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Get the Summary of Hettie Judah's Lapidarium in 20 minutes. Please note: This is a summary & not the original book. "Lapidarium" by Hettie Judah explores the multifaceted relationship between humans and stones, delving into historical, cultural, and scientific aspects. The book examines how precious stones and marble have symbolized wealth, power, and divine authority throughout history, with figures like Catherine the Great and Queen Elizabeth I using jewels to reflect their nations' affluence. It discusses the role of geology in empire-building through resource extraction and the symbolic meanings of stone structures, such as London's use of Portland limestone and the impermanence of stone ruins...
Inspired by the lapidaries of the ancient world, this book is a beautifully designed collection of true stories about sixty different stones that have influenced our shared history The earliest scientists ground and processed minerals in a centuries-long quest for a mythic stone that would prolong human life. Michelangelo climbed mountains in Tuscany searching for the sugar-white marble that would yield his sculptures. Catherine the Great wore the wealth of Russia stitched in gemstones onto the front of her bodices. Through the realms of art, myth, geology, philosophy and power, the story of humanity can be told through the minerals and materials that have allowed us to evolve and create. From the Taiwanese national treasure known as the Meat-Shaped Stone to Malta’s prehistoric “fat lady” temples carved in globigerina limestone to the amethyst crystals still believed to have healing powers, Lapidarium is a jewel box of sixty far-flung stones and the stories that accompany them. Together, they explore how human culture has formed stone, and the roles stone has played in forming human culture.
Inspired by the lapidaries of the ancient world, this book is a beautifully designed collection of true stories about sixty different stones that have influenced our shared history The earliest scientists ground and processed minerals in a centuries-long quest for a mythic stone that would prolong human life. Michelangelo climbed mountains in Tuscany searching for the sugar-white marble that would yield his sculptures. Catherine the Great wore the wealth of Russia stitched in gemstones onto the front of her bodices. Through the realms of art, myth, geology, philosophy and power, the story of humanity can be told through the minerals and materials that have allowed us to evolve and create. From the Taiwanese national treasure known as the Meat-Shaped Stone to Malta’s prehistoric “fat lady” temples carved in globigerina limestone to the amethyst crystals still believed to have healing powers, Lapidarium is a jewel box of sixty far-flung stones and the stories that accompany them. Together, they explore how human culture has formed stone, and the roles stone has played in forming human culture.
* An engaging and accessible guide to the galleries, art museums and artists of London, past and present* Authored by Hettie Judah, contributor on art for The Guardian, The New York Times and Vogue* Exclusive photography includes portraits of Tracey Emin, Anish Kapoor, Grayson Perry, Chantal Joffe, Rasheed Araeen, Jeremy Deller, Yinka Shonibare and many more, in their own studios* Part of a new series exploring London culture, joined by Vinyl London, Rock 'n' Roll London, Writers' London and London PeculiarsProdigies, revolutionaries, defiers of the patriarchy; drunks, rebels and impassioned immigrants; queer pioneers, paint-spattered punks and proto-feminists: there have always been artists in London. Some were celebrated in their lifetime, others were out-of-step with the spirit of their age: too radical, too subversive, too modest, too female, too foreign. Art London is more than a guidebook. It will accompany you on a journey through this great city, telling stories, uncovering histories, sharing insights into those who have made, collected and influenced art past and present. Moving neighbourhood by neighbourhood, Art London travels the streets with you, revealing art in museums, galleries and beyond, from palace to pub to studio. Anish Kapoor, Grayson Perry, Mona Hatoum, John Akomfra, Rasheed Araeen, Sunil Gupta, Tracey Emin and Yinka Shonibare were among the artists who agreed to have their portraits taken for this book, while at work in their studios. Alex Schneiderman's exclusive photographs reveal the human element behind contemporary art, while pictures of streetside galleries place London's art scene within an ever-expanding cosmopolitan world. Fascinating, entertaining, full of anecdote and insights, Art London reflects the city itself: energetic, diverse, resilient, occasionally outrageous, and never short of fresh ideas.
Celebrated for her paintings of women in diverse contexts, from Los Angeles hotels to temporary social housing, Caroline Walker navigates subjects including the pay gap, the beauty industry, gender stereotypes, and ageism. Here she presents a body of work depicting the daily life of the artist's mother at the family home in Fife, Scotland.
