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Exhibition of 51 abstract expressionist artists featuring small acale paintings from 1945-1965. Exibit will travel to 10 museums from May 2007 - October 2008
"When a weary stranger arrives one day with nothing but a suitcase, his new neighbors ask nervous questions about who he is and where he comes from before they are challenged to decide between trusting the newcomer or taking the risk of not believing him"--
The first book by Helene Cixous on painting and the contemporary arts. These 11 chapters bring together Helene Cixous' writings about specific contemporary artists and artworks. Neither simply 'art criticism' nor critical essays, Cixous responds to these
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. You can't think about travel without thinking about luggage. And baggage has baggage. Susan Harlan takes readers on a journey with the suitcases that support, accessorize, and accompany our lives. Along the way, she shows how the materials of travel - the carry-ons, totes, trunks, and train cases of the past and present - have stories to tell about displacement, home, gender, class, consumption, and labor. Luggage considers bags as carefully curated microcosms of our domestic and professional selves, charting the evolution of travel across literature, film, and art. A simple suitcase, it turns out, contains more than you might think. Object Lessons is published in partnership with an essay series in The Atlantic.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1978.
Based on the myth of the beautiful captive, this novel, first published in 1975 and reprinted with a critical essay, takes its themes from the paintings of the French surrealist, constructing a dream-like narrative suffused with eroticism, playfulness, and subversion.
John McPhee's The Ransom of Russian Art is a suspenseful, chilling, and fascinating report on a covert operation like no other. It offers unprecedented insight into Soviet culture at the brink of the Union's collapse. In the 1960s and 1970s, an American professor of Soviet economics forayed on his own in the Soviet Union, bought the work of underground "unofficial" artists, and brought it out himself or arranged to have it illegally shipped to the United States. Norton Dodge visited the apartments of unofficial artists in at least a dozen geographically scattered cities. By 1977, he had a thousand works of art. His ultimate window of interest involved the years from 1956 to 1986, and through his established contacts he eventually acquired another eight thousand works—by far the largest collection of its kind. McPhee investigates Dodge's clandestine activities in the service of dissident Soviet art, his motives for his work, and the fates of several of the artists whose lives he touched.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
"Museum of Chance is the first publication of Museum Bhavan, which is a collection of museums made by Dayanita Singh in New Delhi. The museums hoiuse old and new images made by the artist. Each wooden structure can be placed and opened in different ways, and holds around a hundred framed images, some on view, while others wait for their turn in the reserve collection, also kept inside the structures. As Singh keeps adding images to the museums, the museums themselves give birth to other museums. For example, the Museum of Embraces comes out of the Museum of Chance, and the Museum of Vitrines is contained within the Museum of Furniture. This publication is a mass produced artist book for the museum by the same name. Each image in the book is a cover image on one of the books."--Colophon.
New edition with foreword by Nobel Peace Prize winner Desmond Tutu: “How extraordinary that this humble suitcase has enabled children all over the world to learn through Hana’s story the terrible history of what happened and that it continues to urge them to heed the warnings of history.” In the spring of 2000, Fumiko Ishioka, the curator of a small Holocaust education centre for children in Tokyo, received a very special shipment for an exhibit she was planning. She had asked the curators at the Auschwitz museum if she could borrow some artifacts connected to the experience of children at the camp. Among the items she received was an empty suitcase. From the moment she saw it, Fumiko was captivated by the writing on the outside that identified its owner – Hana Brady, May 16, 1931, Waisenkind (the German word for orphan). Children visiting the centre were full of questions. Who was Hana Brady? Where did she come from? What was she like? How did Hana become an orphan? What happened to her? Fueled by the children’s curiosity and her own need to know, Fumiko began a year of detective work, scouring the world for clues to the story of Hana Brady. Writer Karen Levine follows Fumiko in her search through history, from present-day Japan, Europe and North America back to 1938 Czechoslovakia and the young Hana Brady, a fun-loving child with a passion for ice skating. Together with Fumiko, we learn of Hana’s loving parents and older brother, George, and discover how the family’s happy life in a small town was turned upside down by the invasion of the Nazis. Based on an award-winning CBC documentary, Hana’s Suitcase takes the reader on an incredible journey full of mystery and memories, which come to life through the perspectives of Fumiko, Hana and later Hana’s brother, who now lives in Canada. Photographs and original wartime documents enhance this extraordinary story that bridges cultures, generations and time. Ideal for young readers aged 9 and up. Hana’s Suitcase is part of the award-winning Holocaust Remembrance Series for Young Readers.