Download Free Summary Of Ari Fleischers Suppression Deception Snobbery And Bias Book in PDF and EPUB Free Download. You can read online Summary Of Ari Fleischers Suppression Deception Snobbery And Bias and write the review.

Please note: This is a companion version & not the original book. Sample Book Insights: #1 Lemon and his anti-Trump guests mocked the tens of millions of Americans who voted for Trump as being elitists who only know how to sip their lattes and know about other countries. They didn’t care that Trump was from New York City. #2 The media’s small-minded approach to its job and routine dismissal of conservative and populist thought is a major reason America is so polarized. #3 The media’s role in the country’s polarization cannot be understated. So long as the media continues to engage in suppression, deception, snobbery, and bias, the nation will be harmed. #4 Journalism is suffering. It has become largely liberal, and too unfamiliar with the circumstances and needs of many Americans, especially those without college degrees.
Russian collusion. The lab-leak theory. The Hunter Biden laptop. Mostly peaceful protests. What if America’s misinformation problem is coming from inside the mainstream media? Fox contributor Ari Fleischer says most Americans live in a media-created fantasyland. Never before have we been so information-rich yet so poorly informed. America’s liberal media keeps getting the news wrong. In Suppression, Deception, Snobbery, and Bias, Fleischer notes that half the country is keenly aware that they are routinely mocked and looked down on by much of the media. The disdain shown by too many reporters for too many Americans is a major reason our nation is polarized and divided. Today’s mainstream media is dominated by college-educated Democratic voters who write stories for other college-educated Democrats. These journalists haven’t just slanted the media; they take sides in our debates and are too often activists for a cause. There is no secret meeting where liberals decide how to slant the news. There is no central source of propaganda. It’s worse than that. It comes naturally to the media because they’re too much alike—they have a diversity problem. It’s time the press faced up to why so few people trust them and why they’ve been losing viewers and readers for decades. Suppression, Deception, Snobbery, and Bias is the reckoning they will never do on their own.
The early years of the twenty-first century were a tumultuous time in America. The country faced a hotly contested presidential election, the largest terrorist attack in the nation's history, and the early stages of war. Through it all, President George W. Bush surrounded himself with a handful of close advisers. During this time the man beside the President was Ari Fleischer, his press secretary and one of his most trusted confidants. In this role, Fleisher was present for every decision and became an eyewitness to history. In this riveting account, Fleischer goes behind the scenes as he recalls his experiences in the West Wing. Through the ups and downs of this time, he took the heat, fielded the questions, and brought the President's message into living rooms around the world. In Taking Heat, Fleischer, for the first time, gives his perspective on: The 2000 election, from the recounts to the transition to power September 11, 2001, its aftermath, and the anthrax scare The pressure-filled buildup to the war in Iraq and the President's thoughts as the war began Life in the White House, from learning to adjust to the pace of the West Wing and his early briefings to his relationship with the press The White House press corps, who they are, and how they report the news The factors that led to his decision to leave Washington behind. This is the story of the men and women of the White House press corps and the cornerstones of democracy: freedom of speech and the freedom of the press. Fleischer presents an in-depth, insider's view on the Washington political arena from a perspective few have seen. Fleischer writes of his belief that the press has a bias in Washington. It's not a question of partisanship or press-driven ideology. Instead, it's a focus on conflict, particularly if it's a conflict they can attach to the President. It's the nature of the White House press corps, regardless of who's in power. The members of the White House press corps are masters at being devil's advocate, able to take with passion the opposite side of whatever issue the President supports. Fleischer's job was to calmly field their questions, no matter how pointed. Taking Heat is an introspective exploration of the top political events in the first half of the Bush administration, as well as the candid observations of a professional who stood in the bright lights of the world stage.
This comprehensive, trusted core text on media's impact on attitudes, behavior, elections, politics, and policymaking is known for its readable introduction to the literature and theory of the field. Mass Media and American Politics, Tenth Edition is thoroughly updated to reflect major structural changes that have shaken the world of political news, including the impact of the changing media landscape. It includes timely examples of the significance of these changes pulled from the 2016 election cycle. Written by Doris A. Graber—a scholar who has played an enormous role in establishing and shaping the field of mass media and American politics—and Johanna Dunaway, this book sets the standard.
Provides crucial context for important recent developments
Super Mad at Everything All the Time explores the polarization of American politics through the collapse of the space between politics and culture, as bolstered by omnipresent media. It seeks to explain this perfect storm of money, technology, and partisanship that has created two entirely separate news spheres: a small, enclosed circle for the right wing and a sprawling expanse for everyone else. This leads to two sets of facts, two narratives, and two loudly divergent political sides with extraordinary anger all around. Based on extensive interviews with leading media figures and politicos, this book traces the development of the media machine, giving suggestions on how to restore our national dialogue while defending our right to disagree agreeably.
An Instant New York Times Bestseller! China has concentration camps now. Why do Westerners claim our sins are unique? It is now in vogue to celebrate non-Western cultures and disparage Western ones. Some of this is a much-needed reckoning, but much of it fatally undermines the very things that created the greatest, most humane civilization in the world. In The War on the West, Douglas Murray shows how many well-meaning people have been fooled by hypocritical and inconsistent anti-West rhetoric. After all, if we must discard the ideas of Kant, Hume, and Mill for their opinions on race, shouldn’t we discard Marx, whose work is peppered with racial slurs and anti-Semitism? Embers of racism remain to be stamped out in America, but what about the raging racist inferno in the Middle East and Asia? It’s not just dishonest scholars who benefit from this intellectual fraud but hostile nations and human rights abusers hoping to distract from their own ongoing villainy. Dictators who slaughter their own people are happy to jump on the “America is a racist country” bandwagon and mimic the language of antiracism and “pro-justice” movements as PR while making authoritarian conquests. If the West is to survive, it must be defended. The War on the West is not only an incisive takedown of foolish anti-Western arguments but also a rigorous new apologetic for civilization itself.
“Puritanism: The haunting fear that someone, somewhere, may be happy.” -H.L. Mencken The Left used to be the party of the hippies and the free spirits. Now it’s home to woke scolds and humorless idealogues. The New Puritans can judge a person’s moral character by their clothes, Netflix queue, fast food favorites, the sports they watch, and the company they keep. No choice is neutral, no sphere is private. Not since the Puritans has a political movement wanted so much power over your thoughts, hobbies, and preferences every minute of your day. In the process, they are sucking the joy out of life. In The Rise of the New Puritans, Noah Rothman explains how, in pursuit of a better world, progressives are ruining the very things which make life worth living. They’ve created a society full of verbal trip wires and digital witch hunts. Football? Too violent. Fusion food? Appropriation. The nuclear family? Oppressive. Witty, deeply researched, and thorough, The Rise of the New Puritans encourages us to spurn a movement whose primary goal has become limiting happiness. It uncovers the historical roots of the left’s war on fun and reminds us of the freedom and personal fulfillment at the heart of the American experiment.
Everyone wants: High schoolers to graduate well-prepared for jobs. Improved STEM literacy. Greater achievement for inner-city children. Happiness for all children. So why are liberals spending billions of dollars working against those goals? In Race to the Bottom, Luke Rosiak uncovers the shocking reason why American education is failing: Powerful special interest groups are using our kids as guinea pigs in vast ideological experiments. These groups’ initiatives aren’t focused on making children smarter—but on implementing a radical agenda, no matter the effect on academic standards. Nonprofits pump billions into initiatives meant to redress racial inequities. Rather than fixing the problem, districts with a big gap between white and black test scores hire consultants who claim the tests are meaningless because they are “racist.” These consultants’ judgments allow school districts to ignore their own failures—ultimately hurting minority students and perpetuating racism. That is just one example. Drawing on his years in investigative journalism, Rosiak did a deep dive into school files, financial records, and parents’ stories. What he found is that nonprofit influence has crept into the educational bureaucracy all over America. Corrupt school boards and quack diversity consultants abound. Teachers drawing government pay claim it’s unsafe to return to in-person school, but “double dip” teaching in-person private classes. And amid all this focus on money and equity, academic standards are crumbling, which hurts American kids in ways we’ll be suffering for decades. Race to the Bottom is the first comprehensive exposé of the way radical ideology and self-serving administrators are destroying academic quality in America’s K-12 schools. Rigorous and deeply-researched, this is essential reading for anyone who cares about the future of our kids.
The Shadow and Its Shadow is a classic collection of writings by the Surrealists on their mad love of moviegoing. The forty-odd theoretical, polemical, and poetical re-visions of the seventh art in this anthology document Surrealism's scandalous and nonreductive take on film. Writing between 1918 and 1977, the essayists include such names as Andréeacute; Breton, Louis Aragon, Robert Desnos, Salvador Dalíiacute;, Luis Buñntilde;uel, and man Ray, as well as many of the less famous though equally fascinating figures of the movement. Paul Hammond's introduction limns the history of Surrealist cinemania, highlighting how these revolutionary poets, artists, and philosophers sifted the silt of commercial-often Hollywood-cinema for the odd fleck of gold, the windfall movie that, somehow slipping past the censor, questioned the dominant order. Such prospecting pivoted around the notion of lyrical behavior-as depicted on the screen and as lived in the movie house. The representation of such behavior led the Surrealists to valorize the manifest content of such denigrated genres as silent and sound comedy, romantic melodrama, film noir, horror movies. As to lived experience, moviegoing Surrealists looked to the spectacle's latent meaning, reading films as the unwitting providers of redemptive sequences that could be mentally clipped out of their narrative context and inserted into daily life-there, to provoke new adventures. "Hammond's book is a reminder of the wealth and range of surrealist writings on the cinema. . . . [T]he work represented here is still challenging and genuinely eccentric, locating itself in an 'ethic' of love, reverie and revolt." --Sight & Sound "Hammond, who is the author of the invaluable anthology The Shadow and its Shadow: Surrealist Writing on the Cinema (1978), writes about cinema independently of the changing academic and cultural fashions of film theory and abhors the dogmas of contemporary border-patrol thought. His magnetically appealing free-wheeling form of erudite film-critical writing is recognisable for its iconoclastic humour, non-authoritarian verve and playful witty discursivity." --John Conomos, Senses of Cinema Paul Hammond is a writer, editor, and translator living in Barcelona. He is the author of Constellations of Miróoacute;, Breton which was published by City Lights.