World-renowned Zen monk Thich Nhat Hanh champions a more mindful, spiritual approach to protecting nature and limiting climate change—one that recognizes people and planet as one and the same. While many experts point to the enormous complexity in addressing issues ranging from the destruction of ecosystems to the loss of millions of species, Thich Nhat Hanh identifies one key issue as having the potential to create a tipping point. He believes that we need to move beyond the concept of the “environment,” as it leads people to experience themselves and Earth as two separate entities and to see the planet only in terms of what it can do for them. Here, Thich Nhat Hanh points to the lack of meaning and connection in peoples’ lives as being the cause of our addiction to consumerism. He deems it vital that we recognize and respond to the stress we are putting on the Earth if civilization is to survive. Rejecting the conventional economic approach, Thich Nhat Hanh shows that mindfulness and a spiritual revolution are needed to protect nature and limit climate change. Love Letter to the Earth is a hopeful book that gives us a path to follow by showing that change is possible only with the recognition that people and the planet are ultimately one and the same.
From a fixed point in the middle of English nowhere, Vron Ware takes you through time and space to explain why transcending the urban-rural divide is integral to the future of the planet. Rural England is a mythic space, a complex canvas on which people from many different backgrounds project all kinds of fantasies, prejudices, desires and fears. This book seeks to challenge many of these ideas, showing how the artificial divide between rural and urban works to conceal the underlying relationship between these two fundamental poles of human settlement. This investigation of rurality is oriented from a fixed point in north-west Hampshire, marked by a signpost that points in four directions to two towns, four villages and two hamlets. Through stories, interviews and reportage gathered over two decades, the book demolishes tired notions of rural England that cast it as a separate realm of existence, whether marooned in a perpetual time-warp, or reduced to a refuge for the retired, wealthy urbanites, extreme nature-lovers, and, more recently, anyone tired of waiting out the pandemic in towns and cities. It poses two simple questions: what does the word rural mean today? What will it mean tomorrow? The author is an ambivalent native, held captive to the land by an umbilical cord but always on the verge of fleeing home to the city. She writes from a feminist, postcolonial standpoint that is alert to the slow violence of historical processes taking place over many centuries; enslavement, colonialism, industrialisation, globalisation. Both argument and narrative are propelled by the urgent need to reconsider the concept of ‘countryside’ in the context of the climate emergency and the patent collapse of ecosystems due to intensive farming which has poisoned the land.
A groundbreaking, witty, and eloquent exploration of slime that will leave you appreciating the nebulous and neglected sticky stuff that covers our world, inside and out. Slime. The very word seems to ooze oily menace, conjuring up a variety of unpleasant associations: mucous, toxins, reptiles, pollutants, and other unsavory viscous semi-liquid substances. Yet without slime, the natural world would be completely unrecognizable; in fact, life itself as we know it would be impossible In this deft and fascinating book, journalist Susanne Wedlich takes us on a tour of all things slimy, from the most unctuous of science fiction monsters to the biochemical compounds that are the very building blocks of life. Along the way she shows us what slime really means, and why slime is not something to fear, but rather something to ... embrace.
An ambitious, lavishly illustrated survey of the most valuable of precious gems
From antiquity to the present day, this book offers a fascinating insight into the histories, movements and conflicts which have come to shape our world, viewed through the stories of the destruction of 21 statues. Confederate soldiers hacked to pieces. A British slave trader dumped in the river. An Aboriginal warrior twice beheaded. A Chinese philosopher consumed by fire. A Greek goddess left to rot in the desert… Statues stand as markers of collective memory connecting us to a shared sense of belonging. When societies fracture into warring tribes, we convince ourselves that the past is irredeemably evil. So, we tear down our statues. But what begins with the destruction of statues, ends with the killing of people. This remarkable book is a compelling history of love and hate spanning every continent, religion and era, told through the destruction of 21 statues. Peter Hughes’ original approach, blending philosophy, psychology and history, explores how these symbols of our identity give us more than an understanding of our past. In the wars that rage around them, they may also hold the key to our future. The 21 statues are Hatshepsut (Ancient Egypt), Nero (Suffolk, UK), Athena (Syria), Buddhas of Bamiyan (Afghanistan), Hecate (Constantinople), Our Lady of Caversham (near Reading, UK), Huitzilopochtli (Mexico), Confucius (China), Louis XV (France), Mendelssohn (Germany), The Confederate Monument (US), Sir John A. Macdonald (Canada), Christopher Columbus (Venezuela), Edward Colston (Bristol, UK), Cecil Rhodes (South Africa), George Washington (US), Stalin (Hungary), Yagan (Australia), Saddam Hussein (Iraq), B. R. Ambedkar (India) and Frederick Douglass (US). A History of Love and Hate in 21 Statues is a profound and necessary meditation on identity which resonates powerfully today as statues tumble around the world.