episodes interspersed with literary and social commentary, the work displays a style common to the portfolios, sketch books, and commonplace books kept by educated nineteenth-century women. In addition to her own thoughts about natural landscapes and human encounters, Fuller includes stories, legends, allegorical dialogues, poems, and excerpts from the works of other authors. When she traveled to the Midwest, Fuller was exhausted by her work as editor of the Dial, the Transcendentalist journal she edited with Ralph Waldo Emerson. Accompanied during part of the journey by her friends James Clarke and Sarah Clarke, who created the book's etchings, Fuller traveled by train, steamboat, carriage, and on foot in a circle from Niagara Falls north to Mackinac Island and Sault Ste. Marie, west to Milwaukee, south to Pawpaw, Illinois, and back to Buffalo. Fuller discusses Chicago in some detail, and laments the unjust treatment of Native Americans. She comments on the difficulties of pioneer life for women and on the degradation of the region's beautiful and exhilarating natural environment. She speaks favorably about the British-American agrarian visionary, Morris Birbeck, and includes a short story about an old school friend, Mariana, who dies because her active mind cannot adapt to the restrictive codes of behavior prescribed for the era's elite women.
Summer on the Lakes in 1843 By Margaret Fuller Ossoli, 1843 This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
In "Good Observers of Nature" Tina Gianquitto examines nineteenth-century American women's intellectual and aesthetic experiences of nature and investigates the linguistic, perceptual, and scientific systems that were available to women to describe those experiences. Many women writers of this period used the natural world as a platform for discussing issues of domesticity, education, and the nation. To what extent, asks Gianquitto, did these writers challenge the prevalent sentimental narrative modes (like those used in the popular flower language books) and use scientific terminology to describe the world around them? The book maps the intersections of the main historical and narrative trajectories that inform the answer to this question: the changing literary representations of the natural world in texts produced by women from the 1820s to the 1880s and the developments in science from the Enlightenment to the advent of evolutionary biology. Though Gianquitto considers a range of women's nature writing (botanical manuals, plant catalogs, travel narratives, seasonal journals, scientific essays), she focuses on four writers and their most influential works: Almira Phelps (Familiar Lectures on Botany, 1829), Margaret Fuller (Summer on the Lakes, in 1843), Susan Fenimore Cooper (Rural Hours, 1850), and Mary Treat (Home Studies in Nature, 1885). From these writings emerges a set of common concerns about the interaction of reason and emotion in the study of nature, the best vocabularies for representing objects in nature (local, scientific, or moral), and the competing systems for ordering the natural world (theological, taxonomic, or aesthetic). This is an illuminating study about the culturally assumed relationship between women, morality, and science.
"Indispensable to students of antebellum culture."—Philip F. Gura, Univ. of North Carolina. "A highly valuable resource for students of American Studies and Women's Studies alike."—Donald Pease, UC-Riverside.
This is the biography of American writer, adventurer and social critic Margaret Fuller.
Volume Two. -- "The New York Times Book Review"
The author provides an account of his experiences as a crew member on a tall-masted schooner during a six-week voyage through the Great Lakes, and discusses his other explorations of the lakes, looking at their history, geology, and environmental disaster and rescue.