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Chicago architect Louis Sullivan provided philosophical impetus, formulated compositional principles and established ornamental models that inspired the Sullivanesque. The Sullivanesque (1890-1930) ranged from the "high art" of Sullivan to a commercial vernacular espoused by builder architects. Sophisticated or primitive, collectively, it was a rare creative flourish in American architecture. The Sullivanesque was explored in-depth in my book, SULLIVANESQUE: URBAN ARCHITECTURE & ORNAMENTATION (Urbana: University of Illinois Press, 2002). The intent of this new book is to: 1) include new and many more color illustrations, 2) update and expand the Inventory of Sullivanesque Buildings, which was an Appendix in the 2002 book; and, 3) summarize highlights of the Sullivanesque Movement. This new publication does not supplant but supplements the original 2002 book. Since the 2002 Inventory of Sullivanesque Buildings, an alarming number have been demolished. This distinctly American kind of architecture is becoming more difficult to find. The inventory and photographs thoroughly record known Sullivanesque buildings, both extant and lost. This is a 8" x 10" book with 166 pages and 574 color photographs by the author. In addition, there are 21 historical photographs predating 1924. This new book is a concise but thorough documentation of Sullivanesque Architecture.
Sullivanesque offers a visual and historical tour of a unique but often overlooked facet of modern American architecture derived from Louis Sullivan.Highly regarded in architecture for inspiring the Chicago School and the Prairie School, Sullivan was an unwilling instigator of the method of facade composition--later influenced by Frank Lloyd Wright, William Gray Purcell, and George G. Elmslie--that came to be known as Sullivanesque. Decorative enhancements with botanical and animal themes, Sullivan's distinctive ornamentation mitigated the hard geometries of the large buildings he designed, coinciding with his "form follows function" aesthetic.Sullivan's designs offered solutions to problems presented by new types and scales of buildings. Widely popular, they were also widely copied, and the style proliferated due to a number of Chicago-based interests, including the Radford Architectural Company and several decorative plaster and terra-cotta companies. Stock replicas of Sullivan's designs manufactured by the Midland Terra Cotta Company and others gave distinction and focus to utilitarian buildings in Chicago's commercial strips and other confined areas, such as the downtown districts of smaller towns. Mass-produced Sullivanesque terra cotta endured as a result of its combined economic and aesthetic appeal, blending the sophistication of high architectural art with the pragmatic functionality of building design.Masterfully framed by the author's photographs of Sullivanesque buildings in Chicago and throughout the Midwest, Ronald E. Schmitt's in-depth exploration of the Sullivanesque tells the story of its evolution from Sullivan's intellectual and aesthetic foundations to its place as a form of commercial vernacular. The book also includes an inventory of Sullivanesque buildings.Honorable Mention recipient of the 2002 PSP Awards for Excellence in Professional/Scholarly Publishing
Written in an accessible style, Henry's work places Texas architecture in the wider context of American architectural history by tracing the development of building in the state from late Victorian styles, and the rise of neoclassicism, to the advent of the International Style.... His work provides a welter of new facts, both about the era's buildings and the architects who designed them, and he has catalogued and described most of the important landmarks of the period. -- Southwestern Historical Quarterly ., .a significant contribution to the study of Texas architecture.... -- Drury Blakeley Alexander, author of Texas Homes of the Nineteenth Century Texas architecture of the twentieth century encompasses a wide range of building styles, from an internationally inspired modernism to the Spanish Colonial Revival that recalls Texas' earliest European heritage. This book is the first comprehensive survey of Texas architecture of the first half of the twentieth century. More than just a catalog of buildings and styles, the book is a social history of Texas architecture. Jay C. Henry discusses and illustrates buildings from around the state, drawing a majority of his examples from the ten to twelve largest cities and from the work of major architects and firms, including C. H. Page and Brother, Trost and Trost, Lang and Witchell, Sanguinet and Staats, Atlee B. and Robert M. Ayres, David Williams, and O'Neil Ford. The majority of buildings he considers are public ones, but a separate chapter traces the evolution of private housing from late-Victorian styles through the regional and international modernism of the 1930s. Nearly 400 black-and-white photographs complement thetext. Written to be accessible to general readers interested in architecture, as well as to architectural professionals, this work shows how Texas both participated in and differed from prevailing American architectural traditions.
This 32-page catalog is a photographic record (with 98 images) and description of the pieces/items in the collection of R. & R. Schmitt. This collection features architectural terra cotta, casts, glass and hardware with concentration on the Sullivanesque Style in American architecture.
Traces Minnesota's architectural development in eight regions of the state from territorial days to the present and outlines tours of the state's landmarks. A perfect companion for sight-seeing trips.
Settling in an isolated desert valley, Salt Lake City's Mormon pioneers laid out a city grid and constructed permanent structures to create their version of Zion. They brought with them their architects, builders, tools, and experience gained in the Midwest. Within a decade, the fast-growing community had created religious, business, and residential centers with Greek- and Gothic Revival-style structures built of stone and adobe. With the arrival of the railroad, urban architects, and a sizable "gentile" (non-Mormon) population in the 1860s, the city's architecture suddenly diversified in scale, style, and material. By the 1890s, virtually every American style was represented and impressive landmarks were found citywide. This trend continued throughout the early 20th century as talented architects designed in a rich variety of architectural expressions. Although several important buildings are lost, many remain and are now restored. In this book, Salt Lake City's legacy of historic governmental, religious, commercial, industrial, educational, social, and residential architecture--from 1850 through 1930--is pictured and described.
Asheville: an architectural gem of the Blue Ridge Mountains. Known for its architectural diversity and intriguing Art Deco style, Asheville has been fortunate in attracting brilliant architects who have created lasting testaments in brick and stone with imaginative foresight and design expertise. Local architectural enthusiast Richard Hansley recounts the history behind dozens of Asheville's most prominent buildings and historical neighborhoods in Asheville's Historic Architecture. Discover how Douglas Ellington, Richard Sharp Smith, James Vester Miller and Tony Lord influenced this busy metropolis, as landmarks like the Jackson Building, the Grove Park Inn and the Art Deco City Building were constructed along the city's thriving streets. These buildings have stood the test of time and remain as breathtaking in concept and appearance today as when first completed.
Have you ever been intrigued by a beautiful building and wondered when it was built? Identifying American Architecture provides the answer to such questions in a concise handbook perfect for preservationists, architects, students, and tourists alike. With 214 photographs, it allows readers to associate real buildings with architectural styles, elements, and orders. Identifying American Architecture was designed to be used--carried about and kept handy for frequent reference. Every photograph is keyed to an explanatory legend pointing out characteristic features of each building's style. Trade bookstores order from W.W. Norton, NY