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A National Book Award Finalist A "riveting" (New York Times) look at one year of Viennese life during the twilight of an empire On January 30, 1889, at the champagne-splashed hight of the Viennese Carnival, the handsome and charming Crown Prince Rudolf fired a revolver at his teenaged mistress and then himself. The two shots that rang out at Mayerling in the Vienna Woods echo still. Frederic Morton, author of the bestselling Rothschilds, deftly tells the haunting story of the Prince and his city, where, in the span of only ten months, "the Western dream started to go wrong." In Rudolf's Vienna moved other young men with striking intellectual and artistic talents—and all as frustrated as the Prince. Among them were: young Sigmund Freud, Gustav Mahler, Theodor Herzl, Gustav Klimt, and the playwright Arthur Schnitzler, whose La Ronde was the great erotic drama of the fin de siecle. Morton studies these and other gifted young men, interweaving their fates with that of the doomed Prince and the entire city through to the eve of Easter, just after Rudolf's body is lowered into its permanent sarcophagus and a son named Adolf Hitler is born to Frau Klara Hitler.
Please note: This is a companion version & not the original book. Sample Book Insights: #1 On July 6, 1888, the price of sugar went up from forty to forty-two kreuzers a kilo in Imperial Vienna. On the afternoon of the same day, the gates of Franz Joseph’s palace swung open. A carriage swept out onto the cobbles of the Ringstrasse. #2 The Austrian Empire was a dynastic fiction, but it was still a spectacular oddity among the great states of Europe. Rudolf waited to be the next Austrian emperor. Every fairytale corner of the Monarchy contributed visitors to the Ringstrasse. #3 The Ringstrasse was home to many military uniforms, which made for a beautiful sight. But the boulevard also attracted officers from all over the Empire, who brought with them their nation's tensions and nationalism. #4 Rudolf was the heir apparent, but he had never been given any real power save the almost occult ability to make heels click and hats levitate through his mere presence. He had learned to play the princely eunuch for a while longer.
In the past two centuries, the Rothschild family has been at the center of great events in Europe and the world, such as the defeat of Napoleon at Waterloo and the development of the Suez Canal. In this National Book Award finalist, Frederic Morton brings the family to life, starting with Mayer of Frankfurt, longtime adviser to Germany’s princes, who broke through the barriers of the Jewish ghetto and placed his family on the road to wealth and power, followed by Lord Alfred in London, Baron Philippe in Paris, and many others. “[Morton’s] tale grows fascinating, luxuriating in the social and human details of what happened once the Rothschild tribe had financed England, bailed out the returning French Bourbons, helped Austria intervene in Italy and lent millions to the Holy See itself.” — William Harlan Hale, The New York Times “Hardly a page without sparkle. Morton writes a chromium-plate style... [he] enables the reader to grasp some of the fundamental secrets of the Rothschild success — above all, its endurance.” — New York Herald Tribune Books “Vivid, witty and perceptive.” — Saturday Review
A distinguished historian and Budapest native offers a rich and eloquent portrait of one of the great European cities at the height of its powers. Budapest, like Paris and Vienna, experienced a remarkable exfoliation at the end of the nineteenth century. In terms of population growth, material expansion, and cultural exuberance, it was among the foremost metropolitan centers of the world, the cradle of such talents as Bartók, Kodály, Krúdy, Ady, Molnár, Koestler, Szilárd, and von Neumann, among others. John Lukacs provides a cultural and historical portrait of the city—its sights, sounds, and inhabitants; the artistic and material culture; its class dynamics; the essential role played by its Jewish population—and a historical perspective that describes the ascendance of the city and its decline into the maelstrom of the twentieth century. Intimate and engaging, Budapest 1900 captures the glory of a city at the turn of the century, poised at the moment of its greatest achievements, yet already facing the demands of a new age. “Lukacs’s Budapest, like Hemingway’s Paris, is a moveable feast.” —Chilton Williamson “Lukacs’s book is a lyrical, sometimes dazzling, never merely nostalgic evocation of a glorious period in the city’s history.” —The New York Review of Books “A reliable account of a beautiful city at the zenith of its prosperity.” —Publishers Weekly
One of the most revered essayists and novelists of his generation, Frederic Morton has captured with matchless immediacy the glamour of Vienna before World War I and the storied opulence of the Rothschild family in his bestselling and award-winning works. Now, in his first book in more than fifteen years, he delivers a luminous look at his own unique pursuit of the American dream. Like many Austrian boys in 1936, the author idolizes Fritz Austerlitz, the Austrian American who went to Hollywood and emerged as Fred Astaire. When his family is forced to flee Vienna, Fritz Mandelbaum becomes Fred Morton and immigrates to New York City. Though he does not learn English until he is sixteen years old, Morton nonetheless goes on to succeed as a writer. The author sets out ten scenes from his pilgrim life and his remarkable road to success: from watching a poorly dubbed Astaire in Vienna to delivering apricot tarts as a baker's assistant in New York; from Salt Lake City where as a young English instructor he met Vladimir Nabokov to a Christmas spent with the Rothschilds at Château Mouton. Runaway Waltz is a soulful, beautifully written portrait of one man's extraordinary quest for fulfillment and enduring transformation.
Presents a biography of the emperor of Austria as well as a history of Europe during his reign.
"At the start of the 20th century, more than fifty artists gathered in Vienna with varying ideas but a common determination: to be free of the bourgeois morality and its obsolete traditions. The Vienna Secession, founded in 1897, would shape a distinctive form of art in Vienna and all over the world. Gustav Klimt, Richard Strauss, Otto Wagner, Sigmund Freud, Egon Schiele, and others all sought ways to break with the classicism of the Austro-Hungarian Empire on its decline. In his atmosphere of artistic, intellectual, and political effervescence, a new world was born."--Sitio web del editor.
A new and revised edition of Alan Sked’s groundbreaking book which examines how the Habsburg Empire survived the revolutionary turmoil of 1848. ‘The Year of Revolutions', saw the whole of Europe convulsed in turmoil and revolt. Yet the Habsburg Empire survived. As state after state succumbed to the violent winds of change that were sweeping the continent. How did the Habsburg Empire survive? How was the army able hold together while the rest of the empire collapsed in civil war, and how was it able to seize the political initiative In this new edition, Alan Sked reflects on the changed understanding of the period which resulted from the first appearance of this book, and widens the discussion to look at the Habsburg Empire alongside the decline of the Russian and German Empires, arguing that it is possible to understand their decline from a broad European perspective, as opposed to the overly narrow focus of recent explanations. Alan Sked makes us look at familiar events with new eyes in this radical, vigorously written classic which is essential reading for anyone interested in the history of nineteenth-century Europe.
These fascinating, never-before-published early diaries of Count Harry Kessler—patron, museum director, publisher, cultural critic, soldier, secret agent, and diplomat—present a sweeping panorama of the arts and politics of Belle Époque Europe, a glittering world poised to be changed irrevocably by the Great War. Kessler’s immersion in the new art and literature of Paris, London, and Berlin unfolds in the first part of the diaries. This refined world gives way to vivid descriptions of the horrific fighting on the Eastern and Western fronts of World War I, the intriguing private discussions among the German political and military elite about the progress of the war, as well as Kessler’s account of his role as a diplomat with a secret mission in Switzerland. Profoundly modern and often prescient, Kessler was an erudite cultural impresario and catalyst who as a cofounder of the avant-garde journal Pan met and contributed articles about many of the leading artists and writers of the day. In 1903 he became director of the Grand Ducal Museum of Arts and Crafts in Weimar, determined to make it a center of aesthetic modernism together with his friend the architect Henry van de Velde, whose school of design would eventually become the Bauhaus. When a public scandal forced his resignation in 1906, Kessler turned to other projects, including collaborating with the Austrian writer Hugo von Hofmannsthal and the German composer Richard Strauss on the opera Der Rosenkavalier and the ballet The Legend of Joseph, which was performed in 1914 by the Ballets Russes in London and Paris. In 1913 he founded the Cranach-Presse in Weimar, one of the most important private presses of the twentieth century. The diaries present brilliant, sharply etched, and often richly comical descriptions of his encounters, conversations, and creative collaborations with some of the most celebrated people of his time: Otto von Bismarck, Paul von Hindenburg, Hugo von Hofmannsthal, Richard Strauss, Igor Stravinsky, Sergei Diaghilev, Vaslav Nijinsky, Isadora Duncan, Ruth St. Denis, Sarah Bernhardt, Friedrich Nietzsche, Rainer Marie Rilke, Paul Verlaine, Gordon Craig, George Bernard Shaw, Harley Granville-Barker, Max Klinger, Arnold Böcklin, Max Beckmann, Aristide Maillol, Auguste Rodin, Edgar Degas, Éduard Vuillard, Claude Monet, Edvard Munch, Ida Rubinstein, Gabriele D’Annunzio, Pierre Bonnard, and Walther Rathenau, among others. Remarkably insightful, poignant, and cinematic in their scope, Kessler’s diaries are an invaluable record of one of the most volatile and seminal moments in modern Western history.
The death of Archduke Franz Ferdinand in Sarajevo in 1914 not only sparked the beginning of World War I—it also initiated the beginning of the end of the six-hundred-year-old Habsburg dynasty, which fell apart when the war ended, changing Europe forever. But how did the Habsburgs come to play such a decisive role in the fate of the continent? Paula Sutter Fichtner seeks to answer this question in this comprehensive account of the longest-lived European empire. Tracing the origins of the house of Habsburg to the tenth century, Fichtner identifies the principal characters in the story and explores how they were able to hold together such a culturally diverse and multiethnic state for so many centuries. She takes account of the intertwining of culture, politics, and society, revealing the strategies that enabled the dynasty’s extraordinarily long life: its dazzling mix of cultural propaganda, public performances, and cunning political maneuvering. She points out the irony that one of the crowd-pleasing performances that had enabled the Habsburg success—visiting beds of the injured—led to Ferdinand’s death and the empire’s downfall. Breathing fresh life into the history of the Habsburg reign, this accessible and authoritative history charts one of the pivotal foundation stories of modern Europe